Across South America, architecture is increasingly being understood as a collective act. Rather than imposing external views, many studios and designers are building with and for communities, learning from their local practices, materials, and ways of inhabiting. These projects are repositioning the architect's role from an author to a facilitator, transforming design into a participatory process that centers collaboration, care, and mutual respect.
What unites these efforts is not style or scale, but a shared belief: architecture emerges from collective dialogue, not imposition. From rural Ecuador to the urban peripheries of Brazil, Colombia, and Paraguay, these projects reveal how social engagement and local making produce spaces that are sustainable not only environmentally but also socially. They respond to inequality not through top-down solutions, but through co-authorship, offering spaces that reflect the needs, knowledge, and agency of the people who use them.
The ultimate accolades of World Building of the Year supported by GROHE, World Interior of the Year, Future Project of the Year and Landscape of the Year were announced today as hundreds of architects from across the world convened at a grand finale Gala Dinner at Miami Beach Convention Center in Florida. A host of Special Prizes, including the American Beauty Prize supported by the Royal Fine Art Commission Trust, were also announced at the closing event to celebrate the eighteenth edition of the festival. The announcement follows the final day of WAF, in which prize winners across all 43 categories have been competing for the winning titles.
https://www.archdaily.com/1036083/world-building-of-the-year-and-interior-of-the-year-revealed-at-world-architecture-festival-2025Enrique Tovar
Adaptive reuse is shifting from simple preservation to active revitalization, a process of structurally rescuing and reprogramming architectural typologies whose original functions are no longer relevant. The obsolescence of architectural spaces occurs for varied reasons: sociological shifts, leaving spaces uninhabited; technological advances, phasing out specific machinery; and economic changes, making centralized functions necessary. The strategy of repurposingfocuses on achieving spatial and functional longevity through minimal interventions, allowing the original structure to serve as the memory anchor of the project.
This wave of adaptive reuse treats the historic shell as a limited resource, prioritizing structural permanence over surface aesthetics. Designers are engaging in a sort of archaeological process by exposing the original structural essence: the heavy timber, raw concrete, or monumental masonry. Interventions are confined to meeting new programmatic needs, often appearing as an independent insertion within the ancient envelope. This contrast redefines the building's lifespan not as a singular narrative but as a layered story of continuous events.
In contemporary bathroom architecture, the drain has evolved from a purely functional component into a design element that guides layout, accessibility, and long-term performance. When drainage, slope geometry, and waterproofing are designed as one system, the tiled surface achieves both visual refinement and reliable function—qualities that are critical for hotels, spas, and residences. Schluter® establishes the essential drain-to-waterproofing connection in a controlled factory setting, rather than relying on field assembly.
Mehrangarh Fort, Jodhpur, Rajasthan India. Photo by Sanhitasinha. License Creative Commons Attribution-Share Alike 4.0 International
India's palaces and former colonial warehouses are witnessing a new kind of restoration, one that happens beneath the surface. From discreet steel supports tucked behind centuries-old masonry to digital sensors embedded in frescoed ceilings, technology is quietly reshaping how heritage buildings are protected for the future. These upgrades are more about subtle precision and less about spectacle; invisible engineering wonders.
As the world moves towards adaptive reuse, architects and engineers are confronted with an evolving challenge to make historic structures safe for public access while maintaining the authenticity of the architecture. Whether it's upgrading palaces to cool efficiently or seismic reinforcement of Victorian godowns, the goal is beyond preservation. It's about the intelligent coexistence of the old and the new.
There's a quiet rebellion happening in the bathroom. Forget glossy marble and showy gold fittings; the new mood in design is one of calm confidence. Luxury today is understated, sensory and precise. It celebrates craftsmanship over extravagance and authenticity over spectacle. The bathroom, once the most functional room in the house, has become a space where materiality, touch and light are orchestrated to create a sense of calm.
Balcony House / Ryo Matsui Architects. Image Courtesy of Ryo Matsui Architects Inc
We walk on "flat" ground every day and rarely think twice—but how flat is it, really? In the city, curbs are chamfered, sidewalks pitch toward grates, and roadways are crowned to shed water into shallow gutters. In suburbs and on unpaved paths, irregular terrain is the norm. Inside buildings, by contrast, we pursue near-perfect horizontality—structural frames, slabs, and finishes are all disciplined to create level walking surfaces in the name of safety and accessibility. Yet flatness is inherently at odds with water. A closer look reveals a quiet repertoire of accommodations: slight falls at entries, thresholds raised a few millimeters, wet areas with barely perceptible pitches. The floor is read as flat, but it is in fact carefully tuned—micro-topographies masquerading as plane—to manage water without calling attention to themselves.
What are the common ways architects "keep things flat" while actually managing water—the perennial enemy of buildings? A useful way to look at it is by zooming into three recurring conditions: exterior or roof decking, bathrooms and other wet rooms, and exterior ground planes. Each relies on a slightly different toolkit—pedestal systems over sloped waterproofing, micro-gradients to floor traps, hidden perimeter drains, split slopes—to maintain the illusion of a seamless, level surface. Studying these situations side by side reveals just how much design effort goes into reconciling perceptual flatness with the messy reality.
Snaptrude announced the launch of the Snaptrude Student Plan, a free offering that gives architecture students worldwide full access to Snaptrude's professional platform and intelligent AI workflows. The initiative reflects Snaptrude's commitment to strengthening architectural education and ensuring that emerging designers can build real-world skills while still in school. Full access to the professional platform and AI tools empowers students to design faster and build portfolio-ready work.
In total, the three-day festival will see over 460 live pitches from the 2025 finalists in front of over 160 international judges. Today has seen shortlisted projects from around the world compete for 22 award categories within Completed Buildings, Future Projects, and Interiors. Award winners include WOW Architects, BIG-Bjarke Ingels Group, Batlleiroig, and Perkins&Will.
https://www.archdaily.com/1035985/world-architecture-festival-2025-day-one-winners-announcedEnrique Tovar
For over 125 years, Tarkett has been manufacturing linoleum flooring based on its original 1898 formulation. Trusted by architects worldwide, this natural floor covering is a benchmark in sustainability, durability, and timeless design. Today, Tarkett Linoleum is not only known for its heritage but also for its innovative application in modern architecture — particularly in the education sector. Learn more about the impact of Lino Materiale by Tarkett on today's spaces.
Amid the orderly grid of the Giardini della Biennale, the Swiss Pavilion appears almost reticent. Its low white volumes, completed in 1952 by Bruno Giacometti, seem to withdraw from the surrounding display of national pride. The building embodies a form of modernism that resists monumentality, where precision and restraint replace spectacle, and architecture becomes less an object than a framework for encounter.
Emerging from a Europe rebuilding itself, the pavilion reflects a time when nations were reimagining how to appear in the world. For Switzerland, neutrality had long been both a political stance and a cultural condition, and Giacometti translated this identity into a sequence of measured rooms arranged around an open courtyard, defined not by what they contain but by how they hold light, movement, and pause. The result is an architecture that does not speak loudly of belonging but invites attention through balance and care.
Coding Plants: An Artificial Reef and Living Kelp Archive. Courtesy of Terreform ONE
This curated selection of projects from the 2025 Venice Architecture Biennale explores how architects and designers are rethinking the relationship between the built environment and water in response to the global climate crisis. As sea levels rise and extreme weather events increase, water is no longer a distant threat but an immediate design condition. Rather than resisting it, these projects look at how architecture can coexist with, adapt to, and even regenerate through natural forces. Together, they suggest a shift toward working with the elements, acknowledging water not as a limit to construction but as an active participant in shaping future environments.
The history of the Olympic Games, while marked by athletic achievement, is consistently contrasted by infrastructure challenges. Across host cities, from Athens to Rio and Beijing, similar issues arise: significant cost overruns and the complex issue of legacy. The big question is: What is the best viable long-term use for purpose-built sport venues? Montreal's 1976 Games shared this fate after building an Olympic Park that faced heavy criticism for cost overruns and debt from specialized construction. Post-Games, venues like the Montreal Velodrome risked becoming a financial burden. However, the city demonstrated a proactive response by proposing the transformation of the building into a thriving civic asset that now stands as an internationally recognized example of successful Olympic venue repurposing.
Architecture is being reshaped by artificial intelligence, climate change, and shifting social structures. At SCI-Arc, students learn to face these challenges head-on, using design to shape a rapidly changing world.
This fall, SCI-Arc's upper-level Vertical Studios bring the world into the studio. Each is led by a practicing architect working at the forefront of the field—from experimental fabrication to urban and environmental design. Drawing on real projects and professional experience, faculty challenge students to engage with the realities of the present and to design with precision, empathy, and imagination.
Behind layers of plaster, paint, and finishes lies an intricate network of pipes, electrical conduits, beams, and other structural elements that make a building function and stand, yet remain invisible to the everyday eye. Within these layers, traces of different periods accumulate: replaced systems, improvised adaptations, and technical solutions that once responded to specific contexts and urgencies. In adaptive reuse, the greatest challenge often begins before construction even starts, which is understanding what lies within when little or no reliable documentation exists. During a renovation, pleasant or unpleasant surprises are inevitable. The unexpected is part of the process, but it also represents cost, delay, and risk factors that often discourage investors and professionals from engaging in this type of project.
This international competition invited architects to design a boutique wellness retreat along the serene banks of the Vez River in northern Portugal. The project challenged participants to propose a space of tranquility and renewal that would harmonize with its extraordinary natural setting and complement a restored historic watermill already on site. The project partner, the site landowner, plans to construct one of the winning entries.
Biodiversity, defined by the World Wide Fund for Nature (WWF) as the different kinds of life found in an area, is in a state of crisis all across the world, with declines in the numbers of organisms and many species declared as at risk of extinction. All types are affected, from plants and fungi to large mammals, and there is a clear link to human activity being the cause. Although farming methods and climate change due to greenhouse gases play a major role, cities and buildings can play a small but important role in countering this decline.
At voco Brussels City North, hansgrohe and Hydraloop unite for smarter water use. Image Courtesy of Hansgrohe
Water is the foundation of life. It shapes landscapes, regulates climates, and sustains every living organism. Yet on the only known inhabited planet, this essential resource faces a growing crisis: although 70% of Earth's surface is covered by water, less than 1% is actually available for human use. Most of it is consumed by agriculture and industry, while in households, activities like bathing and flushing use vast amounts of drinking water for non-essential purposes. The bathroom, therefore, has become a key space for innovation, where technology and design can help redefine how we use and reuse this vital element.
What happens when a city’s industrial past becomes the raw material for its future? In Copenhagen, Nordhavn transforms the old harbor into a living laboratory of sustainable urbanism, where warehouses and docks give way to independent districts, small islands, and canals that redefine what it means to inhabit the city.
The practice of combining materials to achieve better performance has accompanied humanity since the earliest constructions. One of the first known examples emerged over five thousand years ago, when civilizations in Mesopotamia and Egypt mixed mud and straw to mold sun-dried adobe bricks. Light and fibrous, straw prevented cracking and increased strength, while mud acted as a binder and protection. This simple yet ingenious invention can be considered the first composite in history, illustrating the ancestral intuition that distinct materials, when combined, can become something stronger and better.
Based in Florianópolis, Brazil, Eduardo Souza brings a nuanced perspective to architecture shaped by his lifelong engagement with design, research, and editorial practice. Growing up in an environment deeply connected to architecture—his father a civil engineer and professor—Eduardo developed an early fascination with creativity, craftsmanship, and spatial thinking. This foundation naturally led him to study architecture, and later, to explore the editorial realm where writing and curation became extensions of his architectural passion.
Eduardo joined ArchDaily as a translator in its early years and gradually grew into various editorial roles, developing a keen interest in the intersection of materials, technologies, and construction systems. His editorial work focuses on uncovering innovations that challenge traditional modes of making architecture, emphasizing coherence between concept, execution, and context. He pays close attention to sustainable practices such as circularity, local material use, and vernacular reinterpretations that respond to today's environmental and cultural challenges.
Faced with the combined forces of population growth, economic prosperity, and urban expansion, cities are witnessing a significant rise in the movement of people and goods—mirroring the evolution of diverse mobility systems within urban environments. As technologies advance and modes of transport evolve, the adaptive reuse of train carriages, airplane cabins, and other service infrastructures reveals opportunities to explore their creative potential. Materials, technologies, and design tools converge around a shared goal: refurbishing and repurposing disused structures to give them new life.
