Designed by Andrea Fuentes Núñez, the project Mixed-Use Housing was chosen as one of the 10 winners in the Thesis Projects category of the 2018 Concurso Arquitectura Caliente (CAC 2018), a Chilean competition organized by Grupo Arquitectura Caliente and funded by the Ministry of Cultures, Arts, and Heritage.

Today, there is a pressing need for housing to move beyond domestic specificity. National and global economic shifts have driven individuals to seek new means of livelihood, meeting their needs by clinging to what they own and utilizing their only available land—their own property. By blending work and domestic life, the question arises: to what extent does housing yield to accommodate productivity?

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Founded by the Hanover and Berlin-based artists Thomas Granseuer and Tomislav Topic, Quintessenz has its roots in both graffiti-culture and chromatics. Combine painting, moving image, and installation, their work uses patterns and shapes found in architecture to change perceptions of space. Using old factory buildings as their canvas, Quintessenz consistently aims to create space for color. In every medium they use, color is the content itself.

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Created by the Ecuadorian firm ENSUSITIO, the Con Lo Que Hay Workshop is a course taught separately to architecture students at the Universidad Tecnológica Indoamérica (UTI) and the Pontificia Universidad Católica del Ecuador (PUCE), offering them the opportunity to work on their first real commission. As a result, students must navigate not only the design itself, but also engage with communities, clients, budgets, and, of course, their own peers.

"We do not see architecture as a product," write Enrique Villacís alongside Cynthia Ayarza and Lorena Rodríguez, co-founders of ENSUSITIO, who serve as the workshop's tutor and professional advisors, respectively. "It is an organic process built day by day alongside its inhabitants, from diagnosis to use and maintenance, including the *minga*—collective construction. Everything is built under the principles of 'what is available'—materials, local wisdom, and our own contributions that value ancestral knowledge within a contemporary context," they add.

On this occasion, we present three projects developed on the periphery of Quito: a collection center, a dining hall for an evangelical congregation, and an outdoor therapy space.

Esquina, a blog by journalist Mariana Barros hosted on the Estadão portal, has launched the special series #EsquinaNaUrna to present presidential candidates with the primary demands for improving Brazilian cities. You can submit your question to Esquina, and the blog will select a group of questions to be answered by the leading candidates in the polls.

Architects are called upon to build society’s greatest structures. We marvel at the museums, performing arts centers and spaces of worship that dot the globe and represent the peculiarities of the world’s many cultures. Yet, at the core of the roles and responsibilities of the architect lies a calling for a far more elemental human need: shelter.

This doesn’t imply that architects are always involved in the creation of all the forms that shelter takes. However, a deep understanding of how people dwell provides an appreciation of the diversity, resilience, alacrity of the human race. The Human Shelter, a documentary about what people value or “need” in their lives, ties into a fundamental quality that any architect would be foolish not to cultivate: the ability to listen and perceive what makes people feel at home.

The practice of Chilean architects Abraham Schapira and Raquel Eskenazi is notable, among many other aspects, for its use of the balcony as a defining element in facade composition. Their work, located primarily in the municipalities of Providencia and Las Condes in Santiago, and in Viña del Mar, offers a rich diversity of typologies, uses, and layouts through formal treatment, engaging with Chile's modern urban proposals.

Opening next month, the London Design Biennale returns with an impressive cast of characters. In its second iteration, the Biennale begins September 4 under the theme ‘emotional states’ and will run until September 23. After the 2016 inaugural launch, the event has expanded to include 40 countries, cities and territories. Taking over Somerset House, including the Edmond J. Safra Fountain Court and River Terrace, the event will explore ideas ranging from social equality and pollution to migration and cities.

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American artist Michael Velliquette has produced his latest series of paper-based artwork, creating intricate paper models of sacred architecture. His hand-cut paper shapes are assembled into complex forms “akin to sacred architecture and three-dimensional mandalas.”

Prioritizing formal symmetry, balance, and order, the models aim to evoke “a sense of visual equanimity” through a restrained palette of neutral or monochromatic tones.

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Carrots cannot help you see in the dark, but they could make your buildings stronger, and more environmentally friendly. Engineers at Lancaster University in the UK have worked in collaboration with Cellucomp Ltd UK to study the effects of adding “nano platelets” extracted from the fibers of root vegetables to enhance the performance of concrete mixtures.

The vegetable-composite concretes, made from vegetables such as sugar beet or carrot, have structurally and environmentally out-performed all commercially-available cement additives, such as graphene and carbon nanotubes, doing so at a much lower cost. 

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What does the Parisian park look like? For many, the answer to that question comes in the form of a painting: Georges Seurat’s A Sunday Afternoon on the Island of La Grande Jatte, in which the well-dressed bourgeoisie leisurely enjoy a natural oasis on a verdant island within their industrializing city.

The World Health Organization (WHO) has advised that countries throughout the world eliminate the use of all types of asbestos, a dangerous carcinogen, to prevent asbestos-related diseases. According to the Asbestos Disease Awareness Organization, it was estimated that 40,000 people in the U.S. die each year from asbestos-related conditions.

Despite the WHO's concerns, Fast Company reported that under Trump's administration, "The [U.S. Environmental Protection Agency] (EPA) has even made it easier for companies to introduce new uses of asbestos-containing products in America." Although Asbestos Nation estimates that 55 countries have outlawed the carcinogen, this issue brings up a common question: Has my country banned asbestos? Below, we have provided a list by International Ban Asbestos Secretariat's Laurie Kazan-Allen on the following 65 countries and regions that have banned asbestos.

In a pro-bono move to help spur revival in Margate, David Chipperfield Architects independently conceived a hostel addition to the firm's Turner Contemporary art gallery in Margate. Dubbed the Turner Rooms, the design is made to help grow the vision of the gallery and secure its financial future. Sited on the Margate waterfront, the proposal offers new ways for people to engage with the gallery and the town through a 100 room waterfront hostel.

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Recurrently we see how architects opt for translucent facades to create the envelopes of their buildings, promoting the entry of a large amount of natural light, while simultaneously controlling it during the day. Illuminated during the night, many of these projects can be seen in the dark, appearing as lanterns or lighthouses for their neighbors and community. Being exposed to changing conditions – day or night – to choose the right material, it's necessary to study in detail the orientation and location of the building, the pre-existing context, and the configuration of the interior spaces.

We present a system of glass panels that allow buildings with this type of façade –spanning from floor to ceiling without interruptions – with minimal frames and different colors, textures, thermal and acoustic performances. 

OMA's research and design practice AMO has opened True Me, the studio's first exhibition design in China. Built in the 798 Art Factory in Beijing, True Me explores modern selfie-culture and modes of self-representation through art and media. Organized by App developer Meitu and the Beijing Contemporary Arts Foundation, the exhibition features artworks by Hou Ying, Lu Yang, Maleonn, Xie Haiwei, Ye Funa, Chen Tianzhuo, teamLab, and Theodore Bradley. Celebrating the launch of Meitu’s new logo, the exhibition extends AMO’s interest in studying visual culture.

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The 2018 Antepavilion has opened in London, the second in an annual series. Designed and built by Thomas Randall-Page and Benedetta Rogers, the 2018 edition titled “AirDraft” sees an inflatable theater sitting atop a 19th-century barge, creating a floating venue for music and performance in trendy East London.

The scheme was chosen from 132 entries to the competition run by Shiva Ltd and the Architecture Foundation, which asked participants to engage with “the heritage of the Regent’s Canal in innovative ways.”

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Members of the Royal Institute of British Architects (RIBA) have elected Alan Jones to be their next president, following a turbulent campaign marked by allegations of institutional racism, financial disparity, and fraud. Jones saw off competition from fellow candidates Elsie Owusu and Philip David Allsopp.

Jones, who is a Past President of the Royal Society of Ulster Architects, and the first RIBA president from Northern Ireland, will take over from current RIBA president Ben Derbyshire for a two-year term beginning on September 1st, 2019.

This article was originally published by Jude Fulton on Medium under the title "Why Architects are Super Well-Suited for Startups". You can see the original post here.

Heatherwick Studio’s Coal Drops Yard in London’s King's Cross is set to open on October 26, 2018. As a new major shopping district in King's Cross, the design brings new life to two heritage rail buildings from the 1850's. Now home to stores, restaurants and cafés, Coal Drops Yard sits just off Granary Square next to Regent's Canal and the refurbished Central St. Martins School. The pair of elongated Victorian coal drops are reimagined as a space for the public to make their own.

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Bjarke Ingels Group’s “The Eleventh” has marked a major milestone, with the first of the scheme’s two twisting High Line towers topping out in Chelsea, Manhattan. New images show construction moving quickly along, with the taller 35-story tower now topped out, and work on the cladding steadily progressing.

The 400-foot-tall structure will twist alongside a second 300-foot-tall sister tower, standing out even amongst notable neighbors including Frank Gehry’s IAC Building, Jean Nouvel’s 100 11th Avenue and Foster + Partners’ 551 West 21st Street.

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ArchDaily and Airbnb were both founded in 2008, but for two very different reasons. Since then, ArchDaily has amassed a vast database of tens of thousands of buildings, located in cities and countries all around the world. Meanwhile, Airbnb has revolutionized the way in which we explore these countries, and use these buildings, even if just for one night.

While architecture lovers have occasionally been offered very limited experiences through Airbnb, such as a one-night stay on the Great Wall of China, or an architectural tour of the 2020 Tokyo Olympic Stadium courtesy of Kengo Kuma, it transpires that Airbnb’s listings contain some notable architectural gems available for regular booking.

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London-based JAA studio has released a new proposal to transform Grenfell Tower into a black concrete memorial to victims of the fire. Encasing the burnt-out shell, a solemn sarcophagus of 224 concrete panels would wrap the facade to anchor the tragedy in collective memory. Titled Grenfell Tower: in Memoriam, the concept does not claim to be an answer but an alternative way of thing about the site and its new-found sanctity after disaster. As JAA states, "the city needs its scars."

New drone footage and photographs have been released of the One Thousand Museum, designed by Zaha Hadid Architects, as work progresses in Miami, Florida. Having topped out in February 2018, the 62-story residential tower is due for completion later in the year.

The new imagery showcases the 700-foot-high (210-meter-high) tower’s curved structural exoskeleton, comprising 5,000 pieces of glass-fiber-reinforced concrete. The photo gallery also offers some of the first images of the scheme’s interior spaces, still under construction, showing the influence of the exoskeleton on the internal environment.

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The U.S. Environmental Protection Agency has enabled the reintroduction of asbestos into the American manufacturing, as reported by Fast Company. The dangerous substance, outlawed in 65 countries, may now be introduced into the U.S via common household products and materials.

The development is the result of a “SNUR” (Significant New Use Rule) which allows asbestos-containing products to be petitioned and approved by the federal government on an individual basis.

Six years ago Susan Szenasy and I had the honor of interviewing Supreme Court Justice Stephen Breyer for Metropolis magazine. While he was a federal appeals judge in Boston, Breyer played a key role in shepherding the design and construction of the John Joseph Moakley United State Courthouse, designed by Pei Cobb Freed & Partners. In 2011 Justice Breyer joined the jury of the Pritzker Prize. Given his long involvement with architecture, I thought it would be fun to catch up with him. So, on the final day of court before breaking for the summer recess, I talked to Justice Breyer about his experience as a design client, how to create good government buildings, and why public architecture matters.