Fernando Guerra | FG+SG
Fernando Guerra has been a pioneer in the way architecture is photographed and divulged. Fifteen years ago, he opened studio FG+SG together with his brother, and both are responsible in large part for the diffusion of Portuguese contemporary architecture in the last fifteen years.
The purpose of architectural photography is to show a design in the best possible way, with the artform often characterized by perspective correction and atmospheric lighting. However, few architectural photographers have experimented with other artistic disciplines. Miguel de Guzmán, Paul Vu and Jules Couartou are among those who have challenged the limits of this form of photography, generating an interesting crossover between architecture photography, fashion and performances. In their images, the relationship between space and the user is shown through a scene designed to register an effect on the viewer. The results are images which are full of creativity.
There are few things that fascinate us more than the sea. Its contemplation arouses a sense of peace, while its colors, textures, movements and amplitude provide a scientifically proven effect of relaxation in our nervous system. Above all, it makes us realize how small we are in the universe. It is not by chance that a house facing the sea is a dream of consumption for many, let alone with a pool right in front of it. Infinity pools play with this feeling of infinite sea and sky. Through a well-elaborated set of levels and plans, they create an optical illusion that leaves everyone speechless, making pool water appear as if merged with the horizon, overflowing at one or more edges. But before you plan your photo on Instagram with a glass of sparkling wine in your hand, let's take a look at how these pools are built.
ArchDaily turns 11! To commemorate the occasion, we want to share with you the 11 projects most visited by our readers during this incredible journey. From the indisputable and timeless classics from of designers like Le Corbusier and Ludwig Mies van der Rohe, to the pioneering works of architects such as Zaha Hadid and OMA, passing through the delicate work of Gabinete de Arquitectura, these 11 examples teach us valuable lessons about architecture, most importantly: how to design for specific requirements without losing the creativity and beauty of architectural design.
On behalf of ArchDaily, we want to thank you for sharing with us the best architecture in the world, helping us to inspire professionals from all over the world to build better cities.
Perhaps the most renowned 'skylight' ever built is the Pantheon of Rome commissioned by Marco Vipsanius Agrippa during the reign of Emperor Augustus (27 BC-14 AD) and rebuilt by Hadrian (117-118) around 126 AD. At the highest point of its dome (in this case, the oculus) the sunlight shines, casting its beams over the various statues of planetary deities that occupy the niches on the walls. The light that enters the space symbolizes a cosmic, sacred dimension. In projects around the world, natural light continues to fulfill this scenic role, especially in religious projects.
It is characterized as zenithal illumination as that which comes from above, from the sky (zenith). Very useful for large spaces that can not be adequately lit by windows, skylights are a widely used device for providing a pleasant, diffuse light. Generally, care is taken to prevent direct entry of sunlight; the openings must be well designed so that they do not overheat the space of allow water infiltration. Below is a collection of projects that make good use of this technique.
When we think of concrete, the color gray generally comes to mind. The traditional mixture of concrete, which comprises cement, gravel, sand, and water may vary in color depending on elements and admixtures but naturally varies from light to dark gray. However, compounds that add pigment to the mixture are becoming increasingly prevalent and popular, as they infuse the concrete with hues more stable than paint. These shades result from the addition of oxides: yellow, red and their derivations (eg. brown) are obtained with the addition of iron oxide; chromium and cobalt oxide create the greens and blues, respectively. For black concrete, it is common to use black iron oxide and carbon oxide combined with pozzolanic cement.
“The Flying Photographer” is the name of the documentary that will showcase Sara Nunes (architectural film director from Building Pictures) following the amazing journey of Fernando Guerra during the period of one year of travel to get the best architecture photographs from around the world.
The architectural approach of 2011 Pritzker Prize-winner Eduardo Souto de Moura can be difficult to summarize. His convictions on matters of aesthetics and design are strongly held, but also highly individual and at times even unusual. In his work, this translates to buildings that are enigmatic, yet not flashy—in the words of the 2011 Pritzker Prize jury, “His buildings have a unique ability to convey seemingly conflicting characteristics—power and modesty, bravado and subtlety, bold public authority and sense of intimacy—at the same time.” In the latest interview from his “City of Ideas” series, Vladimir Belogolovsky speaks to Souto de Moura to probe his architectural mind and understand the thinking behind these powerful yet modest works.