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The Fondation Beyeler in Riehen, Switzerland, is expanding its museum ensemble with three new buildings by Swiss architect Peter Zumthor, an enlarged and restored park, and the adaptive reuse of several historic structures. The expansion extends the existing museum designed by Renzo Piano, adding exhibition, education, cultural, and public spaces while opening a previously private section of the surrounding landscape to visitors. The expanded ensemble will begin welcoming visitors on September 26, 2026, during a preview phase running through January 14, 2027, before fully opening on January 15. Zumthor's additions comprise the Wyss Museum, the Ammann Pavilion, and the Erlen Torhaus, positioned within the existing landscape and differentiated through their programmes, forms, and material treatments.

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This week began with the United Nations' commemoration of the International Day of Peace, an invitation to ask what conditions are needed to cultivate nonviolence, social stability, and respect for human dignity. Against a backdrop of growing individual isolation, authoritarianism, and a multidimensional material crisis, we've gathered articles in which architecture mediates between conflict and coexistence through the construction of spaces for encounter and memory. Other news this week highlights a disciplinary tool that brings those two concepts together: the transformation of what we have already built to bring it up to date with our needs and aspirations, while another group of high-profile, large-scale projects opens in the Global North. On our radar, we also take a look at new projects in Dubai, Oxford, Portland and Paris, from major international firms.

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In most architectural projects, vertical circulation is expressed as a purely functional element, tucked away behind fire-rated doors or an elevator core. However, sometimes architects also use spirals when trying to resolve site elevation changes. Given the right scale, these elements allow for a more artistic formal expression that serves both utilitarian and aesthetic purposes without relying on mechanical lifts or stairwells. Structural systems like cantilevered steel trusses and reinforced concrete decks allow these spiral elements to extend outward as sheltered entry canopies or wind around open central atriums. Functionally, these circulation paths may be expressed in several ways: as stairs like the Itamaraty Palace in Brasilia, or as ramps, which can offer the possibility to reduce mobility barriers for visitors. In both cases, the spiral can provide smooth transitions across varied floor levels while maintaining an unobstructed line-of-sight throughout the program.

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Seamless surfaces and minimal joints have become a defining signature of contemporary architecture, prized for the clean lines, and uniformity they bring to a building's envelope. Yet in façade engineering, this pursuit is rarely just about appearance. Regardless of the material used, increasing panel dimensions can influence durability, material recyclability, performance against external factors, and other considerations such as impact resistance and long-term maintenance. By combining ease of installation and transportation efficiency with design flexibility, monomaterial façade systems use large-format panels while addressing practical challenges related to flatness, thermal movement, and structural support. Yet, what other material-related considerations behind large-format panels can make a difference in building envelope construction today? 

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The 9th Oslo Architecture Triennale unfolds in a setting that already embodies many of the questions it raises. Sofienberg Church, a 19th-century Gothic brick building now being converted from a place of worship into a cultural center, serves as the main venue for an edition organized around a central question: "What if Nature Comes First?" From September 17 to October 1, 2026, seminars, debates, workshops, and exhibitions examine what this shift in priorities could mean for architecture, from the way resources are used to how buildings relate to their surrounding ecosystems.

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Unlike buildings, which are anchored to foundations and respond to climate from a fixed position, yachts are designed for constant movement and change. Interiors sway with the vessel, light changes by the minute, humidity is a permanent design condition, and every kilogram influences performance. Designing for the sea therefore requires architects, naval architects, engineers, and interior designers to solve questions that rarely exist on land: how can space remain calm while everything around it is in motion?

Following the opening weekend of Shakira's Madrid residency, Macondo Park has officially opened at the Iberdrola Music venue in Villaverde, Madrid. Designed by Bjarke Ingels Group (BIG) in collaboration with Komodo and Vampire, the 185,000-square-meter temporary destination surrounds the venue designed by BIG for Shakira's concerts, extending the venue with a series of cultural and public spaces inspired by the fictional town of Macondo from Gabriel García Márquez's One Hundred Years of Solitude. The park will host daily cultural programming alongside the concerts throughout the singer's 12-show residency, which continues through October 11, before its temporary structures and landscape elements are dismantled and removed from the site.

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