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At ArchDaily, our work is grounded in stories. Between practice and projects, editorials and news, we write to share how architecture and design is changing both how we live and why. We also hold a responsibility in our choice of which stories get told and those that don't. The following is a reflection about design in Los Angeles, a beautiful, immense, sprawling, and diverse city that I've called home for many years.

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The Portland Museum of Art, along with architects from Dovetail Design Strategists have announced four renowned architecture firms shortlisted for the unification and expansion of Portland Museum of Art’s new campus in the heart of Downtown Portland, Maine. Under the theme of "Art for All", PMA’s mission, vision, and commitment to Sustainability and Diversity, Equity, Accessibility, and Inclusivity were the basis of the value proposition guiding the museum unification and expansion, with a goal to "reflect a challenge to museums and cultural institutions to do more to create centers of belonging and foster social change".

Fortunately, architecture has the power to solve numerous issues of the modern world and how we live in it, and there are infinite ways of doing so. However, not all architecture is effective in providing solutions while also being sensitive and thought-provoking. With a portfolio that is getting richer every year, SO–IL, an architecture practice based in New York City, has proven that buildings can actually do this and much more.

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No city is like New York. As an amalgam of different cultures, it is one of the most diverse in the world. New York is also facing social and environmental challenges that range from the need for new housing and transportation demands, to rising sea levels and storm surges. As the global pandemic further underlined the importance of design in shaping public life, city officials and planners are looking at a range of approaches and models for urban development and renewed growth.

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New York City is defined by its architecture, and in turn, diverse ways of living. As the nation's "metropolis," it has also faced some of the most challenging housing problems of any American city. From single-family homes to high-rise residential towers, housing has evolved at different paces and scales throughout the boroughs. In turn, each district and county is home to a wide range of residential styles and housing solutions.

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A few weeks ago, this year’s edition of the Serpentine Pavilion opened to the public. Designed by Chicago-based artist Theaster Gates, it’s an evocative project, its cylindrical form referencing American beehive kilns, English bottle kilns, and Musgum adobe homes found in Cameroon.

What the pavilion is named tells the viewer a lot more about its intentions as a spatial experience. Titled Black Chapel, it houses a spacious room with wraparound benches, and an oculus above that allows daylight to filter into the space. It’s a fairly minimal interior – designed as a site for contemplation and reflection. This minimal quality of Gates’ Serpentine Pavilion raises particularly interesting questions. How artists and architects opt for a “less is more” approach when designing meditative spaces, but also how these introspective spaces have been equally enhanced by ornamentation.

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Nature is often used as an inspirational source for architecture. Whether from its shapes, the extraction and use of its materials, or even the incorporation of physical and chemical processes in the technologies used, it is always relevant to look for relations between the built environment and the natural environment. Of the many ecosystems present on planet Earth, the oceans represent most of the surface and hold stories, mystiques, symbols and shapes that can be referenced in architecture.

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Berlin is a city defined by an eclectic mix of style and a rich history. It's built environment has been dramatically shaped by a series of municipal construction programs, and in turn, a past of extensive demolition, planned residential areas, and diverse new cultural projects. Combined with influences across Europe, Berlin's contemporary architecture showcases new ideas on building concepts, forms and facades.

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Google’s first ground-up campus, designed by BIG - Bjarke Ingels Group and Heatherwick Studios in collaboration with Google’s design and engineering teams, opened in Silicon Valley. The campus’ mission is to create a human-centric design for the future of Google’s workplace and set new global sustainability standards for construction and office design. The site aims to operate entirely on carbon-free energy by 2030; it integrates the most extensive geothermal pile system in North America and is net-water positive. The campus also includes 17 acres of high-value natural areas, including wet meadows, woodlands, and marsh.

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