ArchDaily Interview: The Latest Architecture and News

Simone Farresin is the co-founder of Formafantasma, a research-driven design studio exploring the ecological, historical, political, and social influences that shape the design industry. Most recently, the studio participated in Milan Design Week 2024 and Salone del Mobile.Milano with various products and exhibitions. Onsite in Milan, ArchDaily had the chance to speak to Simon Farresin about the studio’s installation for Cosentino at the historic Teatro Gerolamo, and the broader Formafantasma design practice.

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Sumaya Dabbagh, the founder of Dabbagh Architects, based in the UAE, stands at the forefront of architectural innovation with a focus on identity and connection to place. Her recent participation in the Sharjah Architecture Triennial’s second edition “Earth to Earth" is a showcase of cumulative ideas that Dabbagh Architects has been fostering through their projects. Onsite in Sharjah, ArchDaily had the chance to speak to the architect about her exploration at the Triennial, as well as her broader architecture practice and its impact on the Global South.

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The built environment represents, for most of us, the background of everyday life, and yet, when we look at a building, we rarely understand what it is made of. In doing so, we also fail to understand its impact on us and on the larger systems of nature. Office Kim Lenschow aims to draw attention to this and to provoke critical thinking in relation to architecture and the materials that make it. By focusing on small-scale, mostly residential projects, the office seeks to reveal this hidden narrative of materials and cultivate more awareness and engagement with the structures surrounding us. For their involvement in the exploration of materials and sustainable development, Office Kim Lenschow has been selected as one of the ArchDaily 2023 New Practices. Every year since 2020, ArchDaily has curated and highlighted emerging offices that bring a new perspective to the field of architecture and design.

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The Sharjah Architecture Triennial 2023 opened on November 11, 2023, with a wide program focused on the overarching theme of The Beauty of Impermanence: An Architecture of Adaptability. While on-site in Sharjah, the ArchDaily team had the chance to sit down with curator Tosin Oshinowo and discuss her curatorial view, the development of the main themes of the program, and the larger principles and intentions behind the event. Informed by her experience growing up in Lagos, Oshinowo has focused the Triennale on the celebration of places that thrive under conditions of scarcity and the alternative models that the Global South can provide in working towards a more equitable and livable future.

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Oana Stănescu is a Romanian architect, designer, writer, and educator, based in New York and Berlin, with a diverse portfolio of interventions around the world. Selected as part of 2023 New Practices by ArchDaily, the young architect recognizes the value of architecture as a discipline, but nevertheless acknowledges that architecture cannot single-handedly resolve the complex challenges of our world. “Architecture is most powerful when recognized as part of a larger system, rather than being solely self-serving”, she adds in her conversation with ArchDaily’s Managing Editor, Christele Harrouk. In this way, Oana views architecture as a key player in a broader context, working to address significant societal issues.

With several ongoing projects, from the rehabilitation of an existing industrial infrastructure in Romania, to an integrated house within its natural environment in Canada, Oana’s creative process is centered on a commitment to serve people. Watch the full interview and discover below key insights from the conversation.

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Based between Tehran, Iran, and New York City, ASA North has emerged as an example of an architectural practice based on malleability and adaptability. Chosen by ArchDaily as part of our 2023 New Practices, ASA North stands at the forefront of melting the boundaries between architecture and art. ArchDaily had the chance to interview Ahmadreza Schricker, its founder delving into the evolution of his life, career, and practice.

Ahmadreza Schricker is an architect whose journey was shaped by his work with Herzog & de Meuron and his time with the well-renowned OMA. His studio ASA North, is well known for its award-winning adaptive reuse of the Argo Contemporary Art Museum & Cultural Center, a former distillery that was awarded at the 2020-2022 Aga Khan cycle. It is a testament to the work ASA North does, bridging gaps between past and future, traditional and contemporary. The interview also goes beyond ASA North, looking into its sister company, ASA South. Based in the virtual world, ASA South challenges conventional boundaries and reimagines architectural practice in the digital age.

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While attending the 2023 UIA World Congress of Architecture in Copenhagen, ArchDaily had the chance to discuss with Yasmeen Lari, Pakistan’s first female architect and the winner of the 2023 RIBA Royal Gold Medal for Architecture. Yasmeen Lari gained international recognition for her heritage conservation and humanitarian activism efforts, demonstrating the possibilities of practicing architecture within disadvantaged communities. Her innovative and socially conscious approach, a concept known as ‘barefoot social architecture,’ has had a significant impact both in her home country and internationally. By designing for resilient communities, her work also aligns with the intentions behind the UIA World Congress of Architects and the ways in which architecture can contribute to the 17 UN Sustainable Development Goals (SDGs).

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The German Pavilion Open for Maintenance / Wegen Umbau geöffnet at this years 18^th International Architecture Exhibition – La Biennale di Venezia was curated by ARCH+ and Summacumfemmer Büro Juliane Greb. At its core, the exhibition addresses the resource problem and the material cycles of the biennale. Inside the pavilion is a functioning workshop dedicated to applying these concepts of care, repair, and maintenance to Venice onsite. In Venice, ArchDaily had the chance to speak with the co-curator Anh-Linh Ngo, where he discussed the different aspects of the German Pavilion.

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During this year’s edition of the Venice Architecture Biennale, ArchDaily had the chance to discuss with Giacomo Ardesio and Claudia Mainardi of Fosbury Architecture, the curators of the Italian Pavilion together with Alessandro Bonizzoni, Nicola Campri and Veronica Caprino. The curatorial project, titled “Spaziale: Everyone Belongs to Everyone Else,” aims to provide a distinctive and original portrait of Italian architecture within the international context. The curators discussed the origins of their office, their sources of inspiration and the thinking behind the design decisions that led to the creation of the curatorial project for the Italian Pavilion.

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This year’s Danish Pavilion at The 18th International Architecture Exhibition – La Biennale di Venezia, was curated by Josephine Michau. Titled “Coastal Imaginaries,” the exhibition addresses solutions to alleviate global challenges such as rising sea levels and storm floods. Onsite in Venice, ArchDaily had the chance to speak with the curator Josephine Michau, where she discussed the thought process behind the pavilion, the collaborations, and her hopes of starting meaningful dialogue as a result of the exhibition.

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During their visit to the 18th International Architecture Exhibition in Venice, ArchDaily had the opportunity to engage in a conversation with Sevince Bayrak and Oral Göktaş, founders of the Istanbul-based studio SO? Architecture and Ideas, curators for the Pavilion of Türkiye. Their exhibition, titled Ghost Stories: Carrier Bag Theory of Architecture, explores the status and hidden potential of abandoned buildings across Türkiye to discover more hopeful proposals for the future. The conversations opened with an exploration of the status of these forgotten structures and their hidden potential, leading into the intentions behind the exhibition in Venice and the curator’s message for the wider audience.

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During the opening keynote at the UIA 2023 World Congress of Architects, Bjarke Ingels, the lead and founder of BIG, shared insights into pressing global challenges along with the office’s distinctive approach to addressing them. After the conference, ArchDaily had the chance to sit down with Bjarke Ingels to further expand on these topics. The discussion touched on a number of subjects, including BIG’s approach to design, based on their principle of “Hedonistic Sustainability,” the meaning and opportunities behind this change in mentality, the inter-applicability of technological innovations across different fields and even across planets, and the need to develop a New European Bauhaus as a response to the emerging environmental necessities.

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While visiting this year’s Serpentine Pavilion, the ArchDaily team has a chance to sit down with French-Lebanese architect Lina Ghotmeh, the designer behind the temporary structure built in the Kensington Gardens in London. The conversation touched upon Ghotmeh’s motivations and concepts that prompted this pavilion titled À table, conceived as an invitation to sit down together at a table, to enjoy sharing food and engaging in open dialogues. Delving into her Lebanese roots, the architect also expands on her methodology and the desire to create space for conversation and decision-making while encouraging conviviality among people of different backgrounds and experiences. The ArchDaily team also talked to Hans Ulrich Obrist, artistic director at the Serpentine Galleries, about the pavilion as a platform for architecture and the arts.

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The Nordic Countries Pavilion for the 18^th International Architecture Exhibition “Girjegumpi”, is a collaborative library archive of Sámi architecture. While exploring La Biennale di Venezia onsite in Venice, ArchDaily had the chance to speak with the architect Joar Nango and also with the curators James Taylor-Foster and Carlos Mínguez Carrasco about the pavilion and its depths.

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Studio KO’s curation of the Uzbekistan Pavilion for the Venice Biennale is based on research, curiosity, workshopping, and experimenting with the senses. For over two years, the studio has worked alongside the Arts and Cultural Development Foundation, designing the Center for Contemporary Arts and their initiatives to restore and rehabilitate vernacular houses, transforming them into artist residencies. While exploring the 18th International Architecture Exhibition onsite in Venice, ArchDaily had the chance to speak with the founders of Studio KO, Karl Fournier, and Olivier Marty, curators of Uzbekistan National Pavilion. Their exhibition for this year’s theme, “The Laboratory of the Future,” focuses on the country’s rich heritage as a potential tool and inspiration for developing a more sustainable future.

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While exploring the 18th International Architecture Exhibition onsite in Venice, ArchDaily had the chance to speak with Jayden Ali and Joseph Henry, two of the co-curators of the British National Pavilion. The exhibition titled “Dancing Before the Moon” was created together with Meneesha Kellay and Sumitra Upham, and features creations from six designers and artists. As the curators explain, the aim of the installations is to expand the general understanding of what architecture is and to integrate it into a wider conversation with fashion, music, art, dance, and performance, rather than separating it as its own class of creativity. On June 20th, a few days after the conversation, the British National Pavilion was awarded a special mention at this year's award ceremony.

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When the Aga Khan Award for Architecture (AKAA) announced its winners of the 2022 edition, 20 projects were selected for their excellence in the fields of contemporary design, social housing, community development, and preservation and improvement of the environment. Among them, one project in Jhenaidah, Bangladesh, managed to capitalize on the strength of the local community to reverse the ecological degradation of its riverscape and create a functional and socially inclusive public space along the riverbanks. ArchDaily’s Managing Editor, Christele Harrouk, had the chance to interview Suhailey Farzana, and Khondaker Hasibul Kabir co-founders of Co.Creation.Architects, and Rubaiya Nasrin from Platform of Community Action and Architecture, POCAA, part of the team behind the Co-creation of Urban Spaces by the Nobogonga River, in Bangladesh. The project also won the 5th category of the UIA 2030 Award for the Access to Green and Public Spaces.

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Currently working on 45 simultaneous projects, including India’s largest bio-diversity park in India and the second largest in the world, Amit Gupta has been leading Studio Simbiosis for the past 12 years with a special focus on sustainability where performance follows experience more than form following function.

In this 2022 version of the World Architecture Festival, in Lisbon, ArchDaily had the opportunity to talk with Amit Gupta and discuss the main philosophy behind Studio Simbiosis, the challenges of building in India’s low-tech context, and the future of artificial intelligence and the metaverse in architectural design.

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