As you might have heard, ArchDaily is celebrating our 5th birthday today! We decided it was time to get a bit nostalgic and look back at the projects of yesteryear, the ones that struck a chord with you, our ArchDaily readers, and helped us get to where we are today.

So, with no further ado, the 20 most visited projects in ArchDaily history! Beginning with....

See our 20 most popular projects of all time, after the break...

Today, ArchDaily turns 5 years old! We've already shared with you our special doodle of the day and the 20 Most Visited Projects of ArchDaily history - now, let's look back at the 5 posts that most caught your attention these past five years. From the ever-pressing topic of work/life balance to an underground Data Center lair, these five posts offer us a snapshot of what's important to architects today. Enjoy!

The 5 Most Read Posts in ArchDaily history, after the break....

Remember spending hours of your fleeting youth in front of the computer screen, building lively and complex towns with vibrant neighborhoods, schools, shopping centers, industry, power plants.. only to have them all destroyed by an unforeseen asteroid or UFO?

Today, in honor of International Women's Day, we want to take a look at one of the most pressing issues facing architecture today: the lack of women architects. Articles abound about the what of gender inequality in architecture - the facts and figures that reveal the extraordinary gender gap that exists in the profession (in the UK, for example, only 21% of architects are women, and they earn 25% less than their male counterparts) - but strikingly few discuss the how of lessening that gender gap.

Read the opinions of two prominent female architects, and provide your own, after the break...

Czech-born architect Eva Jiřičná has been announced, by unanimous decision of the esteemed AJ Judging Panel, as the Winner of the 2013 Jane Drew Prize “for her outstanding contribution to the status of women in architecture.” Zaha Hadid, prize judge and winner of last year’s Jane Drew Prize, lauded Jiřičná’s for redefining the idea of retail space with her innovated use of industrial materials and famous steel and glass staircases.

The following article by Oliver “Olly” Wainwright (Architecture and design critic at The Guardian) was featured on Fulcrum #67 “The End of Critique”, which also included an article by ArchDaily's co-founder and Editor-in-Chief, David Basulto.

Baubles on Pedestals

It has become increasingly fashionable to trumpet the death of criticism. Barely a week goes by that there isn’t a new blog declaring the end of architectural critique, the slipping of standards, the domination of our screens by an unmediated slew of images.

“Criticism is in crisis,” wail the critics, seeing their traditional role threatened by a torrential tide of websites that funnel an incontinent splurge of unadulterated visual stimulation. From Dezeen to ArchDaily, Designboom to Architizer, we are bombarded with a never-ending deluge of projects, freed from any sense of context or meaning. It is easy to believe the cries that architectural culture is being flattened into a homogenous soup of saturated colours and oblique geometries – a cascade of effortlessly digested eye-candy to be liked, retweeted, pinned and shared across the infinite social media network.

"There's a price on everything in New York, and the air is no exception." - Ross F. Moskowitz, Strock & Strock & Lavan

All of us are familiar with the practice of buying and selling property in the form of land, residential and commercial space, but the buying and selling of the air surrounding these spaces is a concept well-understood by few. With the recovery of the condominium market in New York City, residential development is at an all-time high, and this means taller and even more luxurious towers are fighting each other tooth and nail for the best possible views of the city. Because of this, the price of air above and around these potential developments is becoming more and more expensive, since a room with a view is worth a whole lot more than one without. Is it possible that these empty, vertical pockets are now worth more than the ground below them?

Read more about New York City's air rights to find out.

So what exactly are air rights? They can be defined as a building's "unused or excess development rights" measured by square foot and can be transferred from one building to another if zoning in that specific area permits. Air rights in NYC typically sell for 50-60% of what the ground below them is worth; some, however, can be worth much more than that, as in the case of air rights along the High Line. 

Alastair Parvin, co-founder of WikiHouse gave his TED Talk last week (one of the many architecturally relevant talks at TED 2013). Although the video of his latest talk is not yet available, to whet your appetite we present you with his speech from last year at TED@London. In it he explains the conditions of architectural and material culture that led to the foundation of WikiHouse, an open source database of house designs that can be manufactured with a CNC cutter and assembled in a day.

Last month, we reported on OMA's latest competition winner: the Essence Financial Building, a building that OMA Partner David Gianotten described as "a new generation of office tower" for the city of Shenzhen, China. To talk us through the building's cutting edge sustainable features, we spoke with Arpan Bakshi, an architect, engineer, and Sustainability Manager at YR&G, OMA's sustainability consultants, who led the environmental design for the project.

Learn more about the Essence Financial Building, OMA's collaborative approach, and Bakshi's views on the future of sustainable design - for both China and the world - after the break...

This text was provided by San Francisco-based writer Kenneth Caldwell.

One friend said, “It looks a bit austere.” At first glance, it probably is. But like so many great minimal environments, it asks for patience and generosity. You give, and in turn it gives back.

This is also what the artists Mark Rothko, Richard Serra, Donald Judd, and, more recently, Olafur Eliasson ask. Trust them with your time and you may be rewarded with a small measure of serenity—perhaps even with the connection between art and the divine that Dominique de Menil was so focused on. 

Designed by Louis Kahn, the Franklin D. Roosevelt Four Freedoms Park is an outdoor sanctuary at the southern tip of what is now called Roosevelt Island, created as a memorial to FDR. The park opened last fall. Kahn’s gift took 40 years to be realized, but it presents a path for human beings to treat each other to peace.

Continue reading after the break...

In cities around the globe, change happens almost instantly. Buildings rise, buildings disappear, and skylines morph before one’s eyes. There is no better example of this, of course, than China. From Ordos to Shanghai, Chinese cities are in a constant state of flux, as the Chinese people willfully abandon signs of the past and embrace the new.

Of course, it’s one thing to know this fact; it’s quite another to witness it firsthand, to experience this urgent impetus to demolish and demolish in order to build, build, build, and build. In the face of such large-scale, exponential urban development, it’s easy to feel powerless to suggest another path.

However, in publishing Anatomy of a Chinese City, that is exactly what two young architects have done. By taking the time to observe the “urban artifacts” that make a Chinese city unique, compiling over 100 drawings of everything from buildings to bicycles, Thomas Batzenschlager and Clémence Pybaro have preserved a piece of Chinese history that is quickly going extinct. 

In a world where, in the race for progress, quotidian realities are erased unthinkingly, Anatomy of a Chinese City is not just a resource, but a call-to-action, reminding us to slow down and observe the very human context that surrounds us.

Read more about Anatomy of a Chinese City, after the break...

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There are many things that set BIG’s latest project, Amager Bakke, apart. The plant, which broke ground yesterday, will be the cleanest waste-to-energy plant in the world. It will be the tallest and biggest building in Copenhagen. It will house Denmark’s first ski-slope (on the roof of the plant, no less). It will emit its CO2 emissions - not as a continuous stream of smoke, oh no - but in sudden, bursting smoke rings.

However, the Amager Bakke waste-to-energy Plant is far more than the sum of its rather remarkable features. As an urban “destination in itself” and a landmark in environmental design, it’s one of the most radical representations of architecture as a means of public engagement of our time. And, what’s more, it’s a signal that BIG has finally reached maturity, truly coming into its own as a firm.

Read more about BIG’s remarkable Amager Bakke waste-to-energy plant, after the break....

Saturday in Marseille, France, pedestrians and city officials joined Foster + Partners to celebrate the completion of the Vieux Port Pavilion at the mouth of Marseille’s World Heritage-listed harbor. Minimal, yet effective, this “discreet” intervention provides a new sheltered events space on the eastern edge of the port. With six slender pillars supporting its razor-thin profile, the polished 46 by 22 meter stainless steel canopy amplifies and reflects the surrounding movement, creating a spectacle that encourages pedestrians to linger.

More on Foster’s Vieux Port Pavilion after the break...

This article, by Austin Williams, originally appeared in The Asian Age as "India, China: Talk of the Town." Williams is the co-author of Lure of the City: From Slums to Suburbs and director of the Future Cities Project. He teaches architecture and urban studies at XJTL University in Suzhou, China. Email him at futurecitiesproject@gmail.com

As an architect living in Suzhou, just outside Shanghai, I have become blasé about the skyline being transformed before my very eyes. The classic view of Shanghai’s towering waterfront may not represent great architecture, but it’s impressive all the same… and constantly improving. In most cities across China it is the same story: high-speed construction activity, modernisation, transformation and skyscrapers everywhere. There is a palpable sense of opportunity pending — what the émigrés to America must have felt when arriving in New York 100 years ago.

While many Western commentators point to the failures (the accidents, the pollution and the corruption) with an unremitting Schadenfreude, China marches on. Where else can you watch a modern city grow and change in real time? Where else, indeed?

Read more of Austin Williams' account of the different kinds of urban development happening in China and India, after the break...

"The works of our artists, architects, and preservationists provide us with another language of diplomacy. A transcendent language that allows us to convey values that are at once uniquely American yet speak to all of humanity.  Increasingly in this world, art and architecture help us maintain our sense of openness and liberation." -- Former Secretary of State Hillary Rodham Clinton, April 12, 2010 

An embassy is much more than a building or a work of architecture; it functions as a symbolic representation of countries' relationships to one another. It represents the universal language of diplomacy - "communicating values and ideals, extending well beyond any moment in time". An embassy has the difficult task of representing two diametrically opposed concepts: security and openness. The former typically overpowers the latter in importance, which is most probably why when we think of foreign embassies, it conjures up images of stately monolithic buildings surrounded by tall fences and menacing guards or "bunkers, bland cubes, lifeless compounds", according to Tanya Ballard Brown of NPR's All Things Considered.

More after the break...

BIQ - the world's first algae powered building - is set to be completed in Germany later this month. Built for the International Building Exhibition (IBA) in Hamburg, this zero-carbon apartment complex will sport a bright green facade-cum-algae farm, while its interior proposes a radical new theory on how we will live in the near future.

More about BIQ after the break...

Every natural disaster has an "aftershock" in which we realize the fragility of our planet and the vulnerability of what we have built and created. We realize the threat to our lifestyles and the flaws in our design choices. The response to Hurricane Sandy in October 2012 was no different than the response to every other hurricane, earthquake, tornado , tsunami or monsoon that has wrought devastation in different parts of the world. We recognize our impact on the climate and promise to address how our development has caused severe disruptions in the planet's self-regulating processes. We acknowledge how outdated our systems of design have become in light of these damaging weather patterns and promise to change the way we design cities, coastlines and parks. We gradually learn from our mistakes and attempt to redress them with smarter choices for more sustainable and resilient design. Most importantly, we realize that we must learn from how natural processes self-regulate and apply these conditions to the way in which we design and build our urban spaces.

Since Hurricane Sandy, early considerations of environmentalists, planners and designers have entered the colloquiol vocabulary of politicians in addressing the issues of the United States' North Atlantic Coast. There are many issues that need to be tackled in regards to environmental development and urban design. One of the most prominent forces of Hurricane Sandy was the storm surge that pushed an enormous amount of ocean salt water far inland, flooding whole neighborhoods in New Jersey, submerging most of Manhattan's southern half, destroying coastal homes along Long Island, and the Rockaways and sweeping away parts of Staten Island. Yet, despite the tremendous damage, there was a lot that we learned from the areas that resisted the hurricane's forces and within those areas are the applications that we must address for the rehabilitation and future development of these vulnerable conditions. Ironically, one of the answers lies within Fresh Kills - Staten Island's out-of-commission landfill - the largest landfill in the United States until it was shutdown in 2001. Find out how after the break.

Fresh Kills Landfill was opened in 1947 along the western coast of Staten Island as a temporary solution for New York City's waste just in time to accommodate an exponential rise in consumption in the post-World War II United States. Three years later, and the landfill continued to operate until it became the principal landfill for New York City, collecting the solid waste from all five boroughs in the "age of disposability". It is no wonder then, that the temporary solution swiftly became a 50-year one.

If you only know Frank Lloyd Wright for his classic works - Fallingwater and the Guggenheim among them - and not for his bristly personality, then you're in for a treat.

WNYC has just released a candid interview they recorded with Wright in 1957, two years before his death, in his Plaza Hotel apartment (where he’d moved to oversee construction of the Guggenheim, which he'd been working on for 14 years). The conversation covers a wide range of topics - from Wright's quirky personal views on American culture to the significance of architecture for mankind. Some gems from the interview include:

On the Guggenheim and its critics: “You’re going to be awakened to the beauty of that thing [a picture, a painting] from a new point of view. And it’s going to be so enlivening and refreshing, that it will make some of these painters quite ashamed of the protest that they issued against it.”

More quotes from Frank Lloyd Wright, after the break...