For centuries the population undertook great efforts to materialize the worship to their gods. Some examples are offerings, rituals, monuments or buildings, depending on their culture. The construction of churches was very important for the development of architecture. Every project took the constructions systems and technology of that time to its limit, generating suggestive spaces which transcended religions.
Rome, the crib of occidental civilization, witnessed multiple religious constructions along history. The juxtaposed layers throughout history include the first temples of the Roman Empire such as the Pantheon, to current Christian churches like the St. Peter´s Basilica, among others. Each building
This November, the Manetti Shrem Museum on the University of California, Davis, campus opened to the public. Designed by New York City–based SO-IL with the San Francisco office of Bohlin Cywinski Jackson, the museum pays homage to the agricultural landscape of California’s Central Valley with an oversize roof canopy. The steel members of the 50,000-square-foot (4,650-square-meter) shade structure, nearly twice the size of the museum itself, reference the patterning of plowed fields and create a welcoming outdoor space for visitors. It is both expressive and practical, but getting that balance wasn’t easy.
SO-IL, founded by Florian Idenburg and Jing Liu in 2008, has a portfolio filled with smaller projects, installations, and exhibition-related work. The Manetti Shrem Museum is easily the firm’s largest work to date, demanding a rigorous design-build process while maintaining a strong conceptual vision. In short, it required architecture.
This reconstruction is primarily of language. The architects draw from archives—mental, digital or printed on paper—distant from the typical parametric and highly schematic rationales that characterized the last thirty years of design in architecture. Within the theoretical system that drives architectural composition, these archives inevitably become homages, references, and quotes.
Harvard University GSD's Wheelwright Prize is a $100,000 travel-based research grant available to early-career architects worldwide. With an open competition process, the Wheelwright Prize recognizes the importance of field research to professional development, and reinforces Harvard GSD’s dedication to fostering investigative approaches to contemporary design.
Ierimonti Gallery New York is pleased to present Re-Constructivist Architecture, curated by Jacopo Costanzo and Giovanni Cozzani with Giulia Leone and promoted by the Scientific Technical Committee of Casa dell'Architettura in collaboration with Consulta Giovani Roma. The exhibition will feature the work of thirteen international emerging architecture firms, aiming to portray a generation of architects born in the ‘80s: a countertrend that tries to recover a debate lost years ago and obstructed by a cumbersome star system.
ARKxSITE is pleased to announce the SITE DWELLING international architecture ideas competition for architecture students and young architects.
The SITE DWELLING, located on the cliff of the bay, in the village of Salir do Porto, Portugal, aims to create a secluded destination, a place of retreat to engage with the landscape while providing shelter from the natural elements. This is a place to stay and inhabit for a few days, offering visitors a unique experience in a very special setting; visitors must leave the space as they found it, empty.
The series will start next Friday, and the lectures will be every month up to June 2017 in Rome, at Casa dell’Architettura. The participants - all born in the Eighties - will be paired in couples, in order to obtain an interesting dialogue in each and every meeting.
Next Step Program is a new program for emerging design talent in architecture. The initiative by BNA International (Netherlands) and developer SYNCHROON strives to give young designers the opportunity to make a next step in their careers.
The Bauwelt Award (consisting of 6 awards of 5000 Euros each), awarded this year for the 10th time in cooperation with Messe München, applies to all categories of “First Work” – from the interior design of shops and stores to prototypal constructions, from public housing projects to the restructuring of a public space and to temporary interventions - and a not-yet-realized project with socially relevant approach for the advancement award (award optional). Qualified for submission is every first work the submitter has realized on his or her own responsibility and which has been completed after September 30th, 2013.
Initiated by The Interior Directory, TID Excellence Awards 2016 is going to be the most significant student design competitions in the world. The competition features three categories: Architecture, Furniture Design and Interior Design. The Interior Directory serves as a global platform for architecture, design , interiors and latest in technology. TID Excellence Awards have been initiated to provide boost and incentive apart from name and fame to our future architects and designers.
Center for Architecture is proud to present the return of Guess-A-Sketch, a lively evening where architects, architecture enthusiasts, and young professionals gather for an architecture-themed, pictionary-style tournament. Charles Renfro, AIA will host the evening as Master of Ceremonies. Honoree sketchers draw iconic buildings as battling teams guess to win. Enjoy libations and hors d’oeuvres served all night. Audience members are encouraged to play by tweeting their guesses.
Seoul Metropolitan City is holding ‘Young Architects’ Competition 2016: Parking Lot Cultural Space Creation’ to provide design participation chance for domestic and international young architects to promote architecture service industry and discover and nurture outstanding designers. In order to extend participation of rising architects, only architects under the age of 45 (who was born after Jan 1, 1971) can enter this design competition.
This international one-stage architecture competition invites all architecture students, young architects and young professionals with a degree in architecture studies (≤ 40 years old) to develop and submit compelling ideas for the design of a Site Gallery located near the River Tower (Torre do Rio) in the bank of the Guadiana River and adjacent to the fortified walls of the village of Mértola, Portugal.
With a population of 3.4 million inhabitants, Berlin is the largest city in Germany and one of the major enclaves of power and culture in Europe. The division of the city during the Cold War doubled the cultural offer. Two theaters, two philharmonic and two stadiums were built generating a great amount of establishments that after the unification enrich the collective culture. Berlin is the cultural capital of the country by excellence. Despite the atrocities it suffered in the past, the city is known for its religious tolerance and multiculturalism. Today the city coexists exemplarily withdifferent religions and cultures from
As one of the first organizations to implement a regular award for young architects, The Architectural Review has had its eye on youth for over a decade and a half. But with awards, exhibitions and media coverage of those conspicuously labeled as "Young Architects" proliferating in the years since, has the concept now been co-opted by those who merely seek to monetize and exploit architecture's most precarious practitioners? In this polemical article, originally published by The Architectural Review as "The problem with 'Young Architecture'," AR Assistant Editor Phineas Harper and Phil Pawlett Jackson unpick how the cult of "Young Architecture" has been absorbed into the profession, with potentially harmful ramifications.
When the romantic notion of the architect as auteur, a high priest in the cult of culture, is married to the virginal myth of untainted youth, a potent marketable commodity is brewed: the "Young Architect". All but invisible when the AR launched its Emerging Architecture prize at the end of the 20th century, this breed is now celebrated in numerous awards, exhibitions and published collections. But beware the cult of youth − there is a broad landscape of risks as well as opportunities facing designers who choose this identity willingly or have it thrust upon them.
http://www.archdaily.com/606167/why-young-architecture-is-a-detriment-to-the-professionPhineas Harper & Phil Pawlett Jackson
We just got the news that MOS Architects won the competition to build a temporary installation at MoMA´s P.S.1 during this summer.
For this competition the P.S.1 invites each year a group of emerging architects to experiment with new shapes and materials, as Work AC did last year with their PF1 project.
MOS project is entitled Afterparty, a design that Micheal Meredith and Hilary Sample (MOS partners) say is meant to honor and reflect current economic realities, by using basic materials. The main structure is a lightweight aluminum frame using recyclable parts which require minimal assembly, which will become a landmark for the neigborhood – all this on a USD$70,000 budget.
I spoke with Michael a few minutes ago and he refered to the name of the project: One thing about the “Afterparty,” as we’re calling it, is the need to look for new promiscuities after the party of a sort of high-formalism which has dominated academic discourse, and in our case it’s with the basic structural arch geometries, rough almost singular materiality and the production and interaction of “environment,” (literally cooling down the courtyard through stack effect) looking towards a more primitive state of architecture. – (See afterparty definition on Wikipedia).
The project is still under development, and we´ll keep you posted on further updates. We´ll try to do a good coverage on this as we did last year.