Previously home to a beach-like ball pit, a giant maze, and sea of icebergs, this summer the National Building Museum in Washington, D.C. will host the “Hive,” a 60-foot-tall domed structure made up of more than 2,700 individual paper tubes. Designed by Studio Gang, the installation is part of the museum’s Summer Block Party series, which invites architects to fill the building’s historic Great Hall with a temporary, immersive intervention.
Google Earth is no longer a clunky, data-intensive desktop or mobile application. As of today, one of the tech-giant's flagship (and unrivalled) products has been relaunched as a widely accessible web application for Google Chrome. This means that anyone can now access the full Google Earth product, free of charge, without having to install software or download mobile applications.
This article was originally published by Metropolis Magazine as "Inside The Digital Platform Championing Post-Digital Drawing."
Digital technologies were supposed to kill the drawing. And in an obvious way they did, with CAD displacing hand draughtsmanship long ago. But drawing is more than mere delineation—measured construction drawings—or even the rendering, which has devolved into a mere marketing tool. Indeed, as Sam Jacob writes, it constitutes a fundamental “architectural act” that lies at the core of the discipline’s self-understanding.
Jacob describes a new “post-digital” mode of drawing that incorporates narrative cues, art historical allusions, and software-enabled collage techniques. It recalls Mies’s sparse one-point perspectives and de Chirico’s metaphysical paintings as well as the affected irreverence of Postmodernism. It’s a style popularized by blogs such as KoozA/rch, which was founded by architect Federica Sofia Zambeletti three years ago. We spoke to Zambeletti about the resurgence of architectural drawing and how the style could soon exhaust itself.
79 shortlisted buildings have been selected as winners of the 2017 American Architecture Awards, which honor the best new buildings designed and constructed by American architects in the United States and abroad, and by international architects for buildings designed and built in the United States.
The Awards, hosted by The Chicago Athenaeum: Museum of Architecture and Design, and The European Centre for Architecture Art Design and Urban Studies, were juried by a group of Greek architects, who chose from 300 buildings and urban planning projects.
The winners of the 2017 American Architecture Awards are:
Architectural photographer Marc Goodwin, in cooperation with Felix Nybergh, has recently completed the fourth collection of his "ultra-marathon of photoshoots" – this time in Seoul. Following Goodwin's unique insight into the spaces occupied by Nordic architectural offices (based in Oslo, Stockholm, Copenhagen and Helsinki), his look at studios both large and small lived in by London-based practices, and his lens on a collection of Beijing-based studios, he and Nybergh have now turned their attention to the rich architectural scene of the South Korean capital.
Spring is finally here, which means over 100,000 people are making the trip to the California desert for the 2017 edition of the Coachella Valley Music and Arts Festival. In addition to the top-billed musicians, the event has become known as a showcase for some of the best up-and-coming artists, designers and architects to work on a large-scale, instagram-friendly scene.
With the first weekend now in the books, we’ve rounded up some of the best art/architecture installations from this year’s festival.
For recent architecture school graduates setting off on their careers for the first time, being referred to by the traditional title of “intern” can feel a little trivializing – as a full-time employee with a completed degree and real responsibilities, the title does little to capture a new hire’s true role within the firm.
Cognizant of this discrepancy, the AIA is now taking steps to eliminate the use of ‘intern,’ a term grandfathered in from the days of architectural apprenticeships and more linear paths through the architectural profession.
The Noguchi Museum has selected architect John Pawson and painter Hiroshi Senju as the recipients of the 2017 Isamu Noguchi Award. Now in its fourth year, the annual award was established to honor individuals who “share Noguchi’s spirit of innovation, global consciousness, and commitment to East/West cultural exchange.”
The award is presented each year to one architect and one artist or designer, honoring the multi-faceted career of artist/architect Isamu Noguchi. Previous winners of the award have included Tadao Ando and Elyn Zimmerman in 2016; architect Yoshio Taniguchi and industrial designer Jasper Morrison (2015); and winners of the inaugural award, Norman Foster and artist Hiroshi Sugimoto (2014).
There’s no doubt that one of the best things about architecture is its universality. Wherever you come from, whatever you do, however you speak, architecture has somehow touched your life. However, when one unexpectedly has to pronounce a foreign architect’s name... things can get a little tricky. This is especially the case when mispronunciation could end up making you look less knowledgeable than you really are. (If you're really unlucky, it could end up making you look stupid in front of your children and the whole world.)
To help you out, we’ve compiled a list of 22 architects with names that are a little difficult to pronounce, and paired them with a recording in which their names are said impeccably. Listen and repeat as many times as it takes to get it right, and you’ll be prepared for any intellectual architectural conversation that comes your way.
In 2015, after the catastrophic earthquake in Nepal, Maria da Paz invited Joao Boto Caeiro from RootStudio to design and build a model house in Nepal. Using local and accessible materials, they built two prototype houses out of bamboo and partitions, via a collaboration between locals and volunteers that came to the region.
The prototypes respond to the need for housing that is able to be built quickly with the goal of providing independence and immediate shelter, while at the same time introducing basic building techniques using bamboo and bricks. In doing so, they're able to create a set of tools that allow for future construction that the community can make themselves.
In celebration of the inaugural Melbourne Design Week, which took place in March 2017, Chilean design studio Great Things to People (gt2P) presented their Catenary Pottery Printer, aimed at exploring the boundaries between digital and analog machines. Throughout the design festival, local designers and students used the pottery printer to create their own custom works, with visitors welcomed to watch the craft in action.
In today's culture of narcissism and celebrity it's an assumed expectation that faces can be put to names. Even in 16th Century Europe, the large majority of notable persons had a likeness made of themselves and displayed for posterity – save for architects, it seems. Take, for instance, Andrea Palladio (1508-1580) – the Renaissance style-setter and author of the groundbreaking treatise The Four Books on Architecture, the seminal text of which inspired the likes of Thomas Jefferson. If challenged, could you easily put a face to Palladio's name? There is no accurate, agreed-upon "official" portrait of the architect – until now, that is.
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Chicago-based Skidmore Owings & Merrill (SOM) has unveiled plans for One Bangkok, a new 16Ha mixed-use development in the heart of Bangkok, Thailand. Working in collaboration with architects, engineers, sustainability experts and landscape architects, both local and international, SOM seeks to create the single largest private-sector development in Thailand to date - a vertical village providing homes and places of work for an estimated 60,000 people. Through One Bangkok, SOM challenged themselves to translate the vibrancy and energy of Bangkok's neighborhoods into a vertical environment, whilst promoting a 'sense of place' and district-level sustainability.
_Atchain_(2).jpg?1491918884 "One Bangkok will provide retail, hotels, offices, as well as homes for 60,000 people. Image Courtesy of SOM via Atchain")
_Atchain_(3).jpg?1491918690 "Situated adjacent to Lumphini Park, the scheme offers 8Ha of public space. Image Courtesy of SOM via Atchain")
_Atchain_(4).jpg?1491918823 "Streetscapes, public plazas and greenspaces all contribute to a welcoming sense of place. Image Courtesy of SOM via Atchain")
_Atchain_(1).jpg?1491918919 "A variety of towers will feature individual identities such as green terraces and sky gardens. Image Courtesy of SOM via Atchain")
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The Eames are mainly known for their furniture and their house in Pacific Palisades, which they also used as an office. Few people are aware of the Max and Esther De Pree House, a rare venture into residential architecture by the Eames.
138 images, 14 albums, 20 magazines, 13 original models and one projection are part of Modeling for the Camera: Photography of architectural models in Spain, 1925-1970, the current exhibition of the ICO Museum in Madrid, curated by Iñaki Bergera, PhD of Architecture from the University of Navarra.
The exhibition is tied to the book of the same name that was published in 2016, edited by La Fábrica and the Ministry of Public Works (Spain). In times when 3D visualization software has popularized, accelerated and perfected the rendering industry, both materials choose to value the legacy of architectural model photography in the 20th century.
Mental wellbeing is a real topic of concern in architecture. A recent survey by The Architects’ Journal revealed that over 52% of architecture students expressed concern regarding their mental health.[1] When one considers the long hours, the competitive nature of the course, as well as the sheer duration of study, this perhaps isn’t that surprising. The “all-nighter” attitude of most architecture schools exacerbates the problem, as studies show a lack of sleep reduces the mind’s resilience to issues such as anxiety and depression.[2]
Yet this aspect of the architectural education system isn’t showing any sign of changing. What can architectural students (and their professional counterparts) do to minimize the impact that architecture has on their psychological wellbeing? I would argue that the answer, at least partly, can be found in the practice of mindfulness.
It has been confirmed that the museum opening date for the Casa Vicens in Barcelona has been rescheduled for the second half of 2017. Originally scheduled for the second half of 2016, the reopening of Gaudi's first house was not able to be completed due to the complicated and labor intensive renovations. This will be the first time the house, declared World Heritage site, will be open to the public without it being a residential or private space.
The Casa Vicens, located on 24 Carolines Street, was the first house ever designed by Antoni Gaudí. In 1883 Manel Vicens, promoter of the project, commissioned the architect to build what would be his summer home. At that time Gràcia, now a cosmopolitan neighborhood, was a separate town. Therefore, the project did not contemplate the possibility of other buildings being built around it, and so to this day, it remains a completely freestanding building in a neighborhood characterized by its compact character, narrow streets, and high density of population.
A luminous tetrahedral mesh spanning 10 meters, (Ultra) Light Network is the latest 3D printed innovation achieved by Singapore University of Technology and Design (SUTD) Professors Felix Raspall and Carlos Banon, who were also behind this mesh pavilion last year. Displayed at this year’s iLight Marina Bay in Singapore, the interactive light sculpture is an exploration of how full-scale 3D printed components can create a system to “address not only structural requirements but also power transmission, and information communication within a seamless and continuous aesthetic.”
Suspended over its visitors, the display engages the public through responses to their movements below, controlled by over 50,000 distinct LED pixels and their parent algorithm. This is made possible through five Teensy microcontrollers, working in conjunction with three ultrasonic sensors at the base of the structure, resulting in a lively and illuminating experience.
One of the great ironies of modern urban life is the underlying disconnect that exists amongst us global citizens, despite living and functioning within such dense and close proximities. In order to address this issue in the context of China’s urban landscape, New York firm NO ARCHITECTURE has proposed two alternatives to the typical high-rise – two vertical residential typologies that feature a combination of courtyards, terraces, and gardens, and could be located in a wide variety of cities.
“Conceived around a series of cascading shared walls, ventilated courtyards, stepped terraces, and wind towers, these new vertical organizations re-connect urban living to nature, suggesting how we can live in close proximity today and can continue to do so sustainably for generations to come,” explained the architects.
Beomki Lee and Chang Kyu Lee of Atelier L have unveiled their speculative project, Instant City: Living Air-Right, which proposes that affordable housing and public programs be built in the air rights of existing buildings in New York City.
As a response to the lack of home ownership in the city, the project aims to provide living space, as well as to foster community in an overlooked space.
One general trend in today's Information Age involves the absolute transmutation of downtime into productivity or engagement of any kind, however meaningless. We hear it all the time: we have lost our ability to be still. However, as a team at Ennead Lab has observed, some of the same technologies that are causing this shift in routine also have the potential to open new, empty pockets of time in our daily lives, and affect the built spaces with which we interact.
Tasked with designing an electric car charging station for a development in Shanghai, Ennead realized that the five hours required to fill up a single standard charge necessitate a place for customers to wait. In an article on Metropolis Magazine, they show that the promise of transportation-less people to stick around in one place for such a period of time opens up a host of possibilities for what could fill the latency period; the Shanghai project, however, focuses on the opportunity to create a civic space. The team has imagined the modern "gas station" as a vertical charging tower that calls upon the functionality of urban parking elevators in the 20th century, this time clad in reflective silver to serve as a beacon for customers in search of a charge. Rather than standalone charge-park towers, the projects are integrated into a system that encourages patrons to walk to neighboring zones to eat, shop, and socialize while they wait.
The Royal Architectural Institute of Canada (RAIC) and the Canada Green Building Council (CaGBC) have awarded Montreal’s Bibliothèque du Boisé with the annual Green Building Award for 2017. Designed by the trio of Consortium Labonté Marcil, Cardinal Hardy and Eric Pelletier architectes, the library is situated in the city’s Saint-Laurent district, and received the distinction as an example of “buildings that are environmentally responsible and promote the health and wellbeing of users.”
"The library offers a variety of beautifully lit and welcoming spaces throughout, maximizing daylight and views and the use of natural elements, such as wood, to create an environment that contributes to health and wellbeing,” said the jury. “Their approach to high-performance building through whole systems design and strategy has resulted in an impressive achievement.”
Hyperloop One has revealed the results of the second round of the Hyperloop Global Challenge, which is seeking proposals for future routes for their vacuum-powered transportation system. The semifinalists include 11 different routes connecting various major American cities. Check them out below.
A total of 85 buildings from the British capital have been shortlisted for the 2017 RIBA London Awards, including projects from Wilkinson Eyre, AHMM, Allies and Morrison, Herzog & de Meuron, and Rogers Stirk Harbour. All 85 buildings will now be visited and carefully assessed by one of four regional juries, before the regional winners are selected in June of this year. Winning projects will continue on to compete for the RIBA Stirling Prize - the UK's highest honor for architecture.
See a complete list of shortlisted buildings after the break.
But you can browse the last one: 417
.jpg?1492141820 "UNIVERSITY OF IOWA VISUAL ARTS BUILDING; Iowa City, Iowa / Steven Holl Architects. Image Courtesy of The American Architecture Awards")
.jpg?1492141945 "MICHIGAN LAKE HOUSE; Leelanau County, Michigan / Desai Chia Architecture. Image Courtesy of The American Architecture Awards")
