This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Twelve thousand years ago, our ancestors noticed that wherever a seed or fruit fell, a plant grew. Realizing they could intentionally plant seeds and harvest them later, they stopped migrating in search of food and settled permanently where they could cultivate. In doing so, they began establishing the world's first cities and inventing what we now call agriculture.

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Fifty-one years ago, in 1970, a Japanese roboticist named Masahiro Mori came up with the concept of the “Uncanny Valley”. Around the same time, architectural renderings done using analog methods were still in vogue – collages and photomontages used to get ideas across to clients. A decade later, personal computers came along, and that saw the emergence of CAD and the wider adoption of digital rendering. Today’s architectural renderings are almost imperceptible from reality, with the increase in sophistication of rendering sofware. We struggle to tell the difference between what is a rendering and what is not – or rather we are able to tell a slight difference and it leaves us slightly uncomfortable, which brings us to Mori’s uncanny valley.

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In Louisiana Channel's latest interview, Indian architect Anupama Kundoo shares her thoughts on the importance of balancing between traveling and being in solitude with oneself. "I think travel is important, but if you're not rooted yourself, you will go to a hundred places and not see anything", explained the architect, "traveling helps you step back from what you take for granted".

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This episode of Architecture w/ Stewart explores the only five ways of organizing the plan of a building, at least they are the only ones according to Francis Ching as listed in the canonical text Form, Space, and Order. Each of the five: central, linear, radial, clustered, and grid, offer unique benefits and opportunities to architects, clients, or visitors. Some of the strategies are reserved for formal ceremonial buildings, while others are better for providing less rigid and more organic exploration by occupants. Some yield complete and autonomous forms while others can shrink or grow at ease. However, every single building is, in some way, a combination of these five basic strategies. Using paper cutout shapes, plastic human figures, and representative examples from history and recent constructions, Stewart demonstrates the value and possibilities of each organizational strategy.

World’s Fairs seem to be a memory of the distant past. These mega-scale events once brought us culinary staples, technological advancements, and introduced some of the most notable examples of architecture and landmarks that impact how we think about design and construction even in the present day. Throughout the numerous fairs and expos that were held, architectural discourse itself significantly advanced and the pomp and circumstance that surrounded these muscular flexes of international innovation reimagined what life would be like in the decades to come.

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INCLUSIVE ARCHITECTURAL PRACTICE is a pioneering international firm integrating architecture, interiors, landscape, and graphic design. Composed primarily of designers with extensive study, work, and life experience both in China and abroad, the team is dedicated to creating cutting-edge, inclusive architecture that brings future-oriented change to the educational, cultural, R&D, office, and commercial sectors.

Heritage buildings are precious treasures passed down to us by our ancestors. They are also intangible cultural gifts for all mankind, a discovery of the past. Nevertheless, as time changes, ancient Chinese architecture, either destroyed by the forces of wars or nature, is gradually losing its original glory, making the protection and restoration of ancient buildings an urgent matter in this contemporary world.

This article was originally published on Common Edge as "Living on the Edge."

I am on the edge. Not emotionally or psychologically—although this could be the case—but literally, physically, spatially, geographically. As I write this, I am sitting on the balcony of a hotel room in Miami Beach, overlooking the Atlantic Ocean. Behind me is the whole State of Florida and, indeed, the entire North American continent. In front of me: the boardwalk, a narrow beach, and then a lot of water—and not much else between here and Mauritania, a distance of more than 4,400 miles.

As the oldest institution of higher learning in the United States, Harvard has emerged as one of the world's most well-known universities. Organized into ten academic faculties and the Radcliffe Institute for Advanced Study, it is spread across 200 acres and centers on Harvard Yard in Cambridge. Developed along the Charles River adjacent to the Allston neighborhood of Boston, Harvard has the largest financial endowment of any academic institution. This has supported a number of different campus building projects across the university’s history.

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Videos

Designed by Irish architecture firm Heneghan Peng, the long-awaited Grand Egyptian Museum devoted entirely to Egyptology is set to open this summer, sitting on the edge of the Giza Plateau, 2 km away from the Pyramids. Considered as the largest museum in the world dedicated to one civilization, the cultural complex will accommodate about 100,000 ancient artifacts, and will include 24,000m² of permanent exhibition space, a children’s museum, conference facilities, educational areas, a conservation center, and extensive gardens inside and around the museum's plan.

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Since its inception, Chapman Taylor has grown from a London-based practice into a multi-award-winning international group operating globally, maintaining a steady pace of progressive growth. While adapting to changing times, the practice has refined its founding principles while upholding traditional standards—a philosophy that has driven continuous business expansion and sustained the firm through several challenging periods.

Ventilation serves two main purposes in a room: first, to remove pollutants and provide clean air; second, to meet the metabolic needs of the occupants, providing pleasant temperatures (weather permitting). It is well known that environments with inadequate ventilation can bring serious harm to the health of the occupants and, especially in hot climates, thermal discomfort. A Harvard University study demonstrated that in buildings with good ventilation and better air quality (with lower rates of carbon dioxide), occupants showed better performance of cognitive functions, faster responses to extreme situations, and better reasoning in strategic activities.

It is not difficult to see that ventilation plays a vital role in ensuring adequate air quality and thermal comfort in buildings. We have all felt it. But when we talk about ventilation, a light breeze from the window might come to mind, shifting through our hair and bringing a pleasant aroma and cooling temperature that brings fresh air and comfort. In mild climates, this experience can even be a reality on many days of the year. In harsh climates or polluted spaces, it could be quite different.

Hemp is one of the oldest crops domesticated by humans. With its wide variety of uses and applications, it’s easy to understand why it’s been a desirable product throughout history. Hemp seeds and flowers are used in health foods, medicines, and organic beauty products; the fibers and stalks of the hemp plant are used in clothing, paper, and biofuel. Today even a waste product of hemp fiber processing, so-called hemp shives, is being utilized to create sustainable building materials like hempcrete.

WeTransfer recently released its 2020 Ideas Report, which showcases the effects COVID-19 has had on creativity. At a time when the economy, employment rates, and overall morale were down, the report found a reason for hope—nearly half (45.3 percent) of the 35,000 creatives polled claimed that they experienced more creative ideas during the pandemic than before.

Which begs the question: How do we replicate the good that has come out of the pandemic and keep it going for the industry over the long term? ThinkLab sat down with business leaders within—and outside—the interiors industry to understand the shifts companies made to remain relevant in these changing times.

Continuing our quest to redefine how architecture is perceived nowadays and exposing the different notions out there, ArchDaily gave space for its users to answer four fundamental questions: "What is architecture? What can architecture do? What is your architectural position? What is your design method?" With around 200 entries per interrogation, gathered from all over the world, the ideas shared are mostly complementary and non-conflicting, underlining a general understanding of the role and essence of this field.

After having shared insights, in collaboration with WIA, from 16 different notable figures in the architectural scenes, such as Odile Decq, Kjetil Thorsen from Snøhetta, Peter Cook, Anna Heringer, Yona Friedman, Ma Yansong from MAD Architects, Liam Young, and Wolf D. Prix from Coop Himmelb(l)au, to name a few, this article highlights the best responses of our readers to the timeless interrogation "What is architecture?"

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Just before the global lockdowns began in response to the spread of the widely discussed COVID-19, we met with Saint Gobain experts at their new headquarters in Paris to discuss an extensive investigation conducted in 2019, with the aim of understanding the transformations that architecture and construction have experienced in recent years. After an interesting exchange of ideas, we chose the most relevant topics to be analyzed in depth by our team of editors, resulting in a series of articles that combined the trends identified with the unexpected events that occurred during 2020, connecting them directly to architectural design.

Now, entering an uncertain but promising 2021, we took the time to stop and reread these articles carefully. How many of these trends are still valid and how much have they evolved? What new trends are likely to develop in the coming years?

This week’s curated selection of Best Unbuilt Architecture highlights cultural structures submitted by the ArchDaily Community. From pavilions to installations, this article explores the topic of cultural urban interventions and presents approaches submitted to us from all over the world.

Featuring a pavilion nestled in the sand dunes of the Persian desert, an afrofuturistic, interactive art installation proposed for the upcoming Burning Man event, and a new take on summer cinemas in Russia, this roundup explores how architects reimagined traditional gathering places and created urban interventions in all scales. The round up also includes a collection of structures in the United Arab Emirates, United Sates of America, France, and the United Kingdom, each responding to different contexts and topographies.

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The following article, based on the exhibition conceived by the Projective Drawing course and developed by the Digital Fabrication and Parametric Design Laboratory of the Institución Universitaria Colegio Mayor de Antioquia (FABLAB COLMAYOR), demonstrates the adaptability of undergraduate programs after COVID-19. This initiative, utilizing rendering and augmented reality, showcases a new approach to applying relevant tools in both academic and professional fields.

Videos

Incredible lighting, shining finishes, healthy trees, and properly positioned human figures seem to be the perfect kit for a good and traditional image of architecture, which, however, is not always representative of reality or context. We are accustomed to thinking of renderings as visions of future buildings, occupied and in use, which serve to sell or convince customers of the worth of a project. But what if rendered images also helped us understand the construction, systems, and functioning of some parts of the building? We talked to two professionals who have developed images that are both beautiful and explanatory.

Prefabrication is not a new concept for architects, but its usage is evidently on the rise. With today’s limited spatial capacity and need for cost efficiency, the industrial strategy of architectural production has shifted towards an all-around-efficient approach, in some cases assembling projects in a matter of days or weeks [1][2].

Prefabricated wood components, used in both wooden frames and mass timber constructions, have helped solve many design and engineering challenges. In addition to material and time efficiency, reduced waste, and cost control [1][2], prefabricated wood elements offer the advantages of high performing and energy efficient passive designs [3].

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Few places have embraced sustainable design practices like California. Experiencing dramatic droughts, wildfires and environmental issues, the state has started to create new policies and initiatives to promote environmentally-conscious design solutions. From eco-districts and water management strategies to net-zero building projects, the Golden State is making strides to reshape its future. Forming long-term visions and procedures through the lens of physical resource consumption, California is working to better integrate its economic development plans with sustainable building methods.

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Today, April 12, 2021, marked the passing of architect Carlos González Lobo, a leading proponent of social and participatory architecture in Mexico. A 1963 graduate of the National School of Architecture, he went on to earn a Master of Architecture from UNAM's Faculty of Architecture in 1995. That same year, he was awarded an honorary doctorate by the Rhode Island School of Design, later receiving a PhD in Architecture from UNAM in 2007.

Designed by award-winning architect Rudy Ricciotti, the designer of the MuCEM in Marseille, the Jean-Boutin Stadium in Paris, and the Islamic Arts Exhibition in the Louvre Museum, the Manufacture de la Mode reintroduces Chanel's intricate craftsmanship in an architectural and urban context. Architectural photographer Simon Garcia uncovers the newly-inaugurated fashion community in a series of photographs.

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In the face of contemporary changes, architects and urban planners must revisit their roles. In contrast to planning approaches that produce increasingly massified and generic cities, establishing practices of resistance to reclaim the city for pedestrians is paramount. To be effective, these practices must foster connections between the people who experience the city daily and the urban space itself, moving away from technical definitions that treat public participation as fragmented. Instead of fueling collective paranoia that builds insurmountable walls in search of excessive security, the city should align with technology to promote openness, open-source models, collaboration, and collective creation. Beyond its practical connective function, the street must enhance lived experiences, becoming a space for chance encounters, reflection, and, above all, appropriation.