The Benedictine Monastery of San Nicolò l’Arena in Catania, Sicily, holds within its stones the echoes of five centuries, shaped by time, varied uses, violent earthquakes, and the blazing force of Mount Etna. Its walls, silent witnesses to history, were molded both by the fire of nature and by human hands. Yet among all the transformations it underwent, none was as profound or poetic as the one led by Italian architect Giancarlo De Carlo, starting in 1980. After 30 years of dedicated work, time required to truly understand such a complex and awe-inspiring site, the former monastic residence was reborn as a university, not by force, but through revelation.
Foster + Partners' Central Crossing, Hong Kong. Image Courtesy of Foster + Partner
Foster + Partners has unveiled designs for Central Crossing, a new mixed-use development in the heart of Hong Kong's Central district. Located at 118 Wellington Street and bordered by Graham, Gage, and Cochrane Streets, the project is a joint venture between Wing Tai Properties Limited and CSI Properties Limited. Positioned within a triangle formed by the historiclandmarks Tai Kwun, PMQ, and Central Market, the site offers a rare opportunity to build within one of the city's most vibrant and historically layered neighborhoods. Central Crossing continues Foster + Partners' ongoing engagement with historical contexts, following earlier interventions such as the Carré d'Art in Nîmes and the extension to the Royal Academy in London. The project seeks to balance sensitivity to its urban fabric with an architectural presence, contributing to the evolving identity of Central.
On April 23, 2025, a 6.2 magnitude earthquake in the Sea of Marmara struck Türkiye's largest city, Istanbul, causing widespread panic and injuring over 230 people, primarily due to falls and panic-induced accidents. Over the course of the day, at least 272 aftershocks were recorded, with the strongest reaching a magnitude of 5.9. According to an initial statement by Minister of the Interior Ali Yerlikaya, there was no major destruction apart from the collapse of a single abandoned building. However, the event has reignited public and professional discourse around the city's preparedness for a much larger seismic event, long anticipated by experts monitoring the North Anatolian Fault.
Throughout their relatively recent history, museums have evolved to condense particular aspects of a culture and present them in a coherent and unified manner. This makes the connection between the architecture and the exhibit a crucial matter, as the architect is tasked with designing not only the framework and background of the exhibited arts or artifacts but also taking charge of the journey undertaken by the visitor, harmonizing the cultural gain with the lived spatial experience of walking the exhibition halls. However, not all museums have been purposely built for this task.
Across Europe, museums are being organized within or expanding upon historical monuments and buildings that have lost their original purpose. Then in a state of decay, this decision to reorganize them as cultural venues stops the decay and preserves the historical material, adding a new layer of complexity to the intended exhibits. The architect's role becomes that of introducing order and a system that can balance the heritage of the place with the needs of modern functionality, ensuring that the essence of the original structure is preserved while meeting the needs of contemporary exhibitions and public engagement.
The United States is a country with an extensive history, its buildings holding onto legacies from later times. For their cultural significance, these structures are greatly celebrated and protected, however, they are also exempt from certain energy efficiency mandates. As cities push toward reaching climate goals, these mandates are under scrutiny. Preservationists argue that historic buildings deserve protection from potentially damaging retrofits. On the other hand, sustainability advocates bring up the need for energy efficiency improvements across all sectors of the built environment. The challenge lies in achieving a balance between the competing priorities - ensuring the maintenance of heritage and environmental responsibility.
Nestled within the junction of London Wall and Aldersgate Street in the Barbican district of the City of London lies the Museum of London. Built in 1977, the brutalist building was home to the world's largest urban history collection, with more than six million objects curated to highlight London's social history. The museum has been closed for over two years with plans for relocation, while its historic building faces demolition to make way for a new development—the London Wall West scheme. This has sparked mixed reactions from London residents and people across the country, with calls to review the proposed design and campaigns favoring retrofit over the demolition of this unique modernist building. Photographer Arnolt Smead recently visited the museum to capture its beautiful architectural moments and highlight its unique features.
How many stories are hidden behind every line and every wall? Each project serves a purpose, and its creation leaves a lasting impression on the environment it inhabits. ArchDaily's AD Narratives series seeks to uncover the fascinating—and often unexpected—stories that breathe life into selected projects. Through in-depth research, the series delves into the unique details of the design and construction processes, exploring the cultural, social, and political contexts that have shaped each work.
The Notre Dame Cathedral in Paris has officially reopened, five years after a devastating fire destroyed its roof and spire and threatened the integrity of the entire structure. The reopening ceremony took place on Saturday evening with a two-hour sermon, attended by global leaders and dignitaries. The ceremony also represented the first opportunity to witness the result of the estimated €700 million ($739 million) restoration, a process that included the thorough cleaning of the stone interiors, revealing a glistening white gothic interior.
1180 - The Gothic Choir. Image Courtesy of Histovery
Ahead of the official reopening of Notre Dame de Paris, scheduled for December 8, a series of exhibitions are happening worldwide, aiming to use immersive technologies and augmented reality to bring to a wider audience both the restoration efforts and the wider story of the beloved monument. The event aims to present significant chapters of the history of the iconic structure, from its medieval origins to its witnessing of historical events such as the coronation of Napoleon or the marriage of Henri IV, the 19th-century restoration which added the spire designed by French architect Viollet-le-Duc, and the devastating 2019 fire.
In the heart of Tallinn, where history weaves through cobblestone streets and ancient towers, stands the Ungern-Sternberg Palace — a monument that bridges the opulent past of Estonia's aristocracy with the vibrant world of contemporary academia. Now home to the Estonian Academy of Sciences, this historic building embodies Estonia's enduring dedication to knowledge and cultural preservation. Through Open House Tallinn, which highlights the city's architectural heritage, the palace's significant history, and remarkable architectural details are brought to a wider audience, offering unique insight into Estonia's cultural resilience.
Constructed in the 19th century as a symbol of aristocratic power, the palace has transformed from a private residence into a national hub of intellectual life. Its grand halls, once the scene of lavish gatherings, now foster scientific and academic pursuits, illustrating how heritage architecture can evolve alongside societal change.
In recent weeks, a series of significant architectural developments have been announced, showcasing the varied work of renowned firms from around the globe. These projects, revealed between late September and October 2024, emphasize the transformative potential of architectural design in rehabilitating historical structures, revitalizing urban areas, and proposing new facilities to meet the evolving needs of communities. Notable names such as Zaha Hadid Architects, Kohn Pedersen Fox (KPF), and Studio Egret West are among those leading ambitious projects, from the waterfront residences on Qetaifan Island in Qatar to the reimagining of London's Earls Court. This collection of recent announcements provides a glimpse into the ongoing evolution of urban landscapes and community-centric architecture.
Snøhetta has won an international competition for the design of the new stations for the city cable car in Koblenz, Germany. Given that the location is within the UNESCO World Heritage Site of the Upper Middle Rhine Valley, the project necessitates a sensitive and respectful approach to the historical context. The proposed stations are designed as contemporary architectural statements that harmonize with the existing heritage, blending into their surroundings.
From 1977 to 1983, the National Theatre in Prague underwent a major transformation with the opening of Nová Scéna, a modern counterpart to the traditional Neo-Renaissance theatre. For many years, Nová Scéna hosted the renowned Laterna Magika, the world’s first multimedia theatre. This groundbreaking performance style combined classical theatre with computer-generated visual effects, creating a unique dramatic experience. The striking glass building, a symbol of the communist era, became an iconic representation of the political power of the time. In recognition of its significance, this building was part of the Open House Prague festival in 2024—an annual event that invites the public to explore and appreciate the value of architecture.
Landscape architecture firm SCAPE together with Bjarke Ingels Group have announced plans to transform Connecticut's ManresaIsland into a public-oriented development as a hub for learning, exploration, and community engagement. Originally slanted for private waterfront housing, the new scheme aims to open up the area as a public park with ample waterfront access, a project led by SCAPE. Additionally, the decommissioned coal-fired power plant is set to be converted by BIG into a community hub for multiple activities including swimming, small and large-scale events, research, and educational rooms. Supported by a private philanthropic investment from Austin McChord, the project is set to open in 2030 through a phased development.
Montreal, located along the Saint Laurent River in Southern Quebec, is Canada’s second-largest city. Often renowned for its architectural diversity, its built environment reflects both its colonial past and modern evolution. As a former territory of "Nouvelle France," French language and culture remain dominant, which has in turn influenced the city's architectural character. Notably, Old Montreal features well-preserved buildings from the 18th and 19th centuries, most of which are a testament to the city’s industrial growth after the construction of the Lachine Canal. The area's heritage has been protected and restored through efforts by figures like Phyllis Lambert and organizations such as Heritage Montreal, allowing the city’s rich architectural history to coexist with its modern developments.
Montreal's multiculturalism is evident in neighborhoods like Little Italy and Little Portugal, with its diversity fueling a vibrant cultural scene. The city hosts a multitude of festivals every year, many held in open-air venues like Place des Festivals. Parc Jean-Drapeau, built for the 1967 World Expo, is another popular spot for large events while offering stunning views of the city skyline. Another relevant site is Mont Royal Hill, a park offering panoramic views of downtown and access to hiking trails, Saint Joseph’s Oratory, Beaver’s Lake, and other areas of architectural interest such as the Plateau.
As major cities continue to develop, we face intriguing challenges regarding the preservation and adaptive reuse of significant buildings, sites, and artifacts. This poses a complex question that involves political history, architectural theory, and cultural significance. Adaptive reuse extends beyond architectural and spatial designs; it allows cities and communities to reflect, reevaluate, and reinterpret their history from different perspectives. However, unlike books and words, buildings may not withstand the test of time themselves and serve as firsthand evidence of the stories they tell. How should we question ourselves on what to preserve and demolish? How can communities be involved in the active restoration or adaptation of historic buildings?
Prague, the capital of the Czech Republic, is one of Europe's best-preserved cities, having miraculously survived the widespread bombings of World War II. As the capital of the Czech Republic, Prague is home to over 1.3 million people and features an architectural heritage spanning centuries, covering a variety of architectural styles from Romanesque, Gothic, Renaissance, Baroque, and Rococo, to Modernist, Deconstructivism, and contemporary tendencies. The Old Town Square, where various architectural styles coexist, is a testament to this diversity. Known as the "Mother of all Cities," “the Golden City and “The City of a Hundred Spires,” Prague blends history and contemporary culture seamlessly. Its origins, steeped in legend, add to the city's charm.
Courtesy of David Kohn Architects, noA Architecten, and Asli Çiçek
The team comprised of David Kohn Architects, noA Architecten, and Asli Çiçek has won the international competition for the redesign of SMAK, the Municipal Museum of Contemporary Art in Ghent, Belgium. The project includes the reconfiguration of the museum grounds and the extension of a cluster of historic buildings in the center of the city. Established in 1999, the Stedelijk Museum voor Actuele Kunst aims to redefine its relationship with the city and to create more appropriate space for the design of its extensive contemporary art collection.
