In a 2016 survey of 400 employees in the U.S., Saint-Gobain found that office building occupants commonly complained about poor lighting, temperature, noise, and air quality, leading the company to deduce a need for improved lighting and thermal comfort in buildings while also maintaining low energy consumption and freedom of design for architects and clients. Their solution was SageGlass, an innovative glass created first in 1989 and developed over the course of the past three decades. The glass, which features dynamic glazing protecting from solar heat and glare, simultaneously optimizes natural light intake. A sustainable and aesthetic solution, SageGlass’ adaptability to external conditions dispels the need for shutters or blinds.

Videos

Working remotely throughout the past year has accelerated the introduction of new approaches to real-time rendering, and with it, a new necessity was born: how can a person feel physically present inside a space, without actually being there? Ultimately, designers resorted to the virtual world, a vast realm of interactive built environments that can be accessed from the comfort of one's home. Even the tools utilized, such as headsets and goggles, have become more accessible to the vast majority of the public and are being sold at a lower price than they initially were. We have become accustomed to build, modify, and navigate between different environments, going back and forth between what is real and what isn't. Truth is, virtual has become the new normal.

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Solar design in contemporary architecture is rooted in the profession's sustainable turn. The relationship between architecture and energy is tied to both passive strategies and performance via more recent innovations in technology. As one way to begin addressing the global climate crisis and greenhouse gas emissions, solar design is reshaping cities and architecture around the world.

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This week’s curated selection of the Best Unbuilt Architecture focuses on projects related to learning, research and culture submitted by the ArchDaily Community. From kindergartens to libraries and universities, the article explores how different spaces of knowledge around the world are designed to inspire their users.

Featuring an array of scales and architectural programs, the list of projects includes a circular library in South Korea, a bridge-like kindergarten in Poland, as well a university in Tel Aviv that creates a series of opportunities for unmediated interactions and unscripted learning. The following are architectural programs that cater to the dissemination of knowledge in all its forms and to all age and social groups.

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This episode of Architecture w/ Stewart explores the only five ways of organizing the plan of a building, at least they are the only ones according to Francis Ching as listed in the canonical text Form, Space, and Order. Each of the five: central, linear, radial, clustered, and grid, offer unique benefits and opportunities to architects, clients, or visitors. Some of the strategies are reserved for formal ceremonial buildings, while others are better for providing less rigid and more organic exploration by occupants. Some yield complete and autonomous forms while others can shrink or grow at ease. However, every single building is, in some way, a combination of these five basic strategies. Using paper cutout shapes, plastic human figures, and representative examples from history and recent constructions, Stewart demonstrates the value and possibilities of each organizational strategy.

Heritage buildings are precious treasures passed down to us by our ancestors. They are also intangible cultural gifts for all mankind, a discovery of the past. Nevertheless, as time changes, ancient Chinese architecture, either destroyed by the forces of wars or nature, is gradually losing its original glory, making the protection and restoration of ancient buildings an urgent matter in this contemporary world.

This article was originally published on Common Edge as "Living on the Edge."

I am on the edge. Not emotionally or psychologically—although this could be the case—but literally, physically, spatially, geographically. As I write this, I am sitting on the balcony of a hotel room in Miami Beach, overlooking the Atlantic Ocean. Behind me is the whole State of Florida and, indeed, the entire North American continent. In front of me: the boardwalk, a narrow beach, and then a lot of water—and not much else between here and Mauritania, a distance of more than 4,400 miles.

Videos

Designed by Irish architecture firm Heneghan Peng, the long-awaited Grand Egyptian Museum devoted entirely to Egyptology is set to open this summer, sitting on the edge of the Giza Plateau, 2 km away from the Pyramids. Considered as the largest museum in the world dedicated to one civilization, the cultural complex will accommodate about 100,000 ancient artifacts, and will include 24,000m² of permanent exhibition space, a children’s museum, conference facilities, educational areas, a conservation center, and extensive gardens inside and around the museum's plan.

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Ventilation serves two main purposes in a room: first, to remove pollutants and provide clean air; second, to meet the metabolic needs of the occupants, providing pleasant temperatures (weather permitting). It is well known that environments with inadequate ventilation can bring serious harm to the health of the occupants and, especially in hot climates, thermal discomfort. A Harvard University study demonstrated that in buildings with good ventilation and better air quality (with lower rates of carbon dioxide), occupants showed better performance of cognitive functions, faster responses to extreme situations, and better reasoning in strategic activities.

It is not difficult to see that ventilation plays a vital role in ensuring adequate air quality and thermal comfort in buildings. We have all felt it. But when we talk about ventilation, a light breeze from the window might come to mind, shifting through our hair and bringing a pleasant aroma and cooling temperature that brings fresh air and comfort. In mild climates, this experience can even be a reality on many days of the year. In harsh climates or polluted spaces, it could be quite different.

Hemp is one of the oldest crops domesticated by humans. With its wide variety of uses and applications, it’s easy to understand why it’s been a desirable product throughout history. Hemp seeds and flowers are used in health foods, medicines, and organic beauty products; the fibers and stalks of the hemp plant are used in clothing, paper, and biofuel. Today even a waste product of hemp fiber processing, so-called hemp shives, is being utilized to create sustainable building materials like hempcrete.

WeTransfer recently released its 2020 Ideas Report, which showcases the effects COVID-19 has had on creativity. At a time when the economy, employment rates, and overall morale were down, the report found a reason for hope—nearly half (45.3 percent) of the 35,000 creatives polled claimed that they experienced more creative ideas during the pandemic than before.

Which begs the question: How do we replicate the good that has come out of the pandemic and keep it going for the industry over the long term? ThinkLab sat down with business leaders within—and outside—the interiors industry to understand the shifts companies made to remain relevant in these changing times.

Just before the global lockdowns began in response to the spread of the widely discussed COVID-19, we met with Saint Gobain experts at their new headquarters in Paris to discuss an extensive investigation conducted in 2019, with the aim of understanding the transformations that architecture and construction have experienced in recent years. After an interesting exchange of ideas, we chose the most relevant topics to be analyzed in depth by our team of editors, resulting in a series of articles that combined the trends identified with the unexpected events that occurred during 2020, connecting them directly to architectural design.

Now, entering an uncertain but promising 2021, we took the time to stop and reread these articles carefully. How many of these trends are still valid and how much have they evolved? What new trends are likely to develop in the coming years?

This week’s curated selection of Best Unbuilt Architecture highlights cultural structures submitted by the ArchDaily Community. From pavilions to installations, this article explores the topic of cultural urban interventions and presents approaches submitted to us from all over the world.

Featuring a pavilion nestled in the sand dunes of the Persian desert, an afrofuturistic, interactive art installation proposed for the upcoming Burning Man event, and a new take on summer cinemas in Russia, this roundup explores how architects reimagined traditional gathering places and created urban interventions in all scales. The round up also includes a collection of structures in the United Arab Emirates, United Sates of America, France, and the United Kingdom, each responding to different contexts and topographies.

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Prefabrication is not a new concept for architects, but its usage is evidently on the rise. With today’s limited spatial capacity and need for cost efficiency, the industrial strategy of architectural production has shifted towards an all-around-efficient approach, in some cases assembling projects in a matter of days or weeks [1][2].

Prefabricated wood components, used in both wooden frames and mass timber constructions, have helped solve many design and engineering challenges. In addition to material and time efficiency, reduced waste, and cost control [1][2], prefabricated wood elements offer the advantages of high performing and energy efficient passive designs [3].

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