Following an extensive day of presentations, panels, critiques, and talks The World Architecture Festival (WAF) has announced the Day 1 category winners in their 2018 programming. Winners are recognized in over 35 categories over the first two days of the conference, which culminates with the announcement of the World Building of the Year 2018 on the third and final day of the conference.
While still early days, the world’s largest architectural award program, the WAF Awards is poised for its biggest year yet, with a total of 535 shortlisted projects from 57 countries across the world.
https://www.archdaily.com/906741/the-2018-world-architecture-festival-announces-the-day-one-winnersAD Editorial Team
Oakland Baseball Stadium. Image Courtesy of Oakland Athletics / Bjarke Ingels Group
Bjarke Ingels Group, James Corner Field Operations, and Gensler have released new renderings of the new Oakland Athletics baseball stadium and surrounding development. The new stadium will replace the Oakland A’s existing 51-year-old Oakland-Alameda County Coliseum, which the A’s share with the Oakland Raiders football team. The mega-ballpark includes a waterfront “jewel box” stadium at Howard Terminal and would turn the current Coliseum site into a tech and housing hub.
The design of the USA Pavilion for the Expo 2020 Dubai has been revealed, designed by Curtis W. Fentress and Fentress Architects. Destined to represent more than 325million Americans, the pavilion seeks to “provide a unique platform for [the United States] to come together to showcase the very best of [their] cultural and commercial achievements.”
The pavilion is to be circular in form, with “slants fashioned to project a sensation of movement, making the viewer feel like the building itself is in motion.” The pavilion’s interior will showcase American innovation and technology, including the premiere of the Virgin Hyperloop One ride experience.
Lima-based architect Karina Puente has created a new series in her personal project: to illustrate each and every "invisible" city from Italo Calvino's 1972 novel. Her collection, which ArchDaily published in 2016, and again in 2017, consists of mixed media collages, drawn mainly using ink on paper, brings together a sequence of imagined places – each referencing a city imagined in the book.
Invisible Cities, which imagines fictional conversations between the (real-life) Venetian explorer Marco Polo and the aged Mongol ruler Kublai Khan, has been instrumental in framing approaches to urban discourse and the form of the city. According to Puente, "each illustration has a conceptual process, some of which take more time than others." Usually "I research, think, and ideate over each city for three weeks before making sketches." The final drawings and cut-outs take around a week to produce.
Puente’s work is set to go on display in the San Miguel de Allende, Mexico on the 2nd February 2019. You can learn more about the project from Puente’s official website here.
We are pleased to partner with the World Architecture Festival to bring you live streaming of each day's keynote addresses. On Wednesday, tune in for lectures from Peter Cook, Li Xioadong and an impressive group of speakers. Follow us on Instagram at @archdaily to see more updates from our team on the ground.
The greats of twentieth-century Colombian architecture were regarded for their genuine interest in brick. To this day, many of Colombia's iconic neighborhoods are filled with brick buildings.
Below, a selection of stunning Colombian brick projects —available in this My ArchDaily public folder as well.
Brazil Pavilion. Image Courtesy of Gabriel Kozlowski
Architect Gabriel Kozlowski has partnered with Gringo Cardia, Bárbara Graeff, and Tripper Arquitetura to design a structure of floating tree branches for the Brazil pavilion at Expo 2020 Dubai. The pavilion is inspired by one of the greatest technological achievements of Brazil: the improvement of the Direct Planting System over a straw. The design conceptually mimics this scheme through its layered arrangement - soil, an entanglement of protection, productivity - presenting itself as both a building and a symbolic image.
UNESCO and the International Union of Architects (UIA) have announced the launch of a “World Capitals of Architecture” initiative, seeking to create a “synergy between culture and architecture in an increasingly urbanized world.”
Cities designated as World Capitals of Architecture will become a global forum for discussion on the world’s most pressing challenges “through the prism of culture, heritage, urban planning, and architecture.” UNESCO and UIA will collaborate with local city organizations to organize activities and events promoting buildings, architects, planners, and related sectors.
https://www.archdaily.com/906675/unesco-and-uia-to-begin-designating-cities-as-world-capitals-of-architectureNiall Patrick Walsh
Kate Wagner grew up in rural North Carolina. As a kid, her mom, who never went to college, worked in a grocery store deli and later in childcare. Her dad had a steady government job with a pension, and his time in the military meant he had the resources and benefits needed to get a college degree. Wagner describes her economic background as “one foot in the working class and one foot in the middle class, and it was always a negotiation between those two classes.” They were, she says, “just normal-ass American people.”
New photography by Hervé Hôte has been released, showcasing the Frank Gehry-designed Luma Arles complex as construction continues in the French town of Arles. The arts center, situated on a former SNCF rail yard, will offer exhibition, research, education, and archive space within a 46-meter-tall, aluminum tile-clad tower.
Constructed from a concrete core and steel frame, the scheme emerges from a circular glass atrium echoing the town’s Roman amphitheater. The distinctive jagged form above the atrium echoes the region’s rugged mountain ranges, with glass boxes extruding from reflective aluminum panels.
https://www.archdaily.com/906664/frank-gehrys-jagged-aluminum-luma-arles-takes-shape-in-franceNiall Patrick Walsh
Perkins+Will’s Los Angeles studio has revealed a new dining hall and A-frame cabins for Camp Lakota, a campsite for the Girl Scouts of Greater LA. Located one and half hours north of the city in Frazier Park, the camp master plan proposal was made to create a camp of the future. Completed pro-bono by Perkins+Will, the aim is to support the Girl Scouts’ mission of empowering girls and young women. Perkins+Will reimagined the typical A-Frame layout and wanted them to be both practical and modern for the campers, but still a traditional tie-in to California cabin design.
Vilnius Multifunctional Complex. Image Courtesy of MAD Architects
MAD Architects have revealed their design for a multi-functional complex located in the historical center of Vilnius, the capital city of Lithuania. The project was designed as an "urban sculpture" where anyone can move between underground levels, walk-able roofs, porches and other sightseeing platforms. All public spaces are adapted for the city residents, so the complex benefits not only its users but also the citizens of Vilnius.
Nestled in the steep gorges and river valleys of Japan’s Tokushima prefecture is Kamikatsu - a small town seemingly like any other. But Kamikatsu, unlike its neighbors (or indeed, most towns in the world), is nearly entirely waste-free.
Since 2003 - years before the movement gained widespread popularity - the town has committed to a zero-waste policy. The requirements are demanding: waste must be sorted in more than 30 categories, broken or obsolete items are donated or stripped for parts, unwanted items are left in a store for community exchange. But the residents’ efforts over the years have paid off- nearly 80% of all the village’s waste is recycled.
With the exhibition closed, the organizers behind the Venice Biennale have released an impressive roundup of statistics related to the event, demonstrating the Biennale’s role as one of the most influential events in the architectural calendar.
https://www.archdaily.com/906536/half-of-the-visitors-were-under-26-the-numbers-behind-the-2018-venice-biennaleNiall Patrick Walsh
There's a certain rare feeling that all architects share once they leave school: they don't know what they know. Design? Not really. Technical details? You'll need a specialist for that. Can you build this from scratch? I still need some practice. So, what do you really know?
In this article, we'll share six skills that you learned as an architect that you probably aren't even aware of.
https://www.archdaily.com/906218/what-should-architects-be-good-atArchDaily Team
Architect Mayerlly Cuta along with the architect and visual artist Carlos Alberto Hernández founded Urban Sketchers Bogotá," a worldwide movement of drawing that promotes the practice of drawing in Bogota streets, capturing real-time life in the city.
From October 24 to November 9, an exhibition was held in homage to architect Rogelio Salmona. According to Cuta, they sought to commemorate the architect 11 years after his death by drawing his present works in the city of Bogotá. "As managers, we began to draw and promote his works. Later converting them into an exhibition. The Colombian Society of Architects and the Rogelio Salmona Foundation joined the project, leading to the Drawing to Salmona Call. This call brought together more than 100 people and collected more than 300 drawings that came from different cities in the country and the world."
There are many ways to solve the acoustic comfort of the interior spaces we design, using materials and solutions of different prices and appearances. Perforated cardboard gypsum boards are an economical and efficient option to incorporate into projects, absorbing the sound and reducing the noise level generated by the reverberation through different patterns and shapes.
Applied mainly in schools, offices, shopping centers, restaurants, lobbies, and hospitals, gypsum boards are easy to install and can deliver high-quality aesthetic results in ceilings and coatings.
In celebration of the launch, the studio is offering a new mixed pack of 50 diverse, high resolution cuts outs for free, normally priced at £100. Users can gain access to the offer using the discount code “BFARCHDAILY” on the cutout shop here during the purchasing process.
You can check out a selection of the cutout products below, or on the official website here.
https://www.archdaily.com/906206/a-library-of-high-resolution-cutouts-free-with-archdaily-discount-codeNiall Patrick Walsh
'Central Community Pavilion' was a response to an invitation to design a variety of temporary pavilions by different creators as a part of Arch Days CDMX and Design Week 2018. For the occasion, three up-and-coming architectural firms have joined forces to design and construct a single pavilion with a common theme. The design process between TO Arquitectura, LANZA Atelier, and Alberto Odériz reinforced the idea of a generation plagued with a certain collective curiosity and concern.
It's easy to feel overwhelmed by the massive production of architecture today. Scroll through ArchDaily for more than a minute and even we'd forgive you for losing track of it all. But what seems like an endless scroll of architectural production doesn't quite fit with the popular movements surrounding resource sharing and community.
Hidden among the mass production that has defined architecture in the last century is a germ - one that seems to be marching to the forefront of practice today. More and more designers seem to be taking on locally-focused and/or adaptive reuse works. Award shortlists today highlight not icons by recognizable names, but sensitive international works that are notable for their process as much as their product.
The common image of the architect may be of one obsessed with ego and newness, but practice today doesn't bear that out as much as it used to. This week's news touched on issues of reduction, reuse, and a radical rethink what architecture is in the 21st century.
https://www.archdaily.com/906505/this-week-in-architecture-reduce-reuse-rethinkKatherine Allen
Of Le Corbusier's five points of modern architecture (the ribbon window, free design of the façade and ground plan, a roof garden, and pilotis), pilotis are perhaps the most used element in Brazilian modern architecture.
CAA Architects have won first prize in the Maldives Airport Economic Zone competition. Their winning proposal, "Ocean’s Heaven" is a mixed use development made to embrace tropical culture and ocean systems with renewable energy structures in a living belt design. Facing global warming and rising sea levels, the project hopes to create a new model for sustainable development before the Maldives disappear from the world forever.
MAD Architects has unveiled images of their proposed panoramic viewpoint for the Fenix Warehouse in Rotterdam, commissioned by the Droom en Daad Foundation. The scheme represents MAD’s first public cultural project in Europe, which sees them tasked with uncovering the forgotten history of what was once one of the biggest warehouses in the world.
The viewpoint is to form part of a restoration project of the historic warehouse itself, to be led by Rotterdam-based Bureau Polderman. The scheme is situated on the site of one of the oldest Chinatowns in Europe, on the southern banks of the port of Rotterdam.
https://www.archdaily.com/906500/mad-architects-design-panoramic-viewpoint-for-historic-warehouse-in-rotterdamNiall Patrick Walsh
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