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Inés Esnal has designed a sculpture specifically conceived for the stairwell of a single-family home. Her architectural training has heavily influenced her understanding of art in relation to space, from both phenomenological and geometric perspectives. By combining artistic approaches with scientific strategies in her creative process, she aims to create a work of art that is geometric yet atmospheric, logical yet experiential.

Titled Flame, this sculpture is made of polypropylene ropes on a steel frame, measuring 75 x 502 cm and spanning the three levels of a residence in La Moraleja, Madrid.

Economic crises, health emergencies, and natural disasters, followed by social conflicts, political disagreements, and the search for new places to live, have historically driven the displacement of hundreds of thousands of people. The result: changes in residence, habitat, and culture.

Who would have thought that residents of São Paulo, one of the busiest cities in the world, would miss the hustle and bustle of the streets? Through a simple and elegant intervention, Brazilian architects Gustavo Cedroni and Martin Corullon of Metro explain how they supported one of the areas hardest hit by the pandemic, using small architectural gestures to bring life back to the street.

Founded in July 2014, July Cooperative Company is an elite professional team that values collaboration, pursues the essence of design, and encompasses a diverse range of landscape styles. The firm also serves as the Chinese representative for Japanese landscape master Shunmyo Masuno, Uetoh Zoen, and Izumiya Stone. Combining an Eastern aesthetic with a diverse international background, we aim to leverage our resources to enhance professional exchange and cultivate valuable industry dynamics.

This article by Fulvo Rossetti was originally published in the 14th issue of rita_ magazine under the title "Hosts and Prophets of Antarctica: Architecture, territory, and conflicting imaginaries in 'Argentine,' 'British,' and 'Chilean' Antarctica, 1961 onward" and is part of a joint collaboration for the dissemination of academic texts.

In the following text, three landmark works from the United Kingdom, Argentina, and Chile express different interests projected onto the same Antarctic territory. One is the Halley VI Research Station, located on the eastern limit of the British claim. Another is the utopian “first city in Antarctica,” envisioned near the Argentine Marambio airfield, on the northern tip of the Antarctic Peninsula. The third is the International Antarctic Center, a multifunctional building designed to strengthen the role of Punta Arenas as a gateway city to the white continent. 

To showcase the valuable academic production of Latin American and Spanish universities, we launched an open call this year, inviting architecture students to submit their thesis projects completed in 2020.

Following a thorough review of 305 submissions, our editorial team selected and highlighted 10 projects that demonstrate rigorous critical thinking in response to their chosen issues. The selection process not only valued projects that delivered the best possible architecture through efficient design suited to their context, program, and users, but also those demonstrating significant attention to human scale, experimentation, and novel ways of approaching architecture in cities. Additionally, we recognize 10 honorable mentions whose immense dedication and academic quality made them impossible to overlook.

Co-founded by Qi Xiaofeng and Wang Yuyang in 2018, atelier xy is a Shanghai-based design studio specializing in boutique F&B, retail, and office projects. Its practice spans the fields of architecture, interior, and product design.

This article by Anna Gabriela Ramírez and Beatriz Piderit was originally published under the title "Post-Occupancy Evaluation of Lighting Comfort in Office Buildings" in the 20th issue of the Dearq journal on July 1, 2017 (DOI: https://doi.org/10.18389/dearq20.2017.10).

The following presents the results of a study proposing a post-occupancy evaluation methodology for lighting comfort. This methodology was validated in the offices of the Bogota Surveillance and Security Fund (Fondo de Vigilancia y Seguridad de Bogotá), confirming the importance of obtaining subjective data from users through surveys and correlating it with technical lighting information via photometric measurements and simulations.

We present this work as part of a joint collaboration to contribute to the dissemination of research, analysis, and opinions developed by the national and international academic community on architecture, urban issues, and related fields.

Following the release of "Architectural Classics," a series of iconic architectural classics depicted in axonometric views, Diego Inzunza—the Chilean architect and visual artist behind Rosamente—now shares a collection of 22 drawings created in 2021 in collaboration with 16 architects from five countries, including Cristian Danke, David Carcamo, Anita Catricura, Roberto Ibáñez, Rodrigo Ortiz, Charlotte Bazonnard, Javiera Muñoz, Sofía Montealegre, Juan Pablo Santamaría, Tom Gardner, Joel R, Sergio Pita, José Tello, Francisco Guerrero, José Tomás Infante, and Camilo Carrascal.

The title of this new series is “Abstract Architecture,” featuring conceptual drawings that revolve around architecture, nature, and alternative graphic narratives.

In the following article, Cuqui Rodríguez discusses the installations "La Puta Carra Loca" and the "Archivo Vivo de las Luchas Sociales" (Living Archive of Social Struggles), designed by Al Borde Arquitectos and La Cabina de la Curiosidad, presenting architecture as a vehicle of resistance against hegemony.

Criticism of academia in architecture is a persistent issue, raising various questions about how the discipline is taught and learned. This debate gained significant momentum during the pandemic, when traditional education made a massive leap toward 100% online learning, changing how we experience the spaces and platforms that guide higher education students. Yet this shift is not exclusive to universities; professional practices have also had to reinvent their working methods and their participation in international events and exhibitions to reflect on the relationship between academia and professional practice.

The project for the reconversion of the ruins of the former warehouses at the Chillán Railway Station, led by architects Cristóbal Tirado and Alberto Moletto, was selected by the jury as the winning proposal in the preliminary architectural design competition. Organized by the Directorate of Architecture of the Ministry of Public Works on behalf of the Ministry of Cultures, Arts, and Heritage, the competition aimed to rehabilitate this infrastructure and transform it into a cultural space, ultimately defining the program and general layout of the future Ñuble Regional Museum. In addition to strengthening regional heritage identity, the project aims to contribute to the urban regeneration of Chillán, specifically the surrounding area and the future Ultraestación Intercommunal Park, whose industrial structures are part of the city's modern architectural legacy. The Ministry highlighted the winning proposal's ability to "breathe life into this iconic city space and, in doing so, establish a new urban landmark for Chillán."

Raimundo Lira, Cristián Izquierdo, the Architecture Directorate of the Municipality of Santiago, José Rosas, and the group Elemental have been honored with the 2021 AOA Medals, a biennial award recognizing professionals, offices, and public or private entities that have been instrumental to the development of national architecture.

The awards ceremony took place during the Annual Assembly of the Association of Architecture Offices (AOA), where the new directors were announced, and president Mónica Álvarez de Oro presented an account of her first year in office.

Guillermo A. Blanco Alcón shares a summary of his research '"Seeing, Being Seen: The Evolution of the Trafalgar Lighthouse and its Social Influence Today".' This study outlines the aspects most affected by its influence on two highly contrasting realities: tourism and illegal immigration.

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When discussing bioclimatic architecture, the focus is primarily on practices that reduce energy consumption and the environmental impact of buildings, both during construction—for example, by using materials with a low carbon footprint or incorporating responsible processes tailored to the site—and during their lifespan. This approach results in passive architecture designed to minimize long-term energy use. This is achieved—either by supplementing mechanical ventilation, heating, and cooling systems with passive methods, or by relying entirely on alternative systems—by adapting the design, geometry, and orientation to the topography, climate, natural vegetation, solar radiation, and prevailing winds of the site.

The past year has brought the climate emergency and racial injustice into sharp focus. Concern over the state of the environment has never been higher. Thanks to the Black Lives Matter movement and related campaigns calling for justice, voices that have tragically been marginalized for too long are finally being heard. Yet, some of the most ardent activists still view these struggles as separate.

How can waste become a resource? Or rather, when did waste stop being a resource? Why does contemporary architecture still build as if our buildings were great titans that will survive different eras and adversities? These are all questions that cross the mind of a recent architecture graduate. One of the current challenges of architectural production in a metropolis like São Paulo is understanding that, after demolition, the building does not disappear. What does our National Solid Waste Policy indicate?

Although latent, this issue is still rarely debated within academia, a space that should be constantly proposing alternatives to our way of life. And even when it is debated, where is the benefit to the public? How can we disseminate these lessons? Education is still the key to getting our future back on track.

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Just over a year after the start of the pandemic in Peru, a multidisciplinary team from OjoPúblico and Espacio y Análisis has conducted an extensive investigation based on various geographical and socioeconomic databases. The study reveals wide gaps in access to public spaces and green areas across 44 districts in Lima and Callao (Peru). In several cities around the world, the pandemic has demonstrated how unequally public space is distributed, especially in low-income neighborhoods and vulnerable areas that lack shared spaces like green areas, parks, or playgrounds. Through this mapping report, the team shows how more than half of the districts in Lima and Callao have less than 3 square meters of recreational space per inhabitant. It also highlights stark urban contrasts along district boundaries separating different socioeconomic levels and underscores the urgent tasks facing local authorities to increase and improve the quality of recreational areas.