
-
Architects: CONTRAPUNTO Taller de Arquitectura
- Area: 4703 m²
- Year: 2019
-
Manufacturers: AutoDesk, GRAPHISOFT, Lumion, Adobe Systems Incorporated, Trimble Navigation




Salone is the most important furniture event in the world, strongly connected to the city and the design culture. This year we are seeing a new expanded format to mark the 60th anniversary of Salone del Mobile, titled "SuperSalone", a prequel to the 2022 edition, with a very accentuated focus on the materiality and the sustainable aspect.
Managing to put together the physical and the digital, in order to make the event more accessible for the world, Salone ran during the first week of September, at the Rho Fiera. During these design days, ArchDaily had the chance to speak with the curator, Stefano Boeri, discussing this very special edition, the relationship between the city of Milano and Salone, the democratization of design as well as the environmental quality in his projects around the world.


The A’ Design Award was "born out of the desire to underline the best designs and well-designed products." The A' Design Award, recognizing the excellent and original talent from across the globe, is both a major achievement for designers and a source of inspiration for award-winning architects, brands, and design agencies. Entry and nomination are open to contestants from every country. Registration for the A' Design Award & Competition 2021-2022 period is now open. Register and upload your design here, and receive a complimentary preliminary score.

Nestled in the Arctic landscape of Greenland's UNESCO-protected wilderness, Dorte Mandrup Arkitekter has completed the Ilulissat Icefjord Centre, a research and visitor center that highlights the effects of climate change. The structure blends into the surrounding landscape, offering visitors a unique panorama of the Icefjord, while observing the detrimental consequences that climate change has on the environment.


KCAP revealed an updated design for the Sewoon Grounds project in Seoul, a redevelopment plan to transform the district into a sustainable mixed-use area. The winning design of an international competition in 2017, intended to regenerate the 'Sewoon District 4' area of the city, the project aims to enhance the urban fabric while also integrating the existing built heritage and urban industry. KCAP's proposal generates a multi-layered scheme that builds on the successive layers of architecture and culture accumulated in time.

The Covid-19 pandemic has been going on for over a year now, so people have consequently been traveling less, and tourism has slowed down all over the world. But that doesn't mean we still can't get to visit faraway places. Since the beginning of the lockdown, several museums and organizations have been preparing virtual tours that allow users to explore their spaces through digital immersion. With that in mind, here are four different ways for you to explore places without leaving your home.

Cities we live in today have been built on principles designed decades ago, with prospects of ensuring that they are habitable by everyone. Throughout history, cities have been catalysts of economic growth, serving as focal points for businesses and migration. However, in the last decade, particularly during the last couple of years, the world has witnessed drastic reconfigurations in the way societies work, live, and commute.
Today’s urban fabric highlights two demographic patterns: rapid urbanization and large youth populations. Cities, although growing in scale, have in fact become younger, with nearly four billion of the world’s population under the age of 30 living in urban areas, and by 2030, UN-Habitat expects 60% of urban populations to be under the age of 18. So when it comes to urban planning and the future of cities, it is evident that the youth should be part of the conversation.

“Equity” is a moving target. We who create architecture want our devotion to have a true forum of objective Equity. But motivations are not outcomes. How we judge design inevitably carries the baggage of “Style” and that makes universal equity in design apprehension impossible.

