What do lightweight materials bring to public space with an ethical, ecological, and non-extractive design principle? Various textile textures offer a point of entry, being closer to the body than heavy conventional structural materials. Through its flexibility and responsiveness, it enables a form of soft enclosure rather than a fixed boundary in architectural space. Responding to minimal environmental stimuli, the fabric brings continuous movements into space. When layered or assembled, it produces gradations of density, depth, and enclosure, while recent innovative fabrication technologies extend the possibilities of its form and structural durability.

Semi-transparent materials further mediate the conditions of visual permeability and bodily experience of the space. By transmitting and filtering light, they blur clear separations between interior and exterior, solid and void, creating thresholds that are neither fully open nor fully enclosed, but constantly in negotiation. Reinterpreting structure in urban space through lightweight, translucency, and softness opens up alternative modes of spatial perception and bodily engagement.

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Between June 23 and August 30, 1988, The Museum of Modern Art (MoMA) in New York held an exhibition titled Deconstructivist Architecture, as part of a program "conceived to examine current developments in architecture." Curated by Philip Johnson and Mark Wigley, it focused on the contemporary work of seven international architects: Coop Himmelblau, Peter Eisenman, Frank Gehry, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and a young Zaha M. Hadid. At 37 years old, her work was presented to the world as an example of "the emergence of a new sensibility in architecture." The material on display was not a model or a blueprint, but a painting, The Peak, submitted for an architectural competition in Hong Kong in 1983. From this starting point, her contribution to architecture deepened along the same lines recognized at the time of her inclusion in the exhibition: the development of a distinctive, mathematical, and, in her own words, "fluid" architectural language, and her emergence as a leading female figure in a field historically dominated by men.

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In 2023, ArchDaily's editor-in-chief sat down with Tarek Qaddumi, Executive Director of the Line Design at NEOM, at the closing of the Line Exhibition in Riyadh. Qaddumi described a layered, three-dimensional city organized around the idea of a "five-minute sphere" of access: walkable communities stacked vertically, connected by high-speed rail, freed from cars and conventional street infrastructure, and designed to coexist symbiotically with the surrounding natural landscape. It was a compelling vision, and in the context of the moment, it was simultaneously credible and appealing. For architects and urban thinkers grappling with the failures of twentieth-century city-building, the ideas articulated were worth engaging and planning.

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Chilean architect Smiljan Radić Clarke has developed a body of work that resists easy categorization. His buildings often seem both ancient and provisional, carrying a monumental presence while retaining an unexpected sense of fragility. Stone, concrete, timber, fabric, and fiberglass are combined in unexpected ways, producing architectures that hover between permanence and ephemerality. Rather than pursuing a stable formal language, the 2026 Pritzker laureate approaches architecture as an open field of experimentation, where material behavior and structural perception are constantly tested.

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Buildings were always intended to solve a straightforward problem: shelter. Through form and material, they protected occupants from the weather and organized human activity. Modern architecture, along with evolving lifestyles, added new priorities — efficiency, density, structural innovation, and aesthetics. People now demand more from buildings. Occupants increasingly want environments that actively support how they live, work, and feel.

Wellness has become a central concern in modern times. Decades of research in environmental psychology and building science reveal that indoor conditions can profoundly affect human health and behavior. Lighting influences circadian rhythms and sleep patterns. Air quality impacts cognitive performance and respiratory health. Temperature and acoustics shape comfort and concentration.

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Today's housing crisis is a global phenomenon that can be broadly divided into two major problems: a shortage of residential buildings and barriers to accessing those that already exist. The deficit is real and concrete when it comes to what the UN calls "adequate housing for all." According to UN-Habitat, an estimated 96,000 new housing units would need to be built per day to meet population needs by 2030. Climate change and forced migration are broadening the gap. But 2.8 billion people worldwide, representing nearly 40% of the global population, lack access to stable shelter, secure land, and basic sanitation services not only because of underproduction, but also due to an economic barrier: an affordability crisis. As demand grows and prices rise, housing, now increasingly functioning as a form of social security, becomes a target for rental income and real estate speculation. As adequate housing is a human right, pressure on governments and private entities is increasing worldwide to limit speculation and ensure fair access to existing dwellings. Below, we present four examples of initiatives in Spain, Australia, France, and the United States that aim to urgently expand housing access while limiting speculation.

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The 2026 Pritzker Price Award has been awarded this year to the Chilean architect of Croatian descent, Smiljan Radić Clarke. Born in Santiago, Chile, in 1965, his practice evokes a geography of extremes, shaped by the tectonic tension between the staggering weight of the Andes and the seismic instability of the territory. After graduating from the Pontifical Catholic University of Chile and pursuing further studies in aesthetics in Venice, Smiljan Radić Clarke established his base in Santiago. From there, he has developed one of the most singular visions in contemporary architecture. His work privileges the intensity of the moment through a fragile architecture. Within it, the building operates as a temporary and tactile refuge that places the spectator in a state of aesthetic uncertainty, oscillating between ancestral ruin and avant-garde artefact.

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A revitalized canning factory in a coastal Portuguese city, a memorial park in Ethiopia, a small-town Brazilian home, a wooden pavilion evoking Bahrain's heritage, and 11 other visionary projects comprise the winners of the 2026 ArchDaily Building of the Year Awards. Chosen over three weeks of public voting, the winners are representative of the current architectural landscape, reflecting a diversity of approaches, materialities and aesthetics, while also showcasing common threads across cultures.

In its 17th edition, this year's Building of the Year Awards received more than 120,000 votes from over 100 countries, marking a record-breaking year for the world's largest community-driven architecture award. The winners represent 14 different countries, cultures and perspectives, coming from Brazil, Canada, Chile, Colombia, Denmark, Ethiopia, Germany, India, Indonesia, Japan, Portugal, South Korea, United States and Vietnam.

Heritage sites constitute complex spatial archives in which architecture, history, and collective memory converge. They encompass a wide spectrum of contexts—from archaeological remains, ancient and historic townscapes, UNESCO-listed landscapes, to early modern civic structures and industrial infrastructures. Yet these environments confront challenges: climate change, urban transformation, disaster, shifting social needs, and the gradual erosion of material fabric. Revitalization and restoration projects respond to these conditions by positioning architectural and spatial practice as an active mediator between preservation and the contemporary topologies.

In current practice, conservation is understood as a creative process of adaptation and reinterpretation that serves both communities and inhabitants. At the same time, monumental architecture continues to define the identity and landscape of a place for wider audiences and future generations. Architects and planners are called upon to negotiate sensitive historic contexts while introducing new programs, techniques, and spatial experiences. They exemplify diverse design approaches, including precise structural interventions, climate-responsive strategies, and meticulous material restoration, alongside the thoughtful insertion of new architectural elements. Equally important is their engagement with vernacular knowledge and materiality, which preserves the locality and cultural specificity of each site.

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Two weeks and over 85,000 nominations later, the finalists of this year's Building of the Year Awards are in. The selection is much like the ArchDaily audience that chose it: diverse in geography, generous in ideas, and precise in intent. With projects from 46 countries, in a variety of typologies and scales, they present a beautiful snapshot of the current architectural moment.

We invite you to sit back, browse, and vote for your ultimate favorites. Below, you will find all of the 75 finalists in their respective categories. Voting is open until February 18th at 18:00 EST. Thank you—your participation is key to making this the world's largest community-driven architecture award.

Cities around the world share a common goal: to become healthier and greener, supported by civic infrastructure that restores ecosystems and strengthens public life. The question is how to reach this. Global climate targets, local building codes, and municipal standards increasingly guide designers and planners toward better choices. Still, many cities struggle to translate these frameworks into everyday, street-level comfort and long-term ecological protection. What happens if the city is no longer treated as a traditional city, but as a national park?

National parks operate through systems of protection that treat land as a network of ecological relationships rather than a collection of isolated sites. They establish a shared baseline for what must be preserved, maintained, and made accessible over time. When this logic is applied to the urban environment, success can inspire pride and a sense of shared responsibility among designers, policymakers, and residents, fostering a collective commitment to health, habitat, and civic infrastructure.

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Architectural heritage is often described as what survives time. Yet survival does not explain why certain buildings are preserved while others disappear. Many works now protected as cultural heritage were once criticized, contested, or openly rejected; they were accused of being socially misguided, materially flawed, or symbolically excessive. Over time, however, these same shortcomings have become central to their meaning as heritage emerges as a slow and unstable process of interpretation.

Contemporary architecture operates under intense scrutiny, pressured by environmental responsibility, social equity, economic volatility, and accelerated technological change. Buildings are expected to perform ethically, efficiently, and symbolically, often simultaneously. As a result, architectural failure is no longer an exception but an increasingly common condition. Projects age faster, materials reveal limitations sooner, and urban strategies quickly fall out of sync with shifting political, social, and environmental realities.

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Cities are warming at roughly twice the global rate, a trend accelerated by rapid urbanization. While rising temperatures are reshaping daily life worldwide, some towns and neighborhoods, often the most vulnerable and least resourced, are warming more than others. The reason comes down to the urban environment. Built infrastructure, such as roads, buildings, sidewalks, and public spaces, determines how heat moves through a city, where it accumulates, and how long it remains trapped. No matter the climate zone or geographical location, shade remains the most effective and immediate way to cool pedestrians and relieve the built environment.

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WORKac is a New York-based firm founded in 2003 by Amale Andraos and Dan Wood. The firm has always believed in "the power of architecture and design to engage in environmental and social concerns, and to create new possibilities for the future." In that sense, the firm's principals define their approach to architecture as a constant evolution. For them, it is a continuous process of learning, questioning, and relearning, which is nurtured through the firm's engagement in local culture, climates, and histories, as well as discourse in the fields of ecology, landscape, and urbanism. In this way, they are able to bring these topics together with a focus on public, cultural, and civic projects that aim to reinvent how people live, work, and experience the world.

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Launched in September 2024, the Rediscovering Modernism in Africa series joined a growing worldwide interest in this topic. Previously underrepresented in architectural discussions, the work of architects and researchers on the continent and abroad has continued to tell the story of these high-quality modern works of architecture. These buildings represent designers striving to create locally suited architecture using global concepts and technologies, coinciding with huge political changes as most African countries gained their independence.

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The magic of Indian architecture lies in an invisible order amidst visceral chaos. When an uncertain future knocks on the doors of local practitioners, one might begin to look within the four walls they occupy to discover an opportunity for reinterpretation.

Mumbai, Delhi, Bengaluru, and other major metropolises are described as needing massive housing solutions for millions. The instinctive answer is predictable — masterplans, dense towers, and standardized units smeared over haphazard developments. The lexicon misses a deeper truth about how the people already live, work, and build in India. The shorthand used in policy and planning — slum, informal settlement, unauthorized colony — implies a temporary state to be corrected. A designer's eye views these places as layered urban histories, formed through necessity.

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In architecture, most practices revolve around delivering projects to clients. Offices are shaped by deadlines, budgets, and clear briefs. While this structure produces buildings, it rarely leaves space for architects to question broader issues — about how we live, how cities are changing, or what the future demands of design. But alongside this production-focused system, a quieter movement has emerged: studios, collectives, and foundations that prioritize research, experimentation, and reflection. These are the architecture think tanks — spaces designed not to build immediately, but to think first.

The idea of a think tank is not new. Traditionally found in politics, economics, or science, think tanks bring together experts to study complex problems and propose solutions. In architecture, their rise reveals a tension at the heart of the discipline. If architecture is to remain socially and environmentally relevant, can it continue to rely only on client-driven practice? Or must it carve out space for slower, deeper inquiry?

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