The Chilean architectural practice UMWELT, together with the landscape architecture office LANDMRX and the renowned Mexican firm PRODUCTORA, have won first place in the competition for the transformation of the former Correos de Chile (Chilean Postal Service) building located in Estación Central, Santiago. In 2021, EFE (Chile's State Railway Company) acquired the property to convert it into their new corporate headquarters, where the company's employees will work in interaction with the nearby railway operations.
As part of Arte Abierto's new programming in Mexico City, artist Gabriela Galván presents "Modthern Nature," a site-specific installation that transforms the exhibition hall into a natural garden featuring endemic plants from the Pedregal region and a sensory hydroponic system, seeking to foster cognitive, contemplative, and imaginative experiences surrounding nature and our connection to it.
With the goal of constructing a dynamic and participatory space, the Government of the Province of Neuquén aimed to create a new metropolitan facility, seeking to promote the creation, training, and dissemination of the province's cultural scene, while also establishing itself as a productive platform for the region, as well as nationally and internationally. Bares-Bares-Bares-Schnack: Estudio de Arquitectura, Poggi-Schmit Arquitectura, and Franklin Consultora worked together to envision a spatial, architectural, and landscape model through a contemporary building that represents the aesthetic and technological criteria of the spirit of an era.
Land reclamation from the sea has become a popular phenomenon in coastal development. It is the most preferred solution to the need for land in coastal areas and has been implemented for various use cases, including flood control and agriculture. Nowadays, it has become a famous urban response to the rapid increase in coastal urbanization, economic activity, and global population. Countries like China and the Netherlands lead the chart on the amount of land area reclaimed. However, most reclamation projects today take place within urban centers in the global south. Cities in West Africa, East Asia, and the Middle East produce these new lands as economic forerunners for their commercial industry and as platforms to house luxury residences.
But the relationship between the design and production of reclaimed lands and the response of water in ocean environments is complex. It requires a symbiotic relationship with water bodies for stability but can provoke natural forces when negligently imposed on the sea. Ocean water behaviors, including tidal accumulation, sea level rise, connection to wetlands, and aquatic biodiversity, can question the success or failure of land reclamation projects in different contexts.
The Smithsonian Institution selected Perkins&Will to design the Bezos Learning Center at the National Air and Space Museum in located on the prominent National Mall in Washington D.C. Perkins&Will was one of the five shortlisted finalists for the competition. According to the Smithsonian, the selection was based on the architects’ ample experience in designing cultural and educational spaces, the reliability of their management team and the team’s aesthetic approach.
Jazz bars around the world were the subject of illustrations by architect Jose Ricardo Basiches and provided the theme for the booth designed for the Armstrong brand, conceived and built to foster real sensory experiences within the exhibition hall. Well-known for his freehand drawings on napkins and various unconventional surfaces, Basiches says he never leaves home without a pen in his pocket. "For me, drawing is more than a hobby. It is a way of experiencing the environment I am in," the architect adds. These illustrations permeated many elements of the booth during Expo Revestir 2023, particularly the acoustic wall and ceiling panels, presenting the idea that Design + Acoustics can stem from a fresh perspective shared by architects and acoustic consultants regarding existing market products.
Rendering depicts a ground-level view of the planned new Doris Duke Theatre, viewed from a perspective right outside the Perles Family Studio. The new building will feature two lobbies with sliding doors, which will create multiple entrances and exits to the building. The lobby on the west side of the new Duke is visible in this image. Image Courtesy of Mecanoo Architects and Marvel
Jacob's Pillow has revealed its plans for the redesigned Doris Duke Theater, which will be built on the original site of the theater that was destroyed by a fire in November 2020. Mecanoo, based in the Netherlands and led by Creative Director and Founding Partner Francine Houben, has taken on the role of lead architect for the new building project, collaborating with Marvel, based in New York and led by Jonathan Marvel, who serves as the project's architect of record and landscape architects.
With a broad and diversified portfolio in terms of typologies, scales, and project locations, MMBB Arquitetos is a versatile office with multiple activities. Founded in 1991 in the city of São Paulo, the office is currently composed of Maria João Figueiredo, Marta Moreira, and Milton Braga, and over the more than three decades of its operation, it has had among its partners Angelo Bucci, Vinicius Gorgati, and Fernando de Mello Franco, in addition to having carried out several partnerships with Paulo Mendes da Rocha.
How did we end up building an environment where the private car is often treated better than many of our fellow human beings? In the U.S., the center of car culture, parking is expected to be convenient, available, and free, writes Henry Grabar in his engaging and entertaining new book, Paved Paradise: How Parking Explains the World (Penguin Press). Parking consumes vast amounts of land; in Los Angeles County, for example, it totals about 200 square miles. In New York City alone, there are 3 million curb parking spaces (not counting parking garages), which account for 6% of the city’s area—the equivalent of 13 Central Parks! Grabar asks: What better use could we make of this space? A 2021 study revealed that if New York reclaimed just a quarter of the street space allotted to cars, the following could be created: 500 miles of bus lanes; 40 miles of busways; 38 million square feet of community space; 1,000 miles of open streets; 3 million square feet of new pedestrian space; and 5.4 million additional square feet for restaurants, businesses, and cultural institutions.
https://www.archdaily.com/1002504/why-does-america-provide-more-space-for-storing-cars-than-housing-peopleMichael J. Crosbie
Neuro-diverse individuals might have sensitivity to light, colour or sound. It is important that flexibility is factored into an office design, with booths for quiet work and lighting options. Image Courtesy of Haworth
Global office furniture brand Haworth's concept of inclusion stretches well beyond simply accommodating disabilities, rather it involves a far-reaching philosophy that puts the well-being of all users in primary focus.
https://www.archdaily.com/1002463/making-workspaces-inclusive-through-designEmma Moore
The world is increasingly electric, from our cars to our homes, making our lives more efficient and sustainable. Electricity overtook natural gas as the leading home heating source for the first time in 2020, and natural gas consumption hit a five-year low in January and a four-year low in February. This shift toward electrification is especially prevalent in the kitchen, a central hub of energy use. The U.S. Department of Energy estimates 15% of energy consumption in the average American home happens in the kitchen between cooking, refrigeration, hot water heating, and dishwashing.
Architects and homeowners looking to increase efficiency and sustainability are finding the benefits of induction. According to ENERGY STAR, gas cooktops are only 32% efficient at transferring heat, and traditional electric stovetops are 75-80% efficient — induction is even better at 85% efficiency.
At the 18th International Architecture Exhibition of La Biennale di Venezia, The PhilippinesPavilion presents an exhibition that investigates the ecology and social implication of the Tripa de Gallina estuary in Manila. The body of water, once a mechanism for flood mitigation, has now become congested and polluted, affecting the lives of the nearby communities. The Pavilion aims to present the initiative that set out to gather and investigate the guts of the estuary and to work with the residents to find adequate and sustainable architectural solutions. Titled “Tripa de Gallina: Guts of Estuary,” the exhibition in Venice is co-curated by Architect Choie Funk and Sam Domingo and presents the work of the Architecture Collective, represented by Bien Alvarez, Matthew Gan, Ar. Lyle La Madrid, Noel Narciso and Arnold Rañada.
Varvito Quarries, Itu. Photo by Thaysnatani, via Wikimedia Commons. License CC BY-SA 4.0
Studies link green areas to a reduction in anxiety and depression, boosted immunity in children, relief from loneliness in cities for adults, and even increased intelligence. Seeking outdoor leisure activities in contact with nature offers numerous benefits. To help you choose interesting places to visit in the state of São Paulo, we present a list of ten protected environmental heritage sites, compiled by the São Paulo State Secretariat of Culture and Creative Economy.
According to the Secretariat of Infrastructure and Environment, the State of São Paulo has 5,670,532 hectares of native vegetation in various stages of recovery. This area is equivalent to 22.9% of the state's territory. Below, check out some of the spaces that preserve this greenery. In addition to urban parks, trails, and campsites, the list even includes the headwaters of the Tietê River.
Pina Bausch Center in Wuppertal, Germany. Image Courtesy of Diller Scofidio + Renfro
Diller Scofidio + Renfro has won an international competition to design the new Pina Bausch Zentrum in Wuppertal, Germany. Pina Bausch’s legacy as a dancer and choreographer will be celebrated in the design and revitalization of the Tanztheater Wuppertal, as well as in the creation of a new production center. The building will emerge out of the ethos of Pina Bausch, setting an example for a new generation of leadership in the world of choreography.
Apart from the production stage centers, the design includes an archive of Pina Bausch's enormous artistic legacy, comprising a library, study, and research areas, and a public platform to promote community involvement with many creative and academic disciplines. Various contrasting and flexible spaces that encourage and foster conversation across the project's numerous program components are found throughout the proposed design.
Even as a child, the Venetian architect Carlo Scarpa was very aware of the fundamental element that would describe and underpin his work many years later: water. When he played and ran around the maze of streets and canals, Scarpa listened to everything around him, especially the richness of stimuli that his hometown offered him. A sensitive reader of places, he found his great text in Venice. This culture, subtle and almost academic, except for that devotion to scenography and the esoteric, is built over time; art, space, history, all compiled in his readings, trips to knowledge, and in his contact with artists and writers.
Scarpa would base his evolution as an architect on his extraordinary visual culture and his respect for tradition and the way of doing things in past eras; taking up the baton of that time and converting his reality into architectural space where all the pieces are independent units, dialoguing with each other or, as he liked to say, singing. He positions himself before what exists, whether it be an artistic piece or architectural space, from knowledge and sensitivity. He will apprehend the history and place in which it occurs and accentuate the existing beauty in things, showing the prominence of the new as a precious element.
Proposal Comparison, Autodesk Forma. Image Courtesy of Autodesk
The architecture profession is increasingly facing the pressures of a rapidly changing era marked by urbanization, population growth, and climate change. To effectively navigate the complexities surrounding architectural and urban projects, there has been an acceleration in the adoption and integration of data-driven technologies such as Artificial Intelligence (AI) and machine learning. However, valid concerns have risen regarding the potential loss of the designer's creative control, with fears that their role may be reduced to a mere "parameter adjuster." Is this a genuine possibility or merely a reflection of resistance to change?
In a conversation with Carl Christensen, Autodesk's Vice President of Product, we delve into the impact of AI on the traditional role of the architect and explore the opportunities that arise with these technological advances. As paradigms shift, forward-thinking architects and designers could find themselves especially empowered to expand their influence and shape a new future for the discipline.
When designing buildings, attention often focuses on residential units, prioritizing apartment comfort and functionality. However, it is equally important to consider common areas, which play a fundamental role in residents' quality of life and in building a community that shares the same space. In addition to their social benefits, these communal spaces can also play a significant role in promoting sustainability and user well-being. After all, the integration of green areas and spaces dedicated to leisure and sports reduces stress and provides new activities for residents.
Light and color are intrinsically linked, as color cannot exist without the presence of light. In 1665, Isaac Newton made a momentous discovery when he observed that white light breaks down into different colors as it passes through a prism, creating a spectrum. This discovery laid the foundation for understanding the nature of light and developing color theory, which had a significant impact not only in the scientific field but also in artistic disciplines such as painting, photography and architecture.
https://www.archdaily.com/1001361/laminated-glass-skylights-infused-with-vibrant-colors-the-kaleidoscopic-stationEnrique Tovar
The China Philharmonic Concert Hall in Beijing, China, designed by MAD Architects led by Ma Yansong, is nearing completion. The design of the concert hall began with a competition, won by MAD in 2014. Upon completion, the 26,000-square-meter building will become the first permanent residence for the China Philharmonic Orchestra, transforming the area into a new locus for classical music and cultural exchange. The project is scheduled to be completed in 2024.
When asked about his memories of the house where he spent part of his childhood, Finnish architect Juhani Pallasmaa says that more than sight, his memories are based on the smell of the house. According to him, each house has its own smell, which we do not always perceive when we are in it, but immediately recognize upon returning.
In parallel to this year's Venice Architecture Biennale, The European Cultural Centre (ECC) presented the sixth edition of its extensive architecture exhibition titled Time Space Existence. The 2023 iteration of the group show draws attention to expressions of sustainability in its numerous forms, ranging from a focus on the environment and urban landscape to the unfolding conversations on innovation, reuse, community, and inclusion. A total of 217 projects by established participants like Snøhetta or MADWORKSHOP and emerging players such as Urban Radicals or ACTA are currently on show through the 26th of November, 2023, at Venice's Palazzo Bembo, Palazzo Mora, and Marinaressa Gardens.
In response to climate change, the installations on show investigate new technologies and construction methods that reduce energy consumption through circular design and develop innovative, organic, and recycled building materials. Participants also address social justice by presenting living solutions envisioned for displaced communities and minorities, while others examine the tensions between the built urban environment and the nature surrounding it to identify opportunities for coexistence.
Figure 1. Style transfer from a contemporary plan to a baroque plan. Stanislas Chaillou, 2019. Image via Revista Rita
This article by Luis Álvarez Ayuso and Federico del Blanco García was originally published in the 16th issue of rita journal under the title "Aplicación de redes neuronales al diseño de vivienda colectiva: Procesos generativos de combinatoria y automatización mediante inteligencia artificial." The following presents research focused on the use of artificial intelligence for architectural design and automation processes. The proposed workflow leverages the capabilities of neural networks combined with automated algorithm design to eliminate repetitive, routine tasks.
https://www.archdaily.com/1136472/application-of-neural-networks-to-the-design-of-collective-housingLuis Álvarez Ayuso y Federico del Blanco García
The Unhão complex, constructed in Salvador, Brazil in the 17th century, consisted of a sugar mill with a big house, chapel, and slave quarters. At the time, Salvador was one of the largest and most important Brazilian cities, and its port was the site of a large portion of the Portuguese colony's sugar exports, an economy fueled primarily by slave labor. The ensemble drew the attention of Italian-Brazilian architect Lina Bo Bardi at her first visit in 1958, during which she spent some years working and teaching in the city. Following Bo Bardi's decisive contributions, the buildings were restored and became the new home of the Museum of Popular Art and the Popular University. But within the whole complex, the element that draws the most attention for its plasticity, functionality, and symbolism is the helical wooden staircase.
The XVI Spanish Biennial of Architecture and Urbanism (BEAU) has presented the 50 finalist proposals from its ‘Works’ call. Organized by the MITMA through the Directorate-General for Urban Agenda and Architecture, in collaboration with CSCAE and Fundación Arquia, the upcoming event seeks to reflect on how architecture can transform the future under the theme ‘Me–dio Pla–zo’ (Medium Term).