“How can a $3.94 billion building be made to look cheap?” A small part of Santiago Calatrava’s World Trade Center Transportation Hub has been opened to the public, and the critics aren’t impressed. According to the New York Times’ article by David Dunlap, the buildings “chunky fixtures” and “rough workmanship” “detract from what is meant to be breathtaking grandeur.” Read more, here.
Will the peeling shell of Santiago Calatrava’s Palau de les Arts in Valencia be saved by an innovative, new paint? Calatrava’s $455.6 million project, which surpassed its budget four times over, has sprouted many defects over the years, but none more damning than its peeling facade – a defect that spurred the city of Valencia to sue Calatrava’s office. However, Spanish paint manufacturer Graphenano has proposed an innovative solution: Graphenstone, a mixture of limestone powder and the allotrope graphene, which should just prevent further deterioration. Whether the solution could also relieve some courtroom tension, remains to be seen. Read more on Inhabitat and The Architect’s Newspaper.
We present you with a compelling video depicting the sublime interaction of light and space at Santiago Calatrava’s Liège-Guillemins railway station in Belgium. Inspired by Eadwards Muybridge’s 1886 short-film “Horse in Motion,” architectural photographer Yannick Wegner uses time lapse photography to uniquely portray the experience within and around this bustling building.
“Time lapse as a stylistic device offers new opportunities in acknowledging remarkable architecture,” describes Wegner. “The appearance of time through motion gives the impression of vitality and emphasizes the architecture.”
Cloaked in financial woes, what was intended to be the tallest skyscraper in the Western Hemisphere has remained a stagnate hole in the Chicago cityscape since the height of the crisis. However, the fate of the Santiago Calatrava-designed luxury condominium may be about to change, as developer Garrett Kelleher is actively seeking court approval to reinstate the project with a $135 million investment from Atlas Apartment Holdings LLC. More on Chicago’s 2,000-foot “twisting” spire latest update here on the Chicago Tribune.
This time last year we published our 30 Architecture Docs to Watch in 2013 featuring a fantastic range of films telling the tales of some of the world’s greatest unsung architectural heroes. We now bring you eleven more for 2014, looking past the panoply of stars to bring you more of the best architectural documentaries which will provoke, intrigue and beguile.
Slowly, and surely not lacking critique, Santiago Calatrava’s transport hub rises $2 billion over budget, SOM’s Freedom Tower — now, more mundanely referred to as 1WTC — is recognized as the tallest building in the western hemisphere and there is still a considerable amount of development yet to be done on the World Trade Center. Read Edwin Heathcote’s article on the Financial Times regarding the good, the bad and the ugly: ”Rebuilding the World Trade Center: A Progress Report.”
Located in Doha, Sharq Crossing is a set of three interconnected bridges spanning almost ten kilometres in the Doha Bay. Designed by the famed architect Santiago Calatrava, the bridge will connect the city’s cultural district in the north to Hamad International Airport and the central business district in West Bay. The bridges, which are designed to accomodate as many as 2,000 vehicles an hour per lane, are also flanked by a series of subsea tunnels to manage and direct the flow of traffic across the bay.
The Grand Opening of the Santiago Calatrava: The Metamorphosis of Space exhibition took place on Wednesday, December 4th in the monumental spaces of the Braccio di Carlo Magno. The exhibition will be open until February 20, 2014.
The exhibition, sponsored by the Vatican Museums and the Pontifical Council for Culture, and curated by Micol Forti (Curator of the Collection of Contemporary Art of the Vatican Museums), presents a collection of approximately 140 works of art to the public, showing the complex and multiform artistic productions of the famous Spanish architect and engineer.
The selected core of architectural models is accompanied by the corresponding preparatory studies, but also by watercolor paintings, which were generated by a creative inspiration completely independent from the genesis of the same projects. In addition, there is a rich anthology of sculptures, both monumental and in a more reduced size, made out of bronze, marble, alabaster, and wood.
The combination of works pertaining to different artistic codes, although closely related, directs the observer’s gaze to different levels of interpretation of the architectural volumes, and of the vision of space and shapes, typical characteristics of Calatrava’s artistic path. More after the break.
In a recent article for the Denver Post, Ray Rinaldi discusses how the box is making a comeback in U.S. museum design. Stating how architecture in the 2000’s was a lot about swoops, curves, and flying birds – see Frank Gehry and Santiago Calatrava - he points out the cool cubes of David Chipperfield and Renzo Piano. We’ve rounded up some of these boxy works just for you: the Clyfford Still Museum, the Kimbell Art Museum Expansion, The St. Louis Art Museum’s East Building, Tod Williams and Billie Tsien’s Barnes Foundation, and Shigeru Ban’s Aspen Art Museum. Each project begins to show how boxes can be strong, secure, and even sly. Check out more about the article here.
A portion of Santiago Calatrava’s $4 billion PATH station has opened. According to NY Daily News, the Western Concourse will now relieve New Yorkers from “cramped sidewalks and temporary bridges” crossing West St. with a 600-foot underground passage lined in “bright white marble” that connects the World Trade Center to the neighboring office complex formerly known as the World Financial Center. Once complete in 2015, the controversial transit hub will double as a massive shopping and retail complex, which aims to “transform” the cultural experience of lower Manhattan.
The architect and engineer Santiago Calatrava has once again made the headlines of Spanish papers – and, once again, for less than favorable reasons.
Calatrava’s latest controversy is a lawsuit filed against him by the famous Bodegas Domecq winery, property of the Ysios Laguardia in Rioja, Spain. Both the Valencian architect as well as those involved in the winery’s construction are being asked to pay two million euros to the winery, a sum that should help cover a renovation as well as the costs the winery has incurred over the last two years fixing the structure’s leaky roof. The owner claims that the leaks have been creating a damp atmosphere (in a building where moisture control is critical for the quality of the wine) and thus damaging his business.
In an effort to “unlock people’s imaginations” about Penn Station and Madison Square Garden, the Municipal Art Society (MAS) of New York has challenged Santiago Calatrava, Diller Scofidio + Renfro, SHoP Architects and SOM to propose four new visions that exemplify the potential of the highly disregarded area.
The challenge comes amidst a heated debate on whether or not the city should restrict Madison Square’s recently expired special permit to 10 years, rather than in perpetuity as the arena’s owners – the Dolan family – has requested. This would allow time for the city to “get it right” and come up with a viable solution for the arena and station that, as NYTimes critic Michael Kimmelman states, would not only “improve the safety and quality of life for millions of people but also benefit the economy”. Think Kings Cross in London. With a thoughtful mix of public and private investments, the crime-ridden station was transformed into a thriving cultural destination that benefited all parties.
More after the break…
Praised for his masterful blends of architecture and engineering, yet criticized for rarely sticking to a budget, Valencia-native Santiago Calatrava is no stranger to controversy. His latest project making headlines is the largest landmark in Valencia and the second most-visited cultural complex in Spain: the City of Arts and Sciences.
The controversy after the break…
How Santiago Calatrava blurred the lines between architecture and engineering to make buildings move
We live in the world of a sad separation that began some five hundred years ago when art and science split apart. Scientists and technicians live in their own world, focusing mostly on the “how” of things. Others live in the world of appearances, using these things but not really understanding how they function. Just before this split occurred, it was the ideal of the Renaissance to combine these two forms of knowledge. This is why the work of Leonardo da Vinci continues to fascinate us, and why the Renaissance remains an ideal.
So why did Santiago Calatrava, now one of the world’s elite architects, decide to return to school in 1975 for a civil engineering degree after asserting himself as a promising young architect?
Continue reading for the complete article.
With last year’s opening of the 9/11 Memorial at Ground Zero and the near-completion of the World Trade Center One, Daniel Libeskind’s vision for the World Trade Center site is close to presenting the future of NYC’s downtown financial center, 11 years after the attacks. Studio Daniel Libeskind was selected to develop the master plan for the site in 2003, and since has been coordinating with NYC’s numerous agencies and individual architects to rebuild the site. The project, in Libeskind’s words, is a “healing of New York”, a “site of memory” and “a space to witness the resilience of America”.
Follow us after the break for more on the elements and progress of the master plan.
Today marks the opening of world-renowned architect, Santiago Calatrava’s unprecedented exhibition at the State Hermitage Museum in St. Petersburg, Russia. Not only will Calatrava become the first contemporary architect to have a retrospective exhibition at the Hermitage, but this will also be one of his largest and most extensive exhibitions to date. Curated by Cristina Carillo de Albornoz and Ksenia Malich, the exhibition will examine Calatrava’s innovative style through his various artistic realms. From never-before-seen paintings and sculptures to celebrated architectural models and sketches spanning Calatrava’s 30- plus year career, the exhibition will give individuals a unique opportunity to explore the inner workings and creative process of this celebrated artist. More images and information on the event after the break.