The Santiago Calatrava-designed St. Nicholas National Shrine at the World Trade Center has topped out, and capped with a temporary, six-foot-tall cross.
The Byzantine-styled structure was envisioned by Calatrava in 2013 as a non-denominational spiritual center to replace the original St. Nicholas Greek Orthodox Church, located at 155 Cedar Street, which was destroyed on 9/11.
On Thursday 17th of November, at the World Architecture Festival in Berlin, Patrik Schumacher gave a lecture offering his theory on how to address London’s Housing crisis. Given Schumacher’s well-known penchant for neoliberal economics, it was perhaps little surprise that his plan included a number of highly controversial ideas, such as the elimination of all forms of social housing and planning, and the privatization of all public space—with Schumacher highlighting Hyde Park as a particularly interesting opportunity.
Though ArchDaily was in attendance at the lecture, we chose not to cover Schumacher’s speech, at least in part because the audible boos from the crowd indicated that this was not a position that the wider architectural profession was interested in giving publicity to. However, the news was picked up by a number of other architectural publications including Dezeen; as a result, Schumacher’s speech became front page news on the London Evening Standard, prompting a response from London Mayor Sadiq Khan who said Schumacher’s ideas were “out of touch” and “just plain wrong.” These developments in turn have prompted an outcry from the architectural profession, causing Zaha Hadid Architects to write an open letter in response to the furore. Read on to see the full letter.
Update [05 January 2017]: the Architects' Journal have published a leaked internal email from Patrik Schumacher which claims that "this letter was sent out by ZHA’s head of press, Roger Howie, without the authorisation of any of the company’s directors."
Filmmakers Ila Bêka and Louise Lemoine, creators of the Living Architectures seminal collection of films on architecture, will screen The Infinite Happiness—shot entirely in Copenhagen's "8 House" designed by BIG—exclusively on ArchDaily from Friday, December 2 until Sunday, December 4.
Marking the forthcoming release of two DVD box-sets of their entire œuvre (which was acquired by New York's Museum of Modern Art (MoMA) in 2016) Bêka and Lemoine have, over the course of the Living Architectures project, developed films about and in collaboration with the likes of the Barbican in London, the Fondazione Prada, La Biennale di Venezia, Frank Gehry, Bjarke Ingels, the City of Bordeaux, the Arc en Rêve centre d’architecture, and more. Their goal in this has always been to "democratize the highbrow language of architectural criticism. [...] Free speech on the topic of architecture," Bêka has said, "is not the exclusive property of experts." Their first film, Koolhaas Houselife (2008), has come to embody this unique approach.
Mayor Bill de Blasio and the New York City Public Design Commission have announced the winners of their 2016 Awards for Excellence in Design. Established in 1983, the award has been bestowed annually to projects from the city’s five boroughs that “exemplify how innovative and thoughtful design can provide New Yorkers with the best possible public spaces and services and engender a sense of civic pride.” Both built and unbuilt projects are considered for the award. Previous winners have included Studio Gang’s Fire Rescue 2 (2015), the Louis Kahn-designed Four Freedoms Park (2014), and Steven Holl’s Hunters Point Library (2011).
Earlier this year, the Rem Koolhaas-led firm OMA launched a redesign of its website. If you haven't already popped over to see more than three decades worth of cutting-edge, provocative architecture projects, you'll have a good reason to now: downloadable excerpts from six of the office's highly acclaimed books and magazines.
Kengo Kuma & Associates have been tapped to design a new high-rise residential complex on Kutuzovsky Prospekt in Moscow, adjacent to the new business district of Moscow City. The project will be the first urban plan in Moscow to take the form of superstructures rather than individual buildings, and will be Kuma’s first project in the Russian Capital.
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Public spaces, squares, and parks in New York City are administered by the city’s Department of Parks & Recreation (NYC Parks).
In recent years, the agency has been responsible for creating new programs to help children, youth and adults be aware of the importance of caring for their urban landscape.
One of these programs is a TreesCount! which in 2015 gathered 2,300 volunteers to learn about the trees in their environment, what state they are in, what care they need, what their measurements are, and how they benefit the surrounding community, etc.
For months, they walked the streets of the five boroughs together with a group of monitors who previously trained them to recognize what trees they were studying and their characteristics.
Mola, creator of the Mola Structural Kit, is back at it with a second interactive structural kit aimed at changing the way people study and teach structures around the world. Mola sold over 4000 of their first kit across more than 50 countries in 2014, and now you can back the newest expansion on Brazilian crowdfunding website Catarse.
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Realrich Architecture Workshop's Brava Casa 99 Percent Sumarah was inspired by an Indonesian form of meditation centered on the philosophy of life. Sumarah is defined as a "total surrender," allowing the partial ego to give way to the universal self.
After 21 years of playing in St. Louis, the Rams are moving back to Los Angeles — and a new stadium will greet them. Slated to open in 2019, HKS's new LA Stadium will be the largest in the NFL (covering three acres) in addition to the home of the Los Angeles Rams. Beyond sports usage, the structure will also host a performing arts center and sweeping public gardens.
Dutch firm Studio Anne Holtrop has won the 2016 Challenge of The Time, an international architectural prize named by architect and artist Iakov Chernikhov. Now in its fifth iteration, the prize honors young architects up to 44 years old for the “best architectural project concepts that [feature an] innovative approach” and face “challenges to the future.”
Studio Anne Holtrop’s work varies from spatial temporary models and pavilions to extensive public buildings. For instance, over the past several years, the studio has designed the Museum Fort Behten near Utrect, and the National Pavilion of Bahrain for the EXPO exhibition in Milan, as well as for the Venice Biennale.
In October, the Harvard Graduate School of Design (Harvard GSD) hosted “Zaha Hadid: A Celebration,” an evening of presentations and discussion around the extraordinary work and life of the late Zaha Hadid. Six months on from Hadid’s sudden passing in March, the Dean of Harvard GSD, Mohsen Mostafavi, introduced the event as the appropriate time to focus on creative recognition and “an evening of incredible celebration and enjoyment.”
Cannon Design has unveiled its proposal for a mixed-use Cancer Hospital in Rio de Janeiro, Brazil. Originally envisioned as a “private hospital serving patients that can afford a high quality of health care,” the project transformed into a partnership between the public and private sector after preliminary feasibility studies determined the price of the site to be prohibitively high.
Thus, the project expanded to become a mixed-use complex with ownership shared between socially minded city government and private investors.
Seattle-based firm LMN Architects have won an Urban Land Institute (ULI) Global Award for Excellence for its Tobin Center for the Performing Arts in San Antonio, Texas.
“Designed by LMN Architects in partnership with executive architects Marmon Mok Architecture, the $150 million expansion and renovation project embrace the multi-faceted cultural identity of the city with a distinctive tapestry of form, materiality, light, and landscape" stated Mark Reddington, FAIA, lead designer and partner at LMN Architects.
Completed in 2014, the project incorporates a metallic veil that wraps program elements in programmable LED lighting, in order to create a variable play of light on the city’s skyline.
White Arkitekter has teamed up with the City of Stockholm to redevelop Södra Skanstull, a neighborhood characterized by obstructive overland infrastructure bridging the south of Stockholm to the island of Södermalm.
In order to reclaim these underused areas of the city, the revitalization project will create pedestrian and cyclist boulevards, as well as 65,000 square meters of space for culture, sports, and offices, 22,000 square meters for commerce, and 750 new apartments. The project will additionally identify, map, and upgrade existing facilities.
Architectural photographer Rod Edwards specializes in 360º virtual reality imagery and virtual tours of iconic buildings. Having spent the last decade producing this type of media, Edwards was recently commissioned by Visit Britain to shoot his “More London” project as part of the global campaign for the 2015 James Bond film “Spectre.”
Read on to see “More London” and more projects by Edwards.
In a comment to the Architects' Journal, Finnish architect Juhani Pallasmaa has expressed concern over the Guggenheim's plans to build a new museum in the city of Helsinki.
The project emphasises a consumerist and touristic view of art at the expense of the cultural and humane task of art. instead of strengthening local artistic traditions and practices, the project strengthens the already doubtful globalisation and commercialisation of art. The public funds could clearly be used in a more innovative and efficient manner to support Finnish artistic culture.
Pneumatic Vacuum Elevators, LLC has created a series of air-powered, space-saving, “plug & play” elevators designed to be easily installed into home environments.
Ranging from a single-passenger to a three-passenger, wheelchair accessible model, the elevators—called Pneumatic Vacuum Elevators (PVE)—are self-supporting, and do not require equipment rooms or other additional spaces above or below the shaft. Similarly, the elevators are completely enclosed and are not built into the framework of the home around them, and thus it can easily be relocated.
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