The competition developed within the framework of the II Encuentro Espacios Vesto, and it forced participants to consider a simple, low-cost assembly that could be self-constructed and expanded according to the needs of the users. In addition, each project had to consider self-supporting furniture that didn't require support holes on the walls to preserve the acoustic insulation of the dwellings.
With the aim of raising awareness and expanding knowledge about the advantages of wood in the built environment, reThink Wood has created an online library that collects a series of articles, reports, studies and videos that can be freely accessed right now.
Here we have 5 outstanding resources related to fire safety, which can help you solve this issue on your next project.
http://www.archdaily.com/869687/5-online-resources-for-learning-how-to-protect-wooden-buildings-from-fireAD Editorial Team
What's behind our current obsession with all things Superheroes, from the Marvel and DC comics spinoffs for TV and Film, to the more eccentric offerings on Netflix from the Wachowski’s Sens8 to the cosmic supernature of The OA? Critics see the classic superhero expressing the desire to re-establish order in the face of chaos (Batman/Joker) but some of our more recent superheroes are about the power of change, of remaking the world through a kind of ‘superempathy’. The power of the superhero depicted as an eccentric group of people reskilling with new forces and energies – think the aerobics-physics of The OA which invents and designs a new collective body and superpower and the transcultural/transtemporal superempathy of Sens8.
Something of this otherworldly capability of the new wave of superheroes is tangible at SuperMaterial exhibition at The Building Centre in London. It's about materials and the built environment, how these SuperMaterials will radically transform our relationship to the world around us through the superpower of material empathy, either adapting and changing to the environment, or being so efficient to produce and upcycle that they diminish the need to lay waste to the environment in the extraction of resources.
With the intention of maximizing available space and avoiding steep construction costs, researchers from ETH Zurich’s Department of Architecture have devised a concretefloor slab that with a thickness of a mere 2cm, remains load bearing and simultaneously sustainable. Inspired by the construction of Catalan vaults, this new floor system swaps reinforced steel bars for narrow vertical ribs, thus significantly reducing the weight of construction and ensuring stability to counter uneven distributions on its surface.
As opposed to traditional concretefloors that are evidently flat, these slabs are designed to arch to support major loads, reminiscent of the vaulted ceilings found in Gothiccathedrals. Without the need for steel reinforcing and with less concrete, the production of CO2 is minimized and the resulting 2cm floors are 70% lighter than their typical concrete counterparts.
In celebration of the inaugural Melbourne Design Week, which took place in March 2017, Chilean design studio Great Things to People (gt2P) presented their Catenary Pottery Printer, aimed at exploring the boundaries between digital and analog machines. Throughout the design festival, local designers and students used the pottery printer to create their own custom works, with visitors welcomed to watch the craft in action.
Following the success of their highly intricate Arabesque Wall, Benjamin Dillenburger and Michael Hansmeyer have once again achieved new levels of ornamental eye candy – this time, with a full-scale 3D printed grotto created from seven tons of sandstone. Commissioned by the Centre Pompidou in Paris, the grotto is an example of how the spatial expression of computational technologies can make for remarkable architectural experiences.
“Digital Grotesque II is a testament to and celebration of a new kind of architecture that leaves behind traditional paradigms of rationalization and standardization and instead emphasizes the viewer’s perception, evoking marvel, curiosity and bewilderment,” state Dillenburger and Hansmeyer.
A multidisciplinary design study by J.Roc Design, based in Boston, has developed a proposal using wood to restore value to an underused rooftop at the southern end of the city.
In order to accommodate a series of different activities, which required a wide variety of furniture, and therefore a considerable reduction of space, a subtle treatment was made to the flat surface of the roof creating distinct spaces that could be used for sitting, resting and entertaining.
A thorough architectural response towards the growing problems of population, climate, and urban migration is currently on display at the Danish Architecture Centre in Copenhagen, in the form of the upcycled Wasteland exhibition. Curated by Danish architecture firm Lendager Group, the exhibits shown in Wasteland are filled with raw materials, processes, experiments and methods, backed up with a long list of shocking facts about our effects on planet Earth: over 2 million tons of CO2 have been emitted globally this year; over 3.3 billion tons of resources have been extracted from the earth globally this year; over 127 million tons of waste have been dumped globally this year—all totalling a cost of over $14 trillion USD resulting from our failure to act on climate change. These are the live statistics (as shown at the time of ArchDaily’s visit last Friday) which confront visitors in the first room of the exhibition space. They provide context for what is to follow.
Over the years, one unique tradition has been growing among architecture students: building a pizza oven. To help maintain this tradition, we decided to share this small guide for a 1.20m diameter mini-oven. Follow these easy steps and quick tips to build your own crust-worthy oven.
http://www.archdaily.com/867598/build-your-own-pizza-oven-the-crust-worthy-guide-you-didnt-know-you-kneadedEquipe ArchDaily Brasil
Dutch firm Mecanoo has partnered with furniture manufacturer Gispen to create a new collection of modular and customizable furniture geared specifically towards creating variable working and learning environments. HUBB has been designed to adapt to a range of working requirements and scenarios, seamlessly accommodating different collaborative activities and individual work preferences.
In recent years, timber construction has surpassed its previous limit of two or three stories to create buildings of much greater height. This is not only due to wood's intrinsic strength, stability, and flexibility, but also to a number of new technologies that have further increased its performance, including cross-laminated timber (CLT), nail laminated timber (NLT) and glued laminated timber (glulam).
In order to inform architects, engineers, developers, industry professionals, students, and other interested parties, reThink Wood has launched the reThink Wood Research Library, an online and open resource that will be updated frequently with information about the latest product and timber construction systems around the world, as well as showing where there are gaps that could be covered in the future.
In order to support the design work of our readers, the company Teka has shared with us a series of .DWG files of its various kitchen products. The files include both 2D and 3D drawings and can be downloaded directly from this article.
Download the objects below, which have been separated into the following categories: drop-in sinks, built-in sinks, undermount sinks, built-in ovens, faucets, stoves, extractor hoods, and refrigerators.
In a prototype developed for the 2016 London Design Festival, Arup Associates designed The Circular Building, one of the first buildings in the UK built to satisfy Circular Economy principles, in which “all components need to be implemented and utilized to their full potential and to the duration of their life cycle, while creating a comfortable and aesthetic environment for the user.”
In order to achieve these goals, designers and engineers worked together to refine the application of prefabricated construction techniques, producing details that utilize finely tuned engineering rather than mechanical fixings. Through this methodology, the team was able to create a low-waste, self-supporting, and demountable structurally integrated panel (SIPs) wall system (which used cladding provided by Accoya) with reusable clamp connections between the wall and recycled steel frame elements, as well as sustainably sourced, heat treated timber for the cladding and decking.
A team of architects and engineers at the Politecnico di Milano in Italy have unveiled Atropos, a six-axis robotic arm capable of printing continuous fiber composites. The one of a kind robot was developed by +Lab, the 3D printing laboratory at the Politecnico, who have taken inspiration from fibres found in the natural world. Through a technology known as Continuous Fiber Composites Smart Manufacturing, Atropos has the potential to create large, complex structures to aid the design and construction process.
With these questions in mind, Cast & Place was conceptualized as a pavilion made entirely from waste. 300,000 recycled aluminum cans, cast into the cracks of dried clay, will form structural panels that assemble into shaded spaces for performance and play.
The MIRAGE series is made up of concrete handles, knobs, and robe hooks, all of which aim to create character through light and shadow. Some of the pieces, with a zigzag pattern, are meant to reduce the heaviness of the concrete material, making it seem light and delicate, while other pieces are meant to express a sense of solidity.
This article is part of our new series "Material in Focus", where we ask architects to share with us their creative process through the choice of materials that define important parts of the construction of their buildings.
The architecture of Casa 28 shows itself as an extension of the arid and exuberant landscape of the Cerrado. A variety of perspectives unfolds as you walk through the house. A family looking for tranquility and connection with nature commissioned this urban refuge located 10 minutes from the National Congress in Brasilia. The elements have different heights that confirm a spatial hierarchy. Extensive walls, coated with polymeric mortar, define fluid spaces and openings placed in all directions integrate cohabitating areas. We talked with architect Samuel Lamas from Equipe Lamas to learn more about the choices of materials used in the project and the influence these choices had on the design concept. Read the interview below: