For this edition of the Venice Architecture Biennale, the Irish Pavilion focuses on data technologies and their presence within the physical landscape, exploring the cultural end environmental implications of data production and consumption. Titled Entanglement and curated by the multidisciplinary research and design collective ANNEX, the exhibition challenges the presumed immateriality of the Cloud, highlighting the infrastructure of data production and its impact on everyday life while also examining Ireland’s role in the evolution of global communication.
Anthropometric Data - Crane Cabin Operator vs Remote Control Operator. Drawing by Het Nieuwe Instituut 2017. Image Courtesy of Het Nieuwe Instituut
In 2013, Michael Osborne and Carl Benedikt Frey ranked 702 occupations according to their probability of computerisation in the near future, from least probable (“recreational therapist”) to most probable (“telemarketers”). "Architectural and Engineering Managers” was ranked seventy-third, and “architects” eighty-second, while “architectural and civil drafters” ranked three-hundred and fifth. Clearly, technological advancements in fields such as machine learning and robotics are rapidly confronting us with issues of changing professional demand and qualifications. In this essay, Maurizio Ferraris turns the table on us: what if what we should be concerned with is not maintaining the human element in labor as production, but rather recognising human labor as consumption? Expanding on the arguments of his 2012 book, “Lasciar tracce: documentalità e architettura,” the author sees in automation an extraordinary opportunity in defining a renewed centrality of the human element, as the production of value associated with digital exchange is read through the three concepts of invention, mobilization and consumption.
In the highly connected world we live in, technology influences and impacts almost every decision we make. Big Data, Artificial Intelligence (AI), and the Internet of Things (IoT) have enhanced our connected world and helped us understand more about the spaces we inhabit. Aside from the smart homes and smart appliances we have become accustomed to, the modern day office is being redesigned and reprogrammed to include a variety of smart technology systems. The goal of these systems is to put our offices to work and empower businesses to better understand their design decisions, real estate investments, and most importantly- their own employees.
The “smart” movement has gained traction and generated buzz over the last decade, but despite all of the hype, what even is a smart city? The dogma behind its loose definition and goals has been rather elusive, and while some claim that it relies on digitization of all urban aspects, others argue an increase in personal data collection is the sole method for improving urban lifestyles. One person’s digital paradise is perhaps another person’s technophobic doomsday. Extending beyond the mere definition of these cities, what role do designers and researchers play in creating this loosely identified futuristic landscape? As Corbusier once defined a home as a machine for living, it’s time to redefine how our buildings shed their passive exteriors and become the true machines for working that they were always meant to be.
Humans and technology today form an inseparable link that have profound implications for Earth’s ecosystems – leading to the debate for a new era: the Anthropologic. In recent years, the transition from analog to digital architecture has materialized through increasing availability of novel software and new methods in digital architecture fabrication – tooling. The cognitive and digital turn implies ubiquitous computing, artificial intelligence, augmented reality and material intelligence, but to mention a few. The resulting design strategies overwhelm our discipline of architecture, encouraging a re-thinking of architecture, the architect’s role and responsibility, as well as architectural education. The development of
Credits: Supreme Committee for Delivery & Legacy / Architect : ZHA & AECOM / Automatization Processes for Digital Fabrication : ECHOES.PARIS
Applications are open for the third edition of the Design by Data Advanced Master® in Computational Design, Digital Manufacturing and Building Technologies opening in September 2018 in Paris.
Design by Data provides attendees with a cross-disciplinary culture of computational design and a comprehensive knowledge of cutting-edge technologies in the fields of parametric architecture, robotics, digital manufacturing and 3D printing for the construction industry.
When your firm adopts project accounting—the practice of accounting on a project-by-project basis—you’ll get insights that’ll change the way you do business. You’ll understand your projects, employees, clients, and firm on a deeper level, and you’ll be able to make changes that will dramatically increase efficiency and profits.
Before this happens, though, you need to lay the groundwork. With the right tools, logging and making sense of the data you need is convenient and easy. You just have to be consistent.
The targeted maximum wait time in office building elevators is 20 seconds—it just feels like 2 minutes when you’re in a rush. But how quickly are the elevators actually moving?
The fastest installed elevator reaches speeds of 67 feet per second (20.5 meters per second), or 46 miles per hour (73.8 kilometers per hour) in the Shanghai Tower. Not only does the Gensler-designed Shanghai Tower boast the fastest elevator, but also the longest continuous run of 1,898 feet of the 2,073-foot tower (578.5 of 632 meters), as revealed in a recent study by the Council on Tall Buildings and Urban Habitat (CTBUH). At these speeds, you can reach the 119th floor in 55 seconds.
Plans have been revealed by American-Norwegian data company Kolos to construct the world's largest data center, a claim based on the amount of electrical power the site intends to draw from the grid to supply its banks of servers and cooling facilities. Located on a fjord in Ballangen, Norway, the proposed site sits within the Arctic Circle and would take advantage of the cold climate, low humidity, and the abundant supply of hydropower currently available in the area.
https://www.archdaily.com/877826/plans-unveiled-to-construct-the-worlds-largest-and-most-secure-data-center-in-northern-norwayAD Editorial Team
The Design by Data Advanced Master® in Computational Design, Digital Manufacturing and Building Technologies provides attendees with a cross-disciplinary culture of computational design and a comprehensive knowledge of cutting-edge technologies in the fields of parametric architecture, robotics, digital manufacturing and 3D printing for the construction industry.
A very exciting opportunity is presented to architects and students worldwide for your work to be showcased in an international documentary film, alongside some of the greatest living architects of our current time.
We are seeking examples of architectural projects which exemplify the use of advanced and dynamic digital techniques in the process of analysis, design exploration and final outcome of a design work.
One or a combination of several computer-based tools must have been implemented in the processes of data collection/ information processing, simulation and development about the project and be evident in early stages of the design as well as the final work. We are looking for contemporary, cutting edge uses of computer technology from pre-existing or new design projects.
For the last fifty years Richard Wurman - architect, graphic designer and founder of the TED Conferences - has been dedicated to creating a platform that compares cities. In Wurman's early studies, he quickly learned that comparing global cities was no easy task. Cities use very different languages to describe their assets, from planning principles to land use types to social statistics. "They don’t collect their information the same way. They don’t describe themselves with the same legend," he tells Nate Berg of Next City.
Thanks to sophisticated mapping tools, delving into the statistical data of numerous cities has become far more manageable than in 1962, when Wurman produced his first comparative analysis using clay models of 50 different cities. Wurman's analog-driven statistical analysis has turned into the Urban Observatory, a website that allows users to choose from 15 variables and easily compare the public data of up to 16 cities around the world in real time.
