The Grand Opening of the Santiago Calatrava: The Metamorphosis of Space exhibition took place on Wednesday, December 4th in the monumental spaces of the Braccio di Carlo Magno. The exhibition will be open until February 20, 2014.
The exhibition, sponsored by the Vatican Museums and the Pontifical Council for Culture, and curated by Micol Forti (Curator of the Collection of Contemporary Art of the Vatican Museums), presents a collection of approximately 140 works of art to the public, showing the complex and multiform artistic productions of the famous Spanish architect and engineer.
The selected core of architectural models is accompanied by the corresponding preparatory studies, but also by watercolor paintings, which were generated by a creative inspiration completely independent from the genesis of the same projects. In addition, there is a rich anthology of sculptures, both monumental and in a more reduced size, made out of bronze, marble, alabaster, and wood.
The combination of works pertaining to different artistic codes, although closely related, directs the observer’s gaze to different levels of interpretation of the architectural volumes, and of the vision of space and shapes, typical characteristics of Calatrava’s artistic path. More after the break.
In a recent article for the Denver Post, Ray Rinaldi discusses how the box is making a comeback in U.S. museum design. Stating how architecture in the 2000’s was a lot about swoops, curves, and flying birds – see Frank Gehry and Santiago Calatrava - he points out the cool cubes of David Chipperfield and Renzo Piano. We’ve rounded up some of these boxy works just for you: the Clyfford Still Museum, the Kimbell Art Museum Expansion, The St. Louis Art Museum’s East Building, Tod Williams and Billie Tsien’s Barnes Foundation, and Shigeru Ban’s Aspen Art Museum. Each project begins to show how boxes can be strong, secure, and even sly. Check out more about the article here.
A portion of Santiago Calatrava’s $4 billion PATH station has opened. According to NY Daily News, the Western Concourse will now relieve New Yorkers from “cramped sidewalks and temporary bridges” crossing West St. with a 600-foot underground passage lined in “bright white marble” that connects the World Trade Center to the neighboring office complex formerly known as the World Financial Center. Once complete in 2015, the controversial transit hub will double as a massive shopping and retail complex, which aims to “transform” the cultural experience of lower Manhattan.
The architect and engineer Santiago Calatrava has once again made the headlines of Spanish papers – and, once again, for less than favorable reasons.
Calatrava’s latest controversy is a lawsuit filed against him by the famous Bodegas Domecq winery, property of the Ysios Laguardia in Rioja, Spain. Both the Valencian architect as well as those involved in the winery’s construction are being asked to pay two million euros to the winery, a sum that should help cover a renovation as well as the costs the winery has incurred over the last two years fixing the structure’s leaky roof. The owner claims that the leaks have been creating a damp atmosphere (in a building where moisture control is critical for the quality of the wine) and thus damaging his business.
In an effort to “unlock people’s imaginations” about Penn Station and Madison Square Garden, the Municipal Art Society (MAS) of New York has challenged Santiago Calatrava, Diller Scofidio + Renfro, SHoP Architects and SOM to propose four new visions that exemplify the potential of the highly disregarded area.
The challenge comes amidst a heated debate on whether or not the city should restrict Madison Square’s recently expired special permit to 10 years, rather than in perpetuity as the arena’s owners – the Dolan family – has requested. This would allow time for the city to “get it right” and come up with a viable solution for the arena and station that, as NYTimes critic Michael Kimmelman states, would not only “improve the safety and quality of life for millions of people but also benefit the economy”. Think Kings Cross in London. With a thoughtful mix of public and private investments, the crime-ridden station was transformed into a thriving cultural destination that benefited all parties.
More after the break…
Praised for his masterful blends of architecture and engineering, yet criticized for rarely sticking to a budget, Valencia-native Santiago Calatrava is no stranger to controversy. His latest project making headlines is the largest landmark in Valencia and the second most-visited cultural complex in Spain: the City of Arts and Sciences.
The controversy after the break…
How Santiago Calatrava blurred the lines between architecture and engineering to make buildings move
We live in the world of a sad separation that began some five hundred years ago when art and science split apart. Scientists and technicians live in their own world, focusing mostly on the “how” of things. Others live in the world of appearances, using these things but not really understanding how they function. Just before this split occurred, it was the ideal of the Renaissance to combine these two forms of knowledge. This is why the work of Leonardo da Vinci continues to fascinate us, and why the Renaissance remains an ideal.
So why did Santiago Calatrava, now one of the world’s elite architects, decide to return to school in 1975 for a civil engineering degree after asserting himself as a promising young architect?
Continue reading for the complete article.
With last year’s opening of the 9/11 Memorial at Ground Zero and the near-completion of the World Trade Center One, Daniel Libeskind’s vision for the World Trade Center site is close to presenting the future of NYC’s downtown financial center, 11 years after the attacks. Studio Daniel Libeskind was selected to develop the master plan for the site in 2003, and since has been coordinating with NYC’s numerous agencies and individual architects to rebuild the site. The project, in Libeskind’s words, is a “healing of New York”, a “site of memory” and “a space to witness the resilience of America”.
Follow us after the break for more on the elements and progress of the master plan.
Today marks the opening of world-renowned architect, Santiago Calatrava’s unprecedented exhibition at the State Hermitage Museum in St. Petersburg, Russia. Not only will Calatrava become the first contemporary architect to have a retrospective exhibition at the Hermitage, but this will also be one of his largest and most extensive exhibitions to date. Curated by Cristina Carillo de Albornoz and Ksenia Malich, the exhibition will examine Calatrava’s innovative style through his various artistic realms. From never-before-seen paintings and sculptures to celebrated architectural models and sketches spanning Calatrava’s 30- plus year career, the exhibition will give individuals a unique opportunity to explore the inner workings and creative process of this celebrated artist. More images and information on the event after the break.
National Building Museum and Metropolis Magazine contributor Andrew Caruso takes you “inside the design mind” of three prominent figures in the 9/11 rebuilding process with this recent interview conducted at the 2012 AIA National Convention.
Heroic. Contemplative. Grieving. Victorious. The rebirth of the former World Trade Center site in lower Manhattan has engendered significant public reaction and reflection. With implications as complex as they are profound, it is not surprising that it has taken more than a decade to heal the urban scars of September 11, 2001.
I had the rare opportunity to sit down with three architects working on the site, Santiago Calatrava, David Childs, and Daniel Libeskind, at the recent American Institute of Architects convention in Washington, D.C., where they were honored along with four others, as “Architects of Healing.” We discussed their experience of reshaping one of the most culturally significant sites in the history of the United States.
After three days of inspirational keynote sessions, informative seminars, exclusive tours, invaluable networking opportunities and an impressive expo, the American Institute of Architects concluded the 2012 National Convention with a special tribute to the architects responsible for the post-9/11 memorials and rebuilding efforts. These “Architects of Healing” tirelessly worked together to transform the darkness of grief brought on by the 9/11 attacks into the triumph of hope in the wounded areas of Shanksville, Pennsylvania; the Pentagon; and the World Trade Center site.
Earlier this week, Pratt Institute extended an invitation to the ArchDaily team to attend their 123rd commencement, celebrating the achievements of 1300 bachelor’s and master’s degree candidates at Radio City Music Hall. The event also marked a special day of recognition for four honorary degree recipients: artist/curator/critic Ai Weiwei, architect, engineer and artist Santiago Calatrava, patron on the arts and education Kathryn Chenault, and the Metropoitan Museum of Art’s longest-serving director Philippe de Montebello.
We were privileged to have an opportunity to congratulate Mr. Calatrava on his doctor of architecture degree, and pose ArchDaily’s traditional interview questions. Mr. Calatrava’s contributions to the professions of architecture and engineering can be found scattered across the world, and bring a sense of dynamism that result from the merge between art and technology, expression and functionality.
Calatrava’s charm and good humor made for a friendly conversation that we hope you enjoy.
Designed by renowned architect, Santiago Calatrava, the new Innovation, Science & Technology building at Florida Polytechnic University will establish the design scheme for all other structures within the campus’ master plan, which Calatrava is also responsible. Until the other structures within the master plan are built, the new Innovation, Science & Technology building, which just broke ground in March will also need to function as the campus itself; being able to accommodate various events and functions. More images and architects’ description after the break.
Thousands gathered Saturday to celebrate the grand opening of Santiago Calatrava‘s Margaret Hunt Hill Bridge that connects east and west Dallas seamlessly over the Trinity River. A parade of builders, including everyone from those to poured the concrete to Calatrava himself, were the first to march across the new Dallas icon, followed by nearly 16,000 other people. Although the bridge is still not quite ready for vehicular traffic, the city celebrated its commencement with an impressive display of fireworks. Continue reading for more.
The world-renowned architect, engineer and artist, Santiago Calatrava was recently commissioned by Yuan Ze University in Taiwan to design an ambitious new building complex for its campus. The ambitious project, which will consist of a Performing Arts Center, a new Art and Design School and the Y.Z. Hsu Memorial Hall, which is dedicated to the university’s founder, Mr. Yu-Ziang Hsu, will mark Mr. Calatrava’s architectural debut in the country. More project description after the break.