A Point of View

This text was written for the French edition of the exhibition catalog The Universalists: 50 Years of Portuguese Architecture, an event organized in Paris by the Delegation of the Calouste Gulbenkian Foundation to mark its 50th anniversary, in co-production with the Cité de l’architecture et du patrimoine. The exhibition is now being presented in Portugal, in 2018, at the Casa da Arquitectura in Matosinhos.

For ease of reading, the text has been divided into two parts. The first part was published yesterday.

'Territories and Housing' is a project by architects Alberto Kalach and Carlos Zedillo that explores large-scale visions for different regions of the country, such as Yucatan, the Oaxaca Valley, the Trans-Mexican Volcanic Belt, and the Basin of Mexico, proposing to organize the national territory into just three zones: natural, agricultural, and urban.

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The curatorial proposal for the Mexican Pavilion at the 16th International Architecture Exhibition of the Venice Biennale emphasizes the geographical, imaginary, and cultural weight of Mexican architecture. The pavilion responds to the theme Freespace—set by the Biennale's Artistic Directors, Irish architects Yvonne Farrell and Shelley McNamara—and establishes the connections expressed through interaction with the intangible and the integration of cultural heritage in
architecture.

The Mexican Pavilion in Venice not only highlights the echoes between the territory and architectural thought of 21 participants, but also the voice and vision of those whose careers have listened to and captured the understanding and vulnerability currently represented by the morphology of a challenging territory for architecture.

On October 20, 2017, KAR Properties LLC—a New York-based real estate investment and development firm—celebrated the opening of the showroom for the new 2000 Ocean residential development.

The private event was hosted by developer Shahab Karmely and the marketing team from Douglas Elliman Development who fielded questions and discussed the amenities, vision, and design of the project.

Guests included world-renowned architect Enrique Norten of TEN Arquitectos, who is responsible for the design of 2000 Ocean; international representatives from Minotti; Howard M. Lorber, President of Douglas Elliman Realty LLC; Jay Phillip Parker, CEO of Douglas Elliman Florida; as well as prospective buyers, real estate brokers, and the press.

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The Open Museum is a project designed by Mexican architect Fernanda Canales as part of the Arch Days CDMX and Design Week 2018 activities. It consists of three courtyards of different sizes that extend the museum into the park, creating a new meeting point alongside the Tamayo Museum. The pavilion's shape follows the natural flow of pedestrian paths in the area, introducing a new experience based on linked spaces that frame the existing trees, the sky, and the museum's sloped side wall, which is transformed into a new agora.

At the center of a dispute since the early 2000s, the land adjacent to Teatro Oficina, in São Paulo's Bixiga neighborhood, drew media attention again late last year when CONEPHAAT approved the construction of high-rise residential towers on the plot owned by Grupo Silvio Santos, located on the floodplain of the Bexiga Creek.

In response, and coinciding with the 464th anniversary of the city of São Paulo, the offices Brasil Arquitetura and Urbeflux Engenharia Consultiva released an open letter to the city of São Paulo. The letter outlines guidelines for a "necessary change of direction in the management of urban waters," aiming to resolve the impasse over the land's future "for the greater benefit of its citizens and Brazilian culture."

“The Place of Sharing” is already taking shape on site. On the third day of work, foundations are being prepared and steel structures installed to support the Casa de Brincar e Não Só – Not Only a Playhouse, which is being built through August 10 at the Guarda Housing Complex (CHG) in Perafita, Matosinhos, Portugal. The initiative is part of the Self-Construction Laboratory organized by Casa da Arquitectura – Portuguese Center for Architecture.

Today, Bustamante Park is one of the most frequented urban spaces in the municipality of Providencia. Completed in 1946, its design arose from the redevelopment of the former railway lines that once connected the old Pirque Station—the square that serves as our meeting point today—with the town of Puente Alto.

As one of the city's many linear parks, it is worth asking which qualities have turned Bustamante Park into a landmark in Santiago.

Some projects demand a clean aesthetic, free of ornament or striking features. When it comes to windows, exterior views can be completely unobstructed by minimizing their constituent components—frames, handles, or railings—without compromising strength or safety. Here are three products that reduce these elements to their simplest expression.

The modernization of Bogotá between 1940 and 1970, captured in urban and architectural photographic essays, has been documented in various books, magazines, and photobooks of the era, as well as in images from public and private archives across the city. These images reveal a deliberate, and even critical, approach to how modern architecture reconfigured city centers and integrated new buildings and urban spaces with the existing cityscape.

To analyze the impact of photojournalism in this era, one must look to Sady González, Manuel H., and Daniel Rodríguez. Architecture and the city serve as the backdrop for scenes of urban life, characters, events, and daily activities, making their photographs an essential visual record for understanding the city's transformation and its historical context.

In this edition of Bogotá in the Eyes of 10 Photographers, we explore the legacy of Daniel Rodríguez:

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Once again, anyone passing by the bustling Araújo Porto Alegre Street, on the corner of Graça Aranha Avenue in downtown Rio de Janeiro, will be able to marvel at the grandeur of the Gustavo Capanema Palace and understand why it is a Modernist icon, both for Brazil and the world. More than 70 years after the building’s inauguration in 1946, all the innovative design of its facades—introduced by the masters of architecture and art of the 1930s—has been fully restored and will be unveiled by the National Institute of Historic and Artistic Heritage (Iphan) on September 20.

A country's educational standards are reflected not only in students and teachers, or public curricula, but also in educational infrastructure as a space that shapes learning and experience. Technical institutes represent a vital option within the country's educational framework; however, many of these institutions have not undergone major infrastructural transformations or improvements since their founding. To address this gap, the "Institutes of Excellence" were established. These projects are part of a larger strategic plan encompassing both institutes and universities under a public higher education infrastructure investment program, proposed by the Ministry of Education (MINEDU) and the Inter-American Development Bank (IDB).

Strikingly, the attribute of "quality" is rarely associated with the vast majority of institutes within Peruvian higher education, as they are often overlooked. Driven by this observation, we examine the design of a prototype institute that represents a group of several projects, which have already been approved and are ready to begin construction. To understand how the vision of a better, decentralized education is translated into architecture, the team of specialists and architects led by Ana Carlín outlines the program's and project's guidelines and scope. Read on to learn more about this exemplary practice.

After analyzing 94 undergraduate student projects from 20 architecture schools across 8 regions in Chile, the jury of the 2018 Arquitectura Caliente Competition has announced the winning projects of its latest edition.

These projects span the entire country and encompass a wide range of typologies, from urban planning to student housing, alongside landscape architecture projects and structural initiatives for emergencies.

Below, we present the award-winning fourth and fifth-year projects:

The modernization of Bogotá between 1940 and 1970, captured in urban and architectural photo essays, has been documented in various books, magazines, and photobooks of the era, as well as in images from the city's public and private archives. These images reveal an intentional, and even critical, approach to how modern architecture reconfigured city centers and positioned new buildings and urban spaces in relation to the existing urban landscape.

In analyzing the impact of aerial photography, Saúl Orduz and Rudolf Schrimpff are essential figures. While the subjects captured through the lenses of these two pilot-photographers were vast and varied, their aerial views of the city are highly numerous. Together, they form a consistent body of work documenting a modern city in transformation, offering insight into its urban development, as well as how different modern buildings and urban spaces were integrated into their surroundings.

In this edition of Bogotá through the Eyes of 10 Photographers, we explore the legacy of Saúl Orduz:

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Goma Oficina is a collective of architects working across various fields, reclaiming the multifaceted role of the architect beyond housing projects and major competition entries. As a member of this collective, Maria Cau Levy has been experimenting with printmaking, stepping beyond traditional architectural boundaries. In shaping her aesthetic, conceptual identity, and visual language, the young architect has developed a series of studies exploring geometric patterns.

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On the occasion of the third edition of the EA USS Workshop, of which ArchDaily is a media partner, Ernesto Silva, Director of the School of Architecture at Universidad San Sebastián, reflects on the origins of this initiative, which held its first session in 2016 with the international participation of Juan Herreros, and a year later with Alberto Veiga, founding partner of Estudio Barozzi Veiga.

During a meeting with Juan Herreros in 2015, the idea of hosting a workshop in Chile first emerged. While initially it seemed like an extremely difficult initiative to realize, the project soon began to take shape after Enrique Walker joined the conversation. The workshop finally came to fruition in October 2016 thanks to the support and generosity of the Faculty of Architecture at Universidad San Sebastián, when Juan Herreros and Enrique Walker led the first workshop of this series at EAUSS: Typological Corrections.

After analyzing 94 projects by undergraduate students from 20 architecture schools across 8 regions of Chile, the jury of the 2018 Arquitectura Caliente Competition has announced the winning projects of its latest edition in the categories of Degree Project (formerly CNPT) and Undergraduate Coursework (formerly CNPP).

Organized by the Chilean group Grupo Arquitectura Caliente and funded by the Ministry of Cultures, Arts, and Heritage, the competition has highlighted projects from all over the country across various typologies, ranging from urban planning to student housing, landscape architecture, and structural emergency initiatives.

Discover the winning projects below:

“Other nights, like so many others, you bring color to the city, constantly turning a corner into a work of art, but it is a true artist sharing their vision,” sings Skool 77 in Color en la ciudad. Indeed, the graffiti route has become a major tourist attraction, helping to address various social issues in vulnerable areas of different Colombian cities and municipalities.

This initiative not only offers the opportunity to appreciate beautiful murals and innovative urban renewal projects but also seeks to foster an entrepreneurial spirit among the children, youth, and adults who create this street art. Through color, they are restoring hope to their communities, leaving differences behind and demonstrating that everyone is equal.

The 2018 International Housing Finance Summit, organized by INFONAVIT, brought together experts from various disciplines to discuss the future of cities and the lessons learned to date. Held on May 2 and 3 at the Camino Real in Polanco, the event hosted prominent figures who discussed urban transformation processes to evaluate urban models that could guide us toward a comprehensive master plan.

The event featured Shohei Shigematsu, a partner at OMA, a firm whose global projects have established it as one of the world's leading architecture practices. OMA operates within the traditional boundaries of architecture and urbanism and works in parallel with AMO, a research and design studio that applies architectural thinking to other domains. The firm is led by nine partners—Rem Koolhaas, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu, Iyad Alsaka, David Gianotten, Chris van Duijn, Ippolito Pestellini Laparelli, and Jason Long—and has offices in Rotterdam, New York, Beijing, Hong Kong, Doha, Dubai, and Perth.

Having recently turned 90, Paulo Mendes da Rocha remains active in the practice of architecture, and his ideas are as sharp as ever.

In an interview with El País, conducted by journalist Tom C. Avedaño, the architect revisits some of his works, reflects on the purpose of architecture, and speaks about "the day everything made sense."

Videos

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The “LA DOCE” court is a collaborative project, part of a network and a proposal for change born from the need to develop quality public spaces in marginalized areas of various cities worldwide. Soccer is one of the most beloved, widely played, and perhaps most followed sports globally. It is a way to connect with ourselves and others.

Participating, observing, and coming together are activities that allow us to look beyond the obvious and everything surrounding the sport; soccer thus emerges as a social construct, a pastime that fosters connection through play, an event that does not distinguish between social classes and grants those who take part in the moment the opportunity to unite as a team, to be part of something larger than themselves. 

The “Concepción Modern Architecture Guide-Map”—created by Dr. Verónica Esparza, PhD in Theory and History of Architecture from Universidad San Sebastián, alongside Universidad del Bío-Bío architects Patricio Escobar (graphic designer of the Guide-Map) and Cristóbal Caro (photographer)—was made possible with the support of the Municipality of Concepción through the 2017 Municipal Cultural Initiatives Fund (FAICC). It features a selection of 30 works, aiming to recognize and highlight iconic examples of local Modern Architecture. The initiative raises awareness about the importance of preserving this living heritage, which is often undervalued due to its relative recency. This Guide-Map is designed as an educational tool to foster recognition of a heritage deeply embedded in the daily lives of the city's residents.

The Instituto Superior de Arquitectura y Diseño (ISAD) in Chihuahua, Mexico, has announced the appointment of Julio Gaeta as its new Director, effective November 1 of this year.

Julio Gaeta, founder and principal of the firm Gaeta-Springall Arquitectos, has received international recognition through awards in national and international competitions. Among his most recognized and award-winning projects are the Cuernavaca Railway Linear Park, the Memorial to the Victims of Violence, the New Cathedral of Celaya, the Central Park of Distrito Tec de Monterrey, the Siroco and Mistral Towers, the 4 LCC Houses, and the GS House-Studio.

Videos

Spanish architect Juan de Dios de la Hoz and his work reconstructing the historical heritage of Lorca (Murcia, Spain) following the May 2011 earthquake have been awarded the Rafael Manzano International Prize for New Traditional Architecture, endowed with €50,000.

The jury, comprising prestigious national and international architects, praised his mastery of traditional and historical techniques shown in many of his historic heritage interventions, particularly on those monuments requiring extensive reconstruction work.