Thresholds are anthropological constants: they can be found in every culture and every era. Like limits and borders, they express one of humanity's fundamental relations to space. Places where spaces are separated and connected, thresholds are also metaphorically potent across cultures, as passageways where subjectivity is transformed.

This issue focuses on the second edition of the annual Chicago Architecture Biennial, 2017, that featured the participation of 140 artists from 20 countries, under the theme Make New History. Guest edited by Sharon Johnson and Mark Lee, Artistic Directors of the Biennial, the first part looks back on the Biennial through a conversation with architectural historian, Michael Hays. The second part introduces built work and projects selected with reference to the exhibition's theme by the guest editors and participating architects.

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Videos

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Until a few years ago, kitchens were separate rooms where food was prepared, but nowadays their role has changed. With open-plan designs, often combined with a dining or living room, they are a place for coming together. In many homes, they are even the center of everyday life. This multiple-function space challenges designers to produce coordinated room concepts with a uniform look.

Compromises when it comes to design and color? Nobody wants that when planning their perfect kitchen. There is a demand for materials with surfaces that always look the same no matter the use, for kitchen and living room designs with a uniform look and targeted accents.

The Powerhouse Precinct at Parramatta International Design Competition is an open, global, two-stage search for an outstanding, world-class team – with exceptional skills in design and placemaking – for the landmark new Powerhouse Precinct at Parramatta, Sydney.

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For those in the northern hemisphere, the last full week in January last week kicks off with Blue Monday - the day claimed to be the most depressing of the year. Weather is bleak, sunsets are early, resolutions are broken, and there’s only the vaguest glimpse of a holiday on the horizon. It’s perhaps this miserable context that is making the field seem extra productive, with a spate of new projects, toppings out and, completions announced this week.

The week of 21 January 2019 in review, after the break: 

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Ten years after a destructive earthquake rocked Italy's central Abruzzo region, many students still attend class in temporary modules similar to containers. Named winners of an international competition, SET Architects’ design for the new “Sassa School Complex” proposes reconstructing a place for students and the community to learn, gather, and grow. Inspired by the modularity and essential nature of climbing frame play structures, the architects describe the design as a metaphor for “freedom and social aggregation as a fundamental value for dynamic and innovative teaching.”

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I was part of the last generation of architectural students who didn't use computers (we’re only talking the early 1990’s here; there was electricity, color TV’s, rockets, just no renderings.) In my final year at college I miscalculated how long it would take me to finish my thesis project. As the deadline approached, I realized it was too late for me to match my fellow students’ presentations. At the time Zaha Hadid, and her deconstructivist paintings, set the style for architectural illustration. That meant many student projects being rendered in oil paints on large canvases.

Douglas and King Architects master plan to reinvigorate Shoreditch takes on a complex dual challenge. Broadly, there is the challenge at the core of any masterplanning project: creating a set of elements that flow together seamlessly with one another and their overall context. But more specifically, the project grapples with a tight triangular site and an already-lively urban context.

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