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The complexity of our world is constantly increasing, and with it, the pressure and demands placed upon our built environment. Architects are faced with a monumental task: to translate society’s ever-changing needs into tangible, effective and sustainable solutions. Pressing issues such as the climate crisis, rapid urbanization, population density and housing shortages call for a new architecture –one that isn’t afraid to question the traditional way of working and is prepared to take on the challenge. Today the industry must adapt, evolve and innovate to cope with these challenges. The availability of data is changing the game, and as technology continues to advance, it will open new ways of thinking, creating and engaging with the built environment.

In this article, we delve into the effects of the digital transformation, how it is reshaping the industry and the questions it raises about the future role of architects. 

Due to its ability to mold and create different shapes, concrete is one of architecture's most popular materials. While one of its most common uses is as a humble foundation, its plasticity means that it is also used in almost all types of construction, from housing to museums, presenting a variety of details of work that deserves special attention.

Check out this collection of 40 projects that highlight the use of concrete. Impressive! 

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The Pritzker Architecture Prize presents The Role of Practice, the 2023 Laureate Lecture and Panel Discussion, today, Tuesday, May 23rd at 3:40 PM EEST, in partnership with the National Technical University of Athens, and with the participation of the Aristotle University of Thessaloniki, University of Patras and the Technical University of Crete.

The Pritzker Architecture Prize 2023 Laureate David Chipperfield will deliver the lecture, reflecting on architectural practice's role, responsibilities, and opportunities. Moreover, the 2023 winner will explore "how market forces have dominated architecture and become increasingly detached from its place, just as the challenges of the climate crisis, loss of biodiversity, and social inequality have heightened the urgency for a more proactive position". Alejandro Aravena, Jury Chair, and 2016 Laureate will introduce the lecture, which will be followed by a conversation between David Chipperfield, Francis Kéré, 2022 Laureate, and Anne Lacaton and Jean-Philippe Vassal, 2021 Laureates, as they each "reveal the successes and failures of their respective journeys which effected their architectural philosophies and works, and led them to the shared stage of the present".

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I first went to China in 2002, a year after the International Olympic Committee awarded the 2008 Summer Games to Beijing. That initial trip was about exploring nature, cuisine, ancient temples, archeological sites, and, in general, experiencing lifestyles in China, mainly outside of its major cities. I was motivated by the pure curiosity of a Western tourist driven to an Eastern country in search of the old world, the exotic, hoping to catch a glimpse of a rich traditional culture on the cusp of its inevitable radical transformation. At the time, there was no modern, or rather contemporary, architecture in China to speak of. There were only the promising first hints of the development of a potentially new architectural language being undertaken by just a handful of independent architects almost entirely under the radar.

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Brutalism is an architectural style that originated in the 1950s and became popular in the 1960s. Its name comes from the French "béton brut," which means "raw concrete," as this material is one of the most characteristic elements of the style. Its main features are the apparent use of concrete, offering visuals where natural texture and tonality are the protagonists of the buildings. Brutalist buildings often have an austere and massive aesthetic, with simple and repetitive geometric shapes. The use of industrial materials and innovative construction techniques is also common in brutalism.

At the 18th International Architecture Exhibition – La Biennale di Venezia, Qatar Creates will present the documentary exhibition "Building a Creative Nation”, at the ACP - Palazzo Franchetti, from May 14 through November 26, 2023. This will be the first time that Qatar's newest cultural institutions are highlighted outside their home country.

ELEMENTAL, Herzog & de Meuron, Office for Metropolitan Architecture (OMA), Philippe Starck, and UNStudio are just a few of the internationally renowned architectural firms working with Qatar Museums to establish five new cultural facilities in Qatar. The new constructions will be overseen by Qatar Museums, tasked with maintaining and expanding Qatar's cultural assets through managing the nation's expanding network of museums, heritage sites, festivals, and public art installations.

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Sometimes sculptural and expressive, sometimes monolithic and monotonous, the Brutalist architectural style is equal parts diverse and divisive. From its origins as a by-product of the Modernism movement in the 1950s to today, Brutalist buildings, in architectural discourse, remain a popular point of discussion. A likely reason for this endurance is — with their raw concrete textures and dramatic shadows, brutalist buildings commonly photograph really well.

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“How do we ensure new parks don’t cause ‘green gentrification,’ which can lead to the exclusion and displacement of underserved communities? How can we ensure we don’t displace the communities that new parks are meant to serve?,” asked Dede Petri, CEO of the Olmsted Network (formerly the National Association of Olmsted Parks), during an Olmsted 200 event.

New parks are meant to be accessible to everyone, but in many urban areas, developer-driven parks mostly attract wealthier Americans. Cities benefit from increased development adjacent to these new parks, bringing in higher tax revenues, but that raises questions about whether these spaces can, in effect, lead to community displacement.

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The International Placemaking Week, presented by Project for Public Spaces (PPS) is an inspiring and engaging event designed as a global gathering of placemakers from different sectors to discuss thoughts and share strategies in order to push forward the concept of placemaking in the host city and on an international level. Previous editions took place in Vancouver in 2016, Amsterdam in 2017, and Chattanooga, Tennessee in 2019.

PPS, the nonprofit organization behind Placemaking Week, helps people create and sustain public spaces that build strong communities. In 1999, they elaborated “How to turn a place around”, a book that defined the placemaking movement, creating a guideline of 11 principles to follow in order to create vibrant community spaces.

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The United Nations estimates that the world population will reach 10.4 billion by 2100. Already by 2050, 2 out of 3 people will call cities home, coming in search of the opportunities, services and amenities on offer. That puts even more pressure on urban areas given all these people will need access to water, food, public space, good infrastructure and, above all, housing. In fact, estimates suggest more than two billion homes will need to be built by the end of the 21st century to accommodate this population explosion. As cities grow, so does urban sprawl, which brings its own set of environmental and social challenges. In the face of climate change, sustainable urban development must ensure that future housing solutions –new and renovated– are built to support healthy communities, prioritizing both human and environmental well-being. In turn, cities will need to be built denser and faster, but not without meeting a long list of stringent criteria. Only this way can we avoid the negative, often overlooked, effects of uncontrolled hyper densification that give urban development a bad name.