In this interview with Daniel Libeskind, originally featured on Metropolis as Q&A: Daniel Libeskind on Italy, Product Design, and the State of Architecture Today, Paul Clemence talks to Libeskind about his perspective on Italian culture, its influence on his career, and his most recent foray into product design.
When you talk to Daniel Libeskind, no single question has a simple answer. From his days as a young musical prodigy (he played the accordion) to his directorship at Cranbrook Academy, not to mention his voracious passion for literature, the fascinating episodes of his life all come together, informing his approach to design and architecture. His career path is an unusual one. And while that is true for many architects, his is particularly interesting, where each twist and turn, no matter how ostensibly disconnected, seem to have always prepared him for his next step. Take his two highest profile jobs, the Jewish Museum in Berlin and the master plan for Ground Zero. The two are intrinsically linked—the museum’s official opening to the public in 2001 was originally scheduled on September 11. The project had taken 13 years of political maneuvering to realize. Similarly, Libeskind’s World Trade Center site master plan was marred by a decade of delays and alterations, which threatened to blot out his original design intentions. One monumental task after the other, eerily similar in challenging circumstances, both offering the architect a rare opportunity to helm projects richly entrenched in emotion, symbolism, and historical significance.
Now as his career moves beyond these two important projects, the architect’s connection to Italy is beginning to play a pivotal role in his work. He moved there after his time at Cranbrook, when he was looking for new career challenges. Libeskind has been back in America since he was commissioned the Ground Zero project, but he recently opened up a studio in Milan, where he, his wife, and son oversee the firm’s forays in product design.
I caught up with Libeskind at his Lower Manhattan office overlooking Ground Zero to talk about Italy and his involvement in upcoming design fairs there, Milan Design Week and the Venice Architecture Biennale.
The Herzog & de Meuron designed Parrish Art Museum in Long Island, NY is captured here by brazilian photographer Paul Clemence from Facebook.com/Archi-Photo. This photo gallery very elegantly emphasizes the building’s delicate placement on the landscape as well as its natural surrounding beauty of which the architects took their inspiration. Clemence also captures the project’s moment of outdoor shelter that surrounds the building to emphasize the importance of the site and its interaction with the art within.The full photo gallery can be viewed after the break.
New York-based architectural photographer Paul Clemence has shared with us recent images and his thoughts on Massachusetts College of Art and Design’s new student residence hall that is being constructed in downtown Boston. The 21-story, $61 million building is planned for completion this year.
Boston is not particularly known as a destination for trendy, contemporary architecture; but some new buildings are beginning to change that perception. From Diller Scofidio Renfro’s Institute of Contemporary Art to Norman Foster’s new wing at The Museum of Fine Arts to the recently completed Renzo Piano addition to the beloved Gardner Museum, the city’s urbanscape is getting a much needed updating. And now, a soon to be finished bold new project by the firm ADD Inc is bringing a colorful twist to the mix. They are the designers behind the new MassArt Students Residence Hall.
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MY- AMI, A virtual and digital exhibit of architectural photography by Paul Clemence, has been extended to be on view until January 17th as part of the Design into Miami event, which started in November. A look at Miami’s unique urban landscape can be seen through Clemence’s refined eyes.
From the mundane to the exquisite, from “starchitects” to ” anonymous”, from glamourous Lapidus to cutting edge Herzog & de Meuron and contemporary Arquitectonica and Chad Oppenheim. From dyzzing glass atriums to swimming pools ( a most Miamian architectural “equipment” ), Clemence gives us his take on how he perceives the city. The photos selected for the show speaks of details, of moods and brings us a feel of what is to be in that constant evolving, cosmopolitan, creative and liberating city, its colors, its shapes and even a little splash.
The exhibit will be partially in display at the RS showroom and continuing online at here. More images after the break.
Architecture + Art merging via photography, by Paul Clemence, are a collection of photographs at the exhibit, “BOOM (Design) Contemporaneo” taking place from August 29th to October 10th in Sao Paulo, Brazil and is free to the public.
Zaha Hadid, Paul Clemence, Milano, Design, Massimiliano Fuksas, Frankfurt, Shopping, New York and Art are all converging in this one place via Paul Clemence’s photography at BOOMSPDESIGN 2011. More information on the exhibit after the break.
This building is almost complete, and it has a strong presence from across the river, or when seen from the High Line. I remember that a month ago, I was looking at it from the High Line and a lady next to me said “how old is that building?”. Despite the fact of its high tech curtain wall, using 1647 different window panels, the building looks ancient, almost like a left over from the old waterfront.
The variation of the windows is not only on their size, but also the inclination and the glass tint, giving this building a unique facade.
More photos after the break: