Is there room in the real estate business to create good architecture and contribute to our cities? Convinced of the potential of the real estate sector, Chilean architects Eduardo Berlin and Nicolás Lipthay founded MoDe Studio, an innovation and design workshop that seeks to maximize urban opportunities to build quality architectural projects without compromising—and even improving—their financial performance.

Based on these principles, they developed the 'Casa Vitacura' project, a building designed as a 'vertical neighborhood' with DFL2-standard units that aim to offer the same benefits as a house: spaciousness, privacy, a patio, and independence.

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Launched in 2013, the initiative to establish an Architecture Prize presented a wealth of challenges for the Instituto Tomie Ohtake and its partner AkzoNobel. Its primary objective was to map contemporary Brazilian architecture, focusing specifically on the work of emerging professionals. This ambitious and unprecedented goal set it apart from traditional architectural competitions, not only by encompassing a broader spectrum of categories but also by championing a niche distinct from the output of already established, award-winning firms.

Danish firm Henning Larsen has released images of their competition-winning Key West urban development, seeking to revitalize a socio-economically challenged area of the Belgian capital Brussels. Developed in collaboration with A2RC Architects, the masterplan aims to balance urban and recreational life along the Brussels Canal Zone through a combination of housing, schools, urban farming, and a market hall.

Like many European cities, Brussels is moving towards a post-industrial economy, giving new opportunities to old industrial areas such as the Canal Zone. The Henning Larsen redevelopment seeks to remodel the area as an urban center, tying the urban areas west of the canal to central Brussels.

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The winners of the DJI Drone Photography Award have been announced, a competition calling for ideas to make creative use of drone photography, and to explore subject matters impossible to experience on foot. This year, the two winning projects consisted of a new perspective on Spain’s 3.4 million abandoned houses, and the documentation of salt production across Europe.

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For this edition of International Women's Day, we have joined forces with the Colombian print publication de-Arq (Universidad de los Andes) to explore the work of five contemporary Colombian women architects, who represent different complementary approaches within our discipline: design, research, teaching, and experimentation.

Today we speak with Beatríz García Moreno, a Colombian architect, professor in doctoral and master's programs at local universities, and a member of the World Association of Psychoanalysis. "Women contribute not only to the traditional areas of architecture for which they are fully trained, but also to the ancestral themes that have shaped their dwelling in the world," comments García Moreno.

Just as architectural elements—floors, walls, and ceilings—shape and define built space, plant elements are also capable of shaping open spaces across large, medium, and small scales, from parks to residential gardens, acting as spatial structure. According to Benedito Abbud, "Landscape design is the only artistic expression that engages all five human senses. While architecture, painting, sculpture, and other visual arts rely heavily on sight alone, landscape design also engages smell, hearing, taste, and touch, providing a rich sensory experience by combining the most diverse and comprehensive perceptual experiences. The more a garden can stimulate all the senses, the better it fulfills its role."

To offer practical insights for landscape design projects, we have published a series of articles on the topic. In the first post, we discussed planes, clearings, and tree layouts, while the second covered trees, shrubs, grass, and groundcovers in open spaces. In this article, we will focus on shrubs, grasses, groundcovers, and paving.

Located in the heart of this neighborhood, at Marsella #59, Vitrina arose from the desire to create a design-focused exhibition space that goes beyond commercial interests. Inspired by early 20th-century department store window displays, this exhibition fosters a dialogue between designers, pedestrians, and the neighborhood regarding recent trends in the design scene and how each designer expresses their vision.

Vitrina features a 1.60m x 3.60m street-facing window and a 35-square-meter area enclosed by a 2.30m-high curtain, aiming to serve as a transitional space between the street and the interior, design and the user, and the pedestrian and the city. Every six weeks, the work of two designers or collectives will be presented, fostering a dialogue or a conceptual confrontation. 

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What do architectural drawings do? Convey visual information about the design of buildings. This much is certain. They do much else besides. They can be idiomatic and ideological, they can express the personality of those who make them and by whatever means—charcoal, pencil, pen, or computer program. They can inspire, provoke and radicalize. They might be realistic or the stuff of fantasy. Or, of course, they can instruct those charged with building a three-dimensional representation of what they see on paper or, in recent years, on computer screens. Intelligence visible, they can also be art.

So, judging an open competition of architectural drawings from around the world, like The Architectural Drawing Prize, can only ever be an exercise in open-ended judgment even when these have been sorted into three technical categories: Hand-drawn, Digital, and Hybrid. How do we begin to compare Chris Raven’s intriguing digital analysis of Publicly Accessible Spaces in St Paul’s Cathedral with Xinyuan Cao’s almost fond cross-section through the Renovation of Denggao Village, two commended entries in the Digital Drawings category?

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A federal building abandoned for decades may soon be rehabilitated to provide quality housing for socially vulnerable families in downtown Porto Alegre. This is the proposal of a project selected in the funding call for Technical Assistance for Social Interest Housing (ATHIS) programs by the Council of Architecture and Urbanism (CAU/RS). Made possible by the Architects' Union of the State of Rio Grande do Sul, the project aims to turn the building in the Floresta neighborhood into a decent home for approximately 40 low-income families.

The Brasil Arquitetura office, formed in 1979, is an architect’s association led by Francisco Fanucci and Marcelo Ferraz, having executed emblematic projects such as the Yellow Quarter in Berlin, Germany, the Rodin Museum in Salvador, Bahia and the Praça das Artes in São Paulo, among many others. Both were very close to Lina Bo Bardi at important moments in her professional life, including the construction of Sesc Pompéia. In several projects, they faced the challenge of rehabilitating old buildings, such as the Museu do Pão, Praça das Artes, Rodin Museum and Sesc Pompéia itself. We spoke with the office to know more about this type of intervention.

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Far from the noteworthy neighborhoods that often have buildings design by renowned architects, São Paulo's houses capture the modest scale that permeates the identity of its citizens. Alberto Simon, an artist based in the city of São Paulo, photographed the remarkable details of these unassuming housing in his project titled "tamanho_M," which roughly translates to Size M.

Find out more about the project in the artist's own words and see the impressive photos below.

For the ninth consecutive year, Vienna has placed first in Mercer rankings on cities with the best quality of life in the world. Despite the current economic volatility in the European continent, the Austrian capital joins eight other European cities in the top ten.

This is the 20th edition of the Mercer Rankings. The consultancy, which specializes in advising multinational companies in the transfer of employees, evaluated more than 450 cities around the world. Their rankings take into account 39 factors divided into 10 categories, including political and economic environment, socio-cultural status, sanitation, educational and leisure opportunities, housing markets and natural disasters.

At the regional level, Vancouver (5th), Singapore (25th), Montevideo (77th) and Port Louis (83rd) are the highest ranking cities in North America, Asia, Latin America and Africa respectively. According to Mercer, the twenty cities with the best quality of life in the world are:

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Perhaps as a form of "abstract urbanism," artist Benjamin Sack uses pen and paper to build cities and worlds that come to life as he draws. Towers and low-rise buildings merge together to form familiar yet unimaginably intricate cityscapes with complex spatial arrangements, and, in some cases, in human form. This brand of "abstract urbanism" introduces a provocative perspective on urban context and its relation to those who inhabit it.

We spoke with Griselda Balian and Gastón Noriega, members of the Argentine architecture studio BAAG —Buenos Aires Arquitectura Grupal— a team that, through its understanding of the value of collective work, aims to make an exploratory contribution to the discipline.

By 2050, an estimated 89% of Latin America's population will live in urban areas. This "need" to live in urban centers has brought about a growing inequality, manifested in a lack of access to basic services and homeownership.

In this context, Venezuelan-American David Gouverneur, a professor in the Department of Landscape Architecture and Regional Planning at the University of Pennsylvania in Philadelphia, uses his book Diseño de nuevos asentamientos informales (Design of New Informal Settlements) to call for greater awareness of the need to address and study informality in our cities, recognizing it as an unavoidable reality.

ODA New York has released images of its proposed “Dragon Gate” pavilion for New York’s Chinatown, seeking to act as a symbolic gateway to the famous Manhattan neighborhood. Using modern materials and forms to invoke symbols of traditional Chinese culture, the scheme seeks to capture Chinatown’s remarkable duality: a community of tradition resistant to change, yet one regarded as a uniquely contemporary phenomenon showcasing New York’s inclusive diversity.

Situated on a triangular traffic island at the intersection of Canal, Baxter, and Walker Streets, ODA’s scheme seeks to activate a currently-underused pedestrian space. The Dragon Gate consists of a triangular form adhering to a three-dimensional, gridded structure formed from interwoven, tubular, bronze steel inspired by bamboo scaffolding. As the structure densifies, selected pieces will be painted red to create the illusion of a dragon in mid-flight.

Artist Christo has released images of his proposed temporary sculpture for Hyde Park, London, to become his first major outdoor public sculpture in the United Kingdom. Titled “The Mastaba (Project for London, Hyde Park, Serpentine Lake)," the sculpture will consist of 7,506 horizontally-stacked barrels floating on the Serpentine Lake throughout the summer of 2018.

“The Mastaba” will coincide with an exhibition of Christo and Jeanne-Claude’s work at the Serpentine Galleries, featuring sculptures, drawings, collages and photographs spanning more than 60 years. Supported by Bloomberg Philanthropies, the exhibition will be the artists’ first in a UK public institution since 1979 and will showcase their long-running exploits with barrel forms, chosen initially for their sculptural effect and low cost.

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We are witnessing a historic moment, standing at the dawn of an inevitable epochal shift. The economic, social, energy, and ecological crises in which we are immersed are some of its most evident symptoms. However, we must confront this bleak context from an optimistic perspective, viewing it as an opportunity to subvert the old paradigms that have led us to this dramatic situation.

But how do we prepare to face the urban challenges of a future that begins today? We certainly cannot do so by relying on outdated frameworks and tools; as Einstein famously said, “We need new ways of thinking to solve the problems created by old ways of thinking.”

Continuing our series of publications aimed at broadening access to academic research from the country's universities, today we present the master's thesis of Ana Luzia Ribeiro Mello from the Institute of Arts at UNESP - Universidade Estadual Paulista Júlio de Mesquita Filho, titled “O brinquedo do parque: um conceito lúdico como arte do reaproveitamento” (The Park Toy: A Playful Concept as the Art of Repurposing) and advised by Prof. Dr. Clice de T. Sanjar Mazzilli. The study highlights the figure of architect and designer Elvira de Almeida and her career in designing and building play sculptures.

I happened to be in architecture school when the laser cutter was still a bit of a novelty for the inexperienced students in their first years of study. Sure, it saved you a lot up-close-and-personal-time with the X-Acto knife, but to unlock the true potential of the laser cutter one had to introduce a level of detail into the design or model that would otherwise be a nightmare to create by hand. 

But here comes Japanese Instagram Fruit and Vegetable Carver gaku carving to make our jaws drop. How?! Why!? And on such an ephemeral canvas?! Who knows. But holy fractal if it isn't a work of geometric perfection. These videos capture levels of patience and precision that many only dream of.

Spoon & Tamago explains,

Japan has a rich tradition of food carving called mukimono. If you’ve ever eaten at a fancy restaurant in Japan you might have found a carrot carved into a bunny, garnishing your plate. But in the hands of Japanese artist Gaku, the art of fruit and vegetable carving is elevated to a new realm of edible creations.

Bee Breeders has announced the winners of the recent Sydney Affordable Housing Challenge. The international architecture competition asked entrants to address the growing affordable housing crisis in Sydney. The challenge aimed at "garnering global attention to the important issue of housing in Sydney, Australia, where the economy is strong but the residential market is among the least affordable, according to surveys of major metropolitan markets."

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On The Desert Island in Cottesloe Beach, Australia, a 72-meter wall of mirrors partitions out a section of the sand, creating a cove of its own. The wall faces the Indian Ocean, and the curved reflection of sand merging with the soft-blue waters and the horizon beyond creates an illusion of an enclosed space; a desert island floating in an endless sea.

Conceived of by the Danish architecture studio Gjøde & Partnere Arkitekter, the installation was part of the annual Sculpture By The Sea exhibition in Australia last month. It is the largest free public sculpture exhibition in the world, and anyone can submit their ideas. As beachgoers stumbled upon this panorama of the shore upon sand, they danced, took photos, and watched the sunset from the wavering reflections of the mythical island.

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The results of the 24th competition organized by the Projetar.org portal have just been released. The challenge proposed to students was to design a portable individual shelter for unhoused individuals, receiving 142 proposals submitted by teams of students from various Brazilian states and other countries. Given the difficulty of addressing the housing deficit, the fact that the global population is projected to increase by 50% by 2050, and the severity of the situation faced by unhoused people, it is both necessary and urgent to consider emergency solutions that can at least alleviate suffering and improve their basic living conditions.

See the competition results below:

"Where are the women architects?" Despina Stratigakos, an architectural historian and professor, lamented in her book about women in the practice. (She even titled her book that very question.) The sentiment was certainly a resounding one, well-understood by many women who have worked in the profession and had to break through a male citadel. We know the number of women in architecture is small, and it gets smaller the higher up we look. 

Which is why we wanted to recognize the women who are at the top, leading practices, and paving the way. To celebrate International Women's Day this month, we launched an open call to recognize women who run their own firms all around the world. And if their projects had never been published by us before, we were going to give them the spotlight.

What we found were an incredible group of women who impressed us with their designs, their work ethic, and their dedication towards the profession. Not only do these women design and build, but they lead teams, manage offices, and eventually took the leap to be their own bosses and do things their own way.