For this edition of the Venice Architecture Biennale, the Irish Pavilion focuses on data technologies and their presence within the physical landscape, exploring the cultural end environmental implications of data production and consumption. Titled Entanglement and curated by the multidisciplinary research and design collective ANNEX, the exhibition challenges the presumed immateriality of the Cloud, highlighting the infrastructure of data production and its impact on everyday life while also examining Ireland’s role in the evolution of global communication.
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The Irish Pavilion for the 2021 Venice Biennale Explores the Impact of Data Production on Everyday Life
In 2013, Michael Osborne and Carl Benedikt Frey ranked 702 occupations according to their probability of computerisation in the near future, from least probable (“recreational therapist”) to most probable (“telemarketers”). "Architectural and Engineering Managers” was ranked seventy-third, and “architects” eighty-second, while “architectural and civil drafters” ranked three-hundred and fifth. Clearly, technological advancements in fields such as machine learning and robotics are rapidly confronting us with issues of changing professional demand and qualifications. In this essay, Maurizio Ferraris turns the table on us: what if what we should be concerned with is not maintaining the human element in labor as production, but rather recognising human labor as consumption? Expanding on the arguments of his 2012 book, “Lasciar tracce: documentalità e architettura,” the author sees in automation an extraordinary opportunity in defining a renewed centrality of the human element, as the production of value associated with digital exchange is read through the three concepts of invention, mobilization and consumption.
Humans and technology today form an inseparable link that have profound implications for Earth’s ecosystems – leading to the debate for a new era: the Anthropologic. In recent years, the transition from analog to digital architecture has materialized through increasing availability of novel software and new methods in digital architecture fabrication – tooling. The cognitive and digital turn implies ubiquitous computing, artificial intelligence, augmented reality and material intelligence, but to mention a few. The resulting design strategies overwhelm our discipline of architecture, encouraging a re-thinking of architecture, the architect’s role and responsibility, as well as architectural education. The development of
École des Ponts ParisTech Tackles the Digital Innovation Shift of the Design and Construction Industry
Applications are open for the third edition of the Design by Data Advanced Master® in Computational Design, Digital Manufacturing and Building Technologies opening in September 2018 in Paris.
Design by Data provides attendees with a cross-disciplinary culture of computational design and a comprehensive knowledge of cutting-edge technologies in the fields of parametric architecture, robotics, digital manufacturing and 3D printing for the construction industry.
When your firm adopts project accounting—the practice of accounting on a project-by-project basis—you’ll get insights that’ll change the way you do business. You’ll understand your projects, employees, clients, and firm on a deeper level, and you’ll be able to make changes that will dramatically increase efficiency and profits.
Before this happens, though, you need to lay the groundwork. With the right tools, logging and making sense of the data you need is convenient and easy. You just have to be consistent.
Through his series of architectural photographs, photographer, Marc Goodwin, is giving us an inside look into the architecture firms of the world’s greatest cities. His work has brought us through a collection of Nordic architectural offices, firms both large and small in London, numerous studios within Beijing, a selection of practices in Seoul, and a compendium of offices through the French capital. Shanghai is the next to be added to his list with his most recent collection showcasing the rich architectural culture of China’s largest city.
The targeted maximum wait time in office building elevators is 20 seconds—it just feels like 2 minutes when you’re in a rush. But how quickly are the elevators actually moving?
The fastest installed elevator reaches speeds of 67 feet per second (20.5 meters per second), or 46 miles per hour (73.8 kilometers per hour) in the Shanghai Tower. Not only does the Gensler-designed Shanghai Tower boast the fastest elevator, but also the longest continuous run of 1,898 feet of the 2,073-foot tower (578.5 of 632 meters), as revealed in a recent study by the Council on Tall Buildings and Urban Habitat (CTBUH). At these speeds, you can reach the 119th floor in 55 seconds.
Plans have been revealed by American-Norwegian data company Kolos to construct the world's largest data center, a claim based on the amount of electrical power the site intends to draw from the grid to supply its banks of servers and cooling facilities. Located on a fjord in Ballangen, Norway, the proposed site sits within the Arctic Circle and would take advantage of the cold climate, low humidity, and the abundant supply of hydropower currently available in the area.
Look Inside a Collection of Parisian Architecture Offices, Photographed by Marc Goodwin and Mathieu Fiol
Architectural photographer Marc Goodwin, alongside Mathieu Fiol, has recently completed the fifth collection of his "ultra-marathon of photoshoots" – this time in la Ville Lumière, Paris. Following Goodwin's insight into the spaces occupied by Nordic architectural offices, his look at studios both large and small lived in by London-based practices, his lens on a collection of Beijing-based studios and, most recently, his and Felix Nybergh's study of studios in Seoul, the project has now focused on the French capital.
The Design by Data Advanced Master® in Computational Design, Digital Manufacturing and Building Technologies provides attendees with a cross-disciplinary culture of computational design and a comprehensive knowledge of cutting-edge technologies in the fields of parametric architecture, robotics, digital manufacturing and 3D printing for the construction industry.
A very exciting opportunity is presented to architects and students worldwide for your work to be showcased in an international documentary film, alongside some of the greatest living architects of our current time.
We are seeking examples of architectural projects which exemplify the use of advanced and dynamic digital techniques in the process of analysis, design exploration and final outcome of a design work.
One or a combination of several computer-based tools must have been implemented in the processes of data collection/ information processing, simulation and development about the project and be evident in early stages of the design as well as the final work. We are looking for contemporary, cutting edge uses of computer technology from pre-existing or new design projects.
For the last fifty years Richard Wurman - architect, graphic designer and founder of the TED Conferences - has been dedicated to creating a platform that compares cities. In Wurman's early studies, he quickly learned that comparing global cities was no easy task. Cities use very different languages to describe their assets, from planning principles to land use types to social statistics. "They don’t collect their information the same way. They don’t describe themselves with the same legend," he tells Nate Berg of Next City.
Thanks to sophisticated mapping tools, delving into the statistical data of numerous cities has become far more manageable than in 1962, when Wurman produced his first comparative analysis using clay models of 50 different cities. Wurman's analog-driven statistical analysis has turned into the Urban Observatory, a website that allows users to choose from 15 variables and easily compare the public data of up to 16 cities around the world in real time.
More about the platform after the break.