As part of the series of new urban developments sprawling up in Moscow, Zaryadye Park is the latest to open this month in a bid to improve the city’s green space. Commissioned by Moscow Chief Architect, Sergey Kuznetsov, an international consortium led by Diller Scofidio + Renfro in collaboration with Hargreaves Associates and Citymakers has designed this new public space that encourages integration and celebrates the amplitude of regions across Russia by artificially emulating each of their climates: the steppe, the forest, the wetlands and the tundra.
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The New Normal, a three year-long educational programme at Moscow's Strelka Institute of Architecture, Media and Design, is focused on "the opportunities posed by emerging technologies for interdisciplinary design practices." In this short essay, taken from a new book of the same name, course director Benjamin Bratton lays out the thesis behind the project.
Best known for the Rusakov Workers’ Club and his own house, Russian architect and painter Konstantin Melnikov (August 3rd, 1890 – November 28th, 1974) has only recently received his due, now more than forty years after his death. He spent much of the twentieth century shunned by the Soviet architectural establishment, having refused to capitulate to the increasingly conformist (and classicist) prescriptions of Stalinism. As a result, he was forced to end his career only a decade after it started, returning to his other avocation as a painter and leaving in his wake only a precious few completed works.
In this article, originally published by Strelka Magazine and translated into English by Alexandra Tumarkina, Anton Khitrov sits down with Julia Ardabyevskaya to analyse the urban environment and spectacular world that the blockbuster movie Ghost in the Shell creates.
Street Artist Misha Most have finished a gargantuan project – a 10,800 square meter mural set to be the world's largest in Vyska, Russia. The giant mural, titled “Evolution-2” covers the facade of the "Stan-5000" industrial complex from the oldest Russian manufacturer, Vyksa Steel Works. The mural project was chosen in the course of the "Vyksa 10000" open competition and is part of the ArtOvrag urban art festival curated by Sabina Changina and Russian creative studio Artmossphere. Artmossphere is known for curating various art projects, exhibitions, and festivals connected with street art with both established and upcoming street artists.
Bauhaus Houses, Eritrea's Capital and Ahmedabad's Walled City Among 20 Cultural Sites Added to UNESCO's World Heritage List
UNESCO’s World Heritage Committee, currently holding its forty-first annual session in the Polish city of Krakow, inscribed twenty new cultural sites on its World Heritage List, including the historic city of Ahmedabad in India, archaeological sites in Cambodia and Brazil, and a “cultural landscape” in South Africa. The Committee also added extensions to two sites already on the list: Strasbourg in France, and the Bauhaus in Germany. On the other hand, the historic center of Vienna was inscribed on the List of World Heritage in Danger as the Committee examined the state of conservation of one-hundred-and-fifty-four of its listed sites.
In LEVS Architecten’s newest development Forum City, the firm reinterprets Russian urban life in the center of its fourth-largest city, Yekaterinburg. The nine-building complex, developed by the Forum Group, curates its own metropolitan microcosm inside the larger urban area by combining residential, leisure facilities, and retail inside an archetypal city block.
Global sportswear brand Nike, in collaboration with urban planning consultants Strelka KB, has announced the winners of the competition to design a new Nike sports facility in Gorky Park, located at the heart of Moscow. The competition asked five of Russia’s leading young architecture studios – KOSMOS Architects, Rhizome, Novoe, Crosby Studios and Xора – to envision a “unique architectural object” that seamless integrates into the surrounding park environment, creating a landmark hub for sport and physical activity for Russia.
The Moscow government has just launched the biggest demolition program in the city’s history. Its goal is to get rid of 8,000 5-story residential buildings constructed in the Soviet era—it is probably the biggest program of erasure of modernist architectural heritage in world history. The main assumptions of the plan, as well as the press comments following it, show that we have forgotten what modernism was about, and what the real values of this architecture are.
With high hopes of contributing to the reformation of Russia’s secondary schooling system, construction has begun on Smart School, a planned 31,000 meters square educational complex in Irkutsk, Siberia, which combines multi-use educational facilities, outdoor learning spaces, and housing developments for adoptive families. Designed by Danish firm CEBRA, the project was the winning proposal for the school’s international competition back in 2015, beating 48 other firms, including MVRDV and Sou Fujimoto Architects.
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