Architects: Cafer Bozkurt Architecture
Location: Tophane, 34200 Beyoğlu/İstanbul, Turkey
Project Team: Sibel OZKARS, Architect, Defne BOZKURT, Architect, Archaeologist, Hasan YIRMIBESOGLU, Architect, Vedat KAYA, Draughtsman
Area: 935.0 sqm
Photographs: Cengiz KARLIOVA, Ahmet ERTUG, Oguz MERIC, Ergin IREN, Sibel OZKARS
Architects: Kreatif Architects
Location: Piri Reis Üniversitesi, 34940 Tuzla/istanbul/İstanbul, Turkey
Architectural Design: Kreatif Mimarlik
Design Team: Aydan Volkan, Selim Cengic, Onur Arat, Aysegul Kapisiz, Nihat Kalfazade, Ufuk Berberoglu, Erhan Ilicali
Area: 60000.0 sqm
Photographs: Yercekim Photography-Omer Kanipak, Cemal Emden, Yercekim Photography-Orhan Kolukisa
GAD Architecture has installed their latest sculptural design, Serra Gate, in Istanbul’s Taksim Square, just in time for Istanbul Design Week. Named after the minimalist sculptor whose work inspired the design, the Serra gate’s steel form was created using cutting edge technology. The sinuous curvature was conceived through the software “Mathematica,” and was modeled using the latest 3D printing technologies.
GAD Principal, Gokhan Avcioglu, had this to say: “We are delighted that Serra Gate has been featured in Taksim, one of the most important squares of Istanbul. Being a ground-breaking structure, Serra Gate will make the residents of Istanbul question how public spaces have been defined by urban interventions.” Serra Gate will be displayed in a variety of venues throughout the year 2015. See pictures of this amazing structure, after the break.
Istanbul Modern has announced five finalists to compete in the 2015 Young Architects Program (YAP). Now in it’s 2nd edition, the competition will challenge a group of emerging architects to design a temporary installation within the confines of Istanbul Modern’s courtyard that will host a series of events and visitors throughout the summer of 2015.
The 2015 shortlist includes Ali Sinan & Hasan Okan Çetin (Ankara), Architecture for All (Herkes İçin Mimarlık, Istanbul), FLAT C (Selim Bayer & Bulut Cebeci, London-Istanbul), PATTU (Cem Kozar & Işıl Ünal, Istanbul) and Young & Ayata (Michael Young & Kutan Ayata, New York).
YAP Istanbul Modern is part of the YAP International competitions carried out at MoMA PS1 in New York, the National Museum of XXI Century Arts (MAXXI) in Rome, CONSTRUCTO in Santiago, and the National Museum of Modern and Contemporary Art (MMCA) in Seoul.
New images have been released of Istanbul‘s new airport, designed by Grimshaw, Nordic Office of Architecture and Haptic Architects, assisted by local Turkish Partners GMW Mimarlik and Tekeli Sisa. Projected to be the world’s largest airport terminal under a single roof at almost one million square metres, the new airport is expected to serve 90 million passengers a year on the opening of the first phase, rising to 150 million a year after completion in 2018.
As the culmination of a 14-month initiative to examine new architectural possibilities for rapid growth in six megalopolises – Hong Kong, Istanbul, Lagos, Mumbai, New York, and Rio de Janeiro – the Museum of Modern Art is preparing to open Uneven Growth: Tactical Urbanisms for Expanding Megacities on November 22. The exhibition will present mappings of emergent modes of tactical urbanism from around the globe alongside proposals for a bottom-up approach to urban growth in the highlighted cities by six interdisciplinary teams made up of local practitioners and international architecture and urbanism experts.
Curator Pedro Gadanho, in collaboration with the Austrian Museum of Applied Arts (MAK), states:
“The exhibition features design scenarios for future developments that simultaneously raise awareness of the prevailing inequalities in specific urban areas and confront the changing roles of architects vis-à-vis ever-increasing urbanization. Each team in the exhibition was asked to consider how emergent forms of tactical urbanism can respond to alterations in the nature of public space, housing, mobility, spatial justice, environmental conditions, and other major issues in near-future urban contexts.”
A synopsis of each team’s work, after the break.
Architects: Tabanlıoğlu Architects
Location: Yenişehir Mh., Osmanlı Bulvarı No:7, 34912 İstanbul/Istanbul, Turkey
Architect In Charge: Murat Tabanlıoğlu & Melkan Gürsel Tabanlıoğlu
Design Team: Murat Cengiz, Çağrı Akay, Seray Öztürk, Selçuk Güllü, Gökhan Çatıkkaş, Aybala Öz, Ayşe Sevig, Mine Alsinevi, Kaan Keleş, Melis Selis
Area: 55359.0 sqm
Photographs: Murat Germen , Thomas Mayer
Earlier this year, Emre Arolat Architects completed their Sancaklar Mosque, “a simple cave like space” in Istanbul which through its humble exterior forms and emphasis on connection to nature, offers a “dramatic and awe inspiring place to pray and be alone with God.” Over a period of 24 months, SGMStudio (Sarraf | Galeyan | Mekanik) documented this work, as the elements of the mosque gradually emerged from its steel rebar framework. “While recording the progress of the construction throughout passing seasons, the film aims to portray the building’s existence within nature and its percept of space with the sensibility of the structure it purposes to narrate,” say SGMStudio. Set to dramatic backing music, “the film dwells on the tension between the technical and engineering-centric implementation and humble and tranquil art of building with its pacing.”
Location: Bereketzade Mh., Büyük Hendek Caddesi No:50, 34200 Beyoğlu/Istanbul Province, Turkey
Design Team: Orkun Beydagi, Cibeles Sanchez Llupart, Leo Pollor, Begüm Öner
Architecture And Urban Design: SANALarc, Murat Sanal, Alexis Sanal
Area: 30000.0 sqm
Photographs: Olivve Wimmer
As part of CNN’s Leading Women series, Sheena McKenzie explores the work of Turkish architect Zeynep Fadillioglu - perhaps the first female architect to design a mosque, now on her third. In buildings where men and women are traditionally separated for worship, and women are often given a smaller space, Fadillioglu “purposely placed the women’s section in one of the most beautiful parts of the light-flooded dome” in Istanbul’s Sakirin Mosque. McKenzie concludes that although “Fadillioglu might have made a name for herself designing mosques, you don’t needn’t be religious to admire their beauty.”
A mosque isn’t for a certain type of person, or certain type of area. It’s supposed to be used by anyone and everyone.
Read the article in full here.
The Turkish Council of State has ruled that the OnaltiDokuz Residence, a trio of towers between 27 and 37 stories tall in Istanbul‘s Zeytinburnu district, must be demolished in a landmark ruling that could have major ramifications for the country’s planning system.
As reported by Oliver Wainwright in the Guardian, the Turkish Council of State ruled that the development “negatively affected the world heritage site that the Turkish government was obliged to protect,” possibly in reaction to comments made by UNESCO in 2010, who threatened to put the city on its list of endangered world heritage sites.
Read on after the break for more on the ruling
With no casualties, last week’s fire at the Glasgow School of Art, which caused significant damage to parts of the building and gutted Charles Rennie Mackintosh‘s canonical library room, will be remembered as a tragic event that robbed us of one of the best examples of Art Nouveau of its time. The intention of the Glasgow School of Art is to restore the building in the hope that in generations to come, the fire will be all but forgotten, a strategy which has been largely well received by the profession.
However, in the case of other fires things have not gone so smoothly: for millennia, fire has played a big role in determining the course of architectural history - by destroying precious artifacts, but often also by allowing something new to rise from the ashes. Read on after the break as we count down the top 10 fires that changed the course of architectural history.