Indian Architecture

As cities change, so do our expectations of them. People are asking for more caring spaces: public places open to all ages and genders, nature within reach of every social class, and settings that foster connection. Few design intentions hold these together as well as spaces for children. This selection of unbuilt projects submitted by ArchDaily readers showcases different approaches to care-based architecture. Schools, daycare centers, a library, a youth center, and a new model for orphanages take on the mission of providing a safe and stimulating environment for children at every stage of their development. Not yet built but carefully designed, these proposals offer a glimpse into spaces for play, learning, and calm that fuel creativity in design for people of all ages.

India's stepwells are usually encountered after their useful lives have ended. They are photographed, restored and interpreted as evidence of a water culture that once existed. Beneath the carved stone and descending stairs is a practical question: what happens when a structure built to manage water is put back to work? As Indian cities face water stress, seasonal rainfall and pressure on municipal systems, researchers and restoration efforts are examining whether traditional water structures can function again.

What makes a building worth preserving? Age is the most common answer, but not always the best one. A building from the 1950s or 70s may carry as much historical significance as a medieval cathedral; it simply demands a different framework, one that weighs political context, cultural meaning, and architectural innovation over the mere passage of time. This is especially true for modernist architecture across the so-called Global South, where the movement took on unique forms of expression.

A brick façade does more than define the façade of a house. When designed as a porous screen, it becomes an intermediary between inside and outside, shaping the atmosphere and environmental conditions of the spaces behind it. Across contemporary Indian residential architecture, brick jali — a perforated or lattice brick screen — has been reinterpreted with a contemporary sensibility, drawing on vernacular architectural elements.

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ArchDaily is proud to announce the winners of the 2026 Next Practices Awards, recognizing 20 emerging and forward-thinking practices expanding the possibilities of architecture today.

A cave in Maharashtra can now be entered without travelling to it. Through a virtual reality experience developed around Ajanta, visitors can move through a digitally reconstructed version of the caves from somewhere else entirely. The project raises an architectural question: if architecture is experienced through movement, scale, sequence and perception, what happens when those experiences can be recreated outside the physical site? IITM Pravartak's Digital Ajanta project uses 3D scanning, filming, modelling and virtual reality to document the caves and translate that record into an immersive experience.

This article is part of "Thresholds", a special edition printed newspaper by Cobe Notes x ArchDaily.

Architecture is most often represented as a stable object: a building captured at a moment of visual clarity, isolated from surrounding contingencies. Plans, sections, and photographs promise legibility by suspending time. Yet many of the world's most enduring public environments resist this mode of representation altogether. They are not designed to be read instantaneously, nor do they reveal their logic through form alone. Their spatial intelligence emerges gradually, through repetition, occupation, and duration.

Some of India's most convincing architectural worlds have never existed outside a film set. Courtyards, palaces, streets and even entire neighbourhoods have been constructed, lit and framed for the camera, then dismantled when filming ends. Their images remain. For millions of viewers, these spaces become references for how cities look, how wealth is displayed and how particular neighbourhoods or versions of India are remembered. Cinema constructs spatial worlds, compressing complex histories into images that audiences can recognise almost instantly. Those images can later shape how physical places are understood.

In the heart of Ahmedabad's Navrangpura district in India sits the Sardar Vallabhbhai Patel Stadium. More than just a cricket ground, the stadium stands as one of India's earliest experiments in modernist public architecture. Built in the decades following the country's independence, the structure has not only become an engineering landmark, but also a major public space within Ahmedabad's urban fabric. Despite the building's architectural and historical significance, as well as its deep involvement in daily community life, it has suffered significant physical degradation as a result of decades of poor maintenance and lack of funding. That fragility is precisely why it has drawn international attention. In 2020, the World Monuments Fund (WMF) placed the Sardar Vallabhbhai Patel Stadium on its World Monuments Watch, a global list highlighting cultural heritage sites facing urgent preservation challenges.

There has never been a more celebrated moment for craftsmanship in architecture. Across magazines, awards, and international exhibitions, handmade brick, lime plaster, carved stone, woven bamboo, and rammed earth have re-emerged as symbols of environmental responsibility, cultural continuity, and architectural authenticity. Beyond these carefully documented projects lies another reality. The overwhelming majority of buildings constructed today, from apartment blocks and office towers to public housing and commercial developments, continue to rely on industrialized systems that leave little room for skilled artisans. Craft has become increasingly visible at the very moment it has become increasingly uncommon. In countries such as India, the contrast is difficult to ignore. Centuries-old building traditions continue alongside one of the world's fastest-growing construction industries. To reframe the question of why craftsmanship is returning, perhaps the intrigue is why it now appears primarily where construction budgets, timelines, and clients can afford it.