Following the success of the inaugural HOUSE VISION Tokyo in 2013, the exhibition is set to return again this summer under the theme of “Co-Dividual: Split and Connect / Separate and Come Together.” Once again curated by Kenya Hara, designer and creative director for minimalist housewares retailer Muji, the month-long event will tackle the objective of “thinking about how to create new connections between individuals,” as well as build upon the topics explored by its previous edition, namely the ways in which Japanese housing can adapt to recent demographic, technological and cultural shifts, and the vision of the house as the intersection between industries.
This year’s exhibition will feature house designs by top Japanese architects such as Sou Fujimoto, Kengo Kuma, Shigeru Ban and Atelier Bow-Wow, each paired with a leading company to envision and implement new strategies in housing design. The houses will be constructed at full-scale, allowing event-goers to fully experience and reflect upon each design.
The Bavinger House is considered by many to be the crowning achievement of Bruce Goff, an esteemed architect who was once referred to by his mentor Frank Lloyd Wright as one of the few creative American architects. Its spiraling form and integration with the landscape was one of the first instances of modernist bio-mimicry.
But despite the enormous traction, with seemingly impossible features like a clifftop, glass-bottomed swimming pool, the project still seemed to be destined for "paper architecture" status. Yet fast forward to today and the house has (incredibly) found a willing client, and is about to break ground on construction. How did this happen, and what takes architecture from viral sensation to real-life construction project?
Most residential projects must include parking spaces, but only few cases are notably innovative. Your vehicle's resting place can be more than just a required space; it may even become the backbone of the design itself.
The integration of parking, interior spaces and facades can deliver extremely intriguing and unique results.
Here we present 8 cases in which the humble parking space has assumed a main role in the design, while integrating new functions such as exhibition spaces, or structural features and versatile technology.
Tucked away on a 1.3 acre lot, this house in Los Altos, California was renovated by Bart Prince -- transformed from a rectangular cabin into an eclectic combination of forms, inspired by the owners, Dale and Margo Seymour’s, love of math, art and geometry. The newly built structure is composed of steel and glulam, creating angular forms with generous glazing to create open, day-lit spaces. To navigate the California law that glass cannot be installed in non-vertical positions, an acrylic substitute was used for many of the home’s irregular windows.
There is perhaps no better display of modern architecture’s historical victory than Jacque Tati’s film Playtime. In it, a futuristic Paris has left-for-dead the grand boulevards of Haussmann, in favor of endless grids of International Style offices. The old city is reduced to longing reflections of Sacré-Cœur and the Eiffel Tower in the glass of these shiny new monoliths. But the irony central to the film is that this construction is created through mere surface treatments, and as the narrative unfolds, cheap mass-production withers in a world where the veneer has triumphed over craftsmanship and polish. In short, Modernism hasn’t always been all it's cracked up to be.
In the Museum of Modern Art’s new exhibition, "Endless House: Intersections of Art and Architecture," the simplicities of mass-market modern homes are abolished by artists and architects who, in examples from the 1940s to the present, have chosen to use the dwelling as a platform for universal messages and as an arena for architectural experimentation. In the same way that photography freed painting from the terrestrial concerns of realism, the simplicity of modernism liberated artists and architects to subvert extant conventions of buildings.
With a nuanced approach to site and purpose, the projects of Eduardo Cadaval & Clara Solà-Morales are geometric abstractions that are strong without being aggressive, and alluring without being indelicate. In a new documentary on their work, "Cadaval & Solà-Morales / Synthesis and Containment," the architects explain their history and process with commentary that is interspersed by tours of their most lauded projects, and validation of their work by peers. Juan Herreros, Founder and Director of Estudio Herreros, characterizes the architects as not heroic or epic, but as with ballerinas, practice makes the impossible look easy. Josep Luis Mateo, Founder & Director of Mateo Architectura, extols, “one can understand their work by itself, without having to recall their references.”
Focused on family housing, the highlight of contemporary Czech architecture, the exhibition presents 33 exceptional designs by 33 architectural studios offering an insight into contemporary Czech architecture and urbanism. Showing a wide range of approaches to individual housing needs including large and small houses; new projects and renovations; houses in the countryside, in dense urban centres and in suburbia; made of concrete, wood, bricks or steel; in modern, abstract, or traditional styles distinctive, subtle or introverted, the exhibition demonstrates the continuous increase in the quality of Czech architecture since the fall of Communism in 1989, capturing the developments in architecture within the context of significant political and social change.
Chinese company ZhuoDa has assembled a two-story home in record speed; the modular house, comprised of six 3D printed modules, was assembled on-site in less than three hours. Likened to LEGO, the prefabricated home was 90 percent built off-site before its components were shipped to its permanent location. As Inhabitat reports, the home only took about 10 days to complete from start to finish.