The first phase of Skidmore Owings & Merrill (SOM) and Renzo Piano Building Workshop‘s (RPBW) expansive Manhattanville Campus plan for Columbia University is making significant progress; completion is nearing on a highly-anticipated portion of the project – RPBW’s LEED platinum Jerome L. Greene Science Center, which is scheduled to open in Fall of 2016 just six miles North of the practice’s soon-to-open Whitney Museum.
More on the mixed-use structure after the break.
DesignIntelligence has released their 2015 rankings of the Best US Architecture Schools for both undergraduate and graduate programs. Over 1,400 professional practice organizations were surveyed and asked to respond to the question: “In your firm’s hiring experience in the past five years, which of the following schools are best preparing students for success in the profession?” In addition, more than 3,800 architecture, landscape architecture, interior design, and industrial design students were also surveyed about their education, in data presented separately from the rankings.
However, perhaps more enlightening than the ranking itself are the firms’ responses to several additional issues raised in the report. For example, 54.6% of the firms surveyed selected sustainability and climate change as the professions’ biggest concern, while maintaining design quality was a close second. Firms also provided insights on the most important qualities of new graduates entering the workplace, with an overwhelming 70.1% selecting attitude/personality as the most important attribute.
Read on after the break for the Top 10 undergraduate and graduate programs.
The relationship between immortality and architecture is ancient one. Writing in The New Yorker, Alexandra Lange discusses the past and future of cemetery design in relation to a new exhibition on display in New York. Featuring a selection of 1300 individual mausoleum designs stored in Columbia University’s archives, Lange notes how “patrons weren’t picky about originality. In the late nineteenth century, memorial companies might just bring back a shipment of angels from Carrara to be distributed among future clients.” These “rural estates in miniature” eventually gave way to more contemporary designs which dabbled in Realism and Cubism. What will the people of today house their remains in? For Lange, “the design we take personal pleasure from everyday is now less likely to be architecture and more likely to be an interface.” Read the article in full here.
House Housing is the first public presentation of a multi-year research project conducted by the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University. Situated in the Casa Muraro in Venice and staged as an open house, the exhibition responds unsolicited to the proposal by Rem Koolhaas, curator of the 14th International Architecture Exhibition, that architecture focus on its “fundamentals.”
According to the organisers, “House Housing replies by considering architecture’s economic fundamentals, which locate housing at the center of the current economic regime, with the United States as an influential node in a transnational network. In architecture, economic fundamentals are built from the ground up. The laws of real estate—relating to the acquisition of land, the financing of construction, the cost of building maintenance and services, profit from rent or resale, the value of equity, or the price of credit—inexorably shape any building component (like a window) and any building type (like a house).”
“They are visible even in the residential work of such singular figures as Frank Lloyd Wright, not least because the Greek oikos, or household, forms the root of the word “economy” itself. But look closely and you will see that what seems fundamental, basic, or natural is, like any other law, a historical artifact permanently under construction and subject to change. House Housing narrates nineteen brief episodes from across the last one hundred years in a mixture of domestic media.”
Find out more about the event here.
Launch of Volume #37: “Is this not a pipe?”.
With the participation of Benedict Clouette (C-Lab), Jeffrey Inaba (C-Lab), Bjarke Ingels (BIG), Mahadev Raman (ARUP), Hilary Sample (MOS).
“Pipes are the physical remainder of life in buildings.” With contributions by Juan Herreros, Neil Denari, Andrés Jaque, Matthias Schuler, and many others, Volume 37: Is This Not A Pipe poses the age-old question: Tube or not Tube?
The issue will be available for purchase at the discounted rate of $10.
We cannot beat Banham, but we can update you on what happened since 1972, when Rayner Banham published his seminal The Architecture of the Well Tempered Environment. C-Lab did extensive new research on the relation between installations, buildings and architecture… “Architecture relies on machines. They make the structures of our cities liveable.” Life in buildings is supported by pipes. Ducts, conduits, water mains, and cables support biological and social life in spaces that are today held together by air-conditioning, electricity, and telecommunications as much as by form and materials. But while pipes and the machines they connect are part of buildings, they are often left out of architecture. It’s fascinating to see how architects dealt with pipes in history and what challenges they face today. How did Mies van der Rohe solve this issue, what was Norman Foster’s approach and what does someone like Bjarke Ingels have to say on this? They’ve come up with all sort of strategies, from deceitfully transparent buildings seemingly without any mechanical installation, to faux ‘oil refineries’ showcasing the machinery that makes the mechanism tick. The latest strategy is trying to do away with installations altogether and make the building itself perform without mechanical support: smart ‘downgrading’. This issue of Volume presents C-lab’s research – which will also be a part of next year’s Venice Biennale in Rem Koolhaas’ Fundamentals show – and includes contributions by Mark Wigley, Kiel Moe, David Gissen, An Te Lui, Phil Bernstein, Filip Tejchman, John Hejduk and James Stamp. Also interviews with Matthias Schuler, Neil Denari, Christian Kerez, Bjarke Ingels, Tom Wiscombe, Andrès Jaque, MOS, Juan Herreros, Philippe Rahm, Mahadev Raman, Florian Idenburg and Lothar Schwedt. Volume #37: Is This Not a Pipe?
ISBN 978 90 77966 372
Price: € 19.50
Release: November 2013
Editor-in-chief: Arjen Oosterman
Contributing editors: Ole Bouman, Rem Koolhaas, Mark Wigley
This issue’s editor: Jeffrey Inaba
Design: Irma Boom and Sonja Haller
Publisher: Stichting Archis
We cannot beat Banham, but we can update you on what happened since 1972, when Rayner Banham published his seminal The Architecture of the Well Tempered Environment. C-Lab did extensive new research on the relation between installations, buildings and architecture…
“Architecture relies on machines. They make the structures of our cities liveable.”
Life in buildings is supported by pipes. Ducts, conduits, water mains, and cables support biological and social life in spaces that are today held together by air-conditioning, electricity, and telecommunications as much as by form and materials. But while pipes and the machines they connect are part of buildings, they are often left out of architecture.
It’s fascinating to see how architects dealt with pipes in history and what challenges they face today. How did Mies van der Rohe solve this issue, what was Norman Foster’s approach and what does someone like Bjarke Ingels have to say on this? They’ve come up with all sort of strategies, from deceitfully transparent buildings seemingly without any mechanical installation, to faux ‘oil refineries’ showcasing the machinery that makes the mechanism tick. The latest strategy is trying to do away with installations altogether and make the building itself perform without mechanical support: smart ‘downgrading’.
This issue of Volume presents C-lab’s research – which will also be a part of next year’s Venice Biennale in Rem Koolhaas’ Fundamentals show – and includes contributions by Mark Wigley, Kiel Moe, David Gissen, An Te Lui, Phil Bernstein, Filip Tejchman, John Hejduk and James Stamp. Also interviews with Matthias Schuler, Neil Denari, Christian Kerez, Bjarke Ingels, Tom Wiscombe, Andrès Jaque, MOS, Juan Herreros, Philippe Rahm, Mahadev Raman, Florian Idenburg and Lothar Schwedt.
Volume #37: Is This Not a Pipe?
In Design Intelligence‘s annual rankings of US Architecture Schools, released earlier this month, there is certainly a lot to talk about. Of course, plenty will be said about what is shown immediately by the statistics, and rightly so – but just as interesting is what is revealed between the lines of this report, about the schools themselves and the culture they exist within. By taking the opinions of professional architects, teachers and students, the Design Intelligence report exposes a complex network which, when examined closely enough, reveals what some might see as a worrying trend within architectural education.
In a recent article for the Seattle Daily Journal of Commerce, Barney Mansavage champions the idea of transforming STEM into STEAM (Science, Technology, ART, and Mathematics). He argues that overlapping science and art helps launch cross-disciplinary conversations and relationships, and in turn, promote experimentation; he thus suggests that educational spaces be designed to bring these fields together. Check out the article here, and more about the TED talk that inspired it, here.
“In every context, he has represented the School and the institution in ways that make us all proud to be part of such a vibrant place,” wrote Columbia President, Lee Bollinger, “And to all of it he has brought his unique humor and made us laugh.”
Last monday, Columbia University’s Avery Hall was buzzing.
The Graduate School of Architecture, Planning and Preservation (GSAPP) hosted a highly attended event that welcomed respected academics and professionals from architecture and real estate to what the dean, Mark Wigley, warned might take the form a a celebrity roast. Vishaan Chakrabarti, a partner at SHoP Architects and director of the Center for Urban Real Estate at Columbia, was on deck to deliver an abridged, more “urban version” of a longer lecture on his new book, A Country of Cities: A Manifesto for an Urban America. Proceeding the twenty minute lecture, an “A-list” panel of architects and historians - that included Kenneth Frampton, Gwendolyn Wright, Bernard Tschumi, Laurie Hawkinson and Reinhold Martin – lined up to discuss Chakrabarti’s work.
Sociologist Saskia Sassen‘s researches and writes about the social, economic and political dimensions of globalization, immigration, and networked technologies in cities around the globe. Her books and writings—published in over sixteen languages—have sustained the interests of architects and planners who seek to better understand the city via the systemic conditions that find expression in the reality of urban space.
Now actively involved in teaching Columbia University, we caught up with Sassen at the Arquine Congress in Mexico City, where she shared some interesting views on the role of architects, her contemplations on the future of the city, and her thoughts on the impact of the internet on the city.
Check out a full transcript of our interview with Sassen after the break.
Legendary American architect Steven Holl has collaborated again with Spirit of Space to produce two short videos on the recently completed Campbell Sports Center in New York City. While always compelling to hear an architect discuss a project, these videos integrate the architect’s narration with different dynamic shots of the building’s detail and context, thus truly immersing the viewer in the project.
The first video (above) features Steven Holl and senior partner Chris McVoy explaining the project’s inspiration, design concept and program; simultaneously, the filmmakers take us into the space and show how the new athletic facility is being used by the student athletes. The second, shorter, video (after the break) shows the building in the city, revealing the fascinatingly complex relationship between the passing subway cars, the field hockey players, the movement of shadows and the building itself.
See the second video, after the break…
Three graduate architecture students at Columbia University have developed a revolutionary notebook designed specifically for architects. “A:LOG is not just a nifty architect’s notebook,” they say. “It is a thoughtful collection of design and architectural standards packaged into a minimal soft-cover notebook with beautiful dotted paper for drawing. It’s an architectural reference guide that you can bring with you on the go, in the office, or at meetings.”
Learn more about A:LOG after the break!
“Assess: Chile at Columbia” is an initiative led by the Latin Lab at the Graduate School of Architecture, Planning, and Preservation’s (GSAPP) of Columbia University that discusses, in several formats, the state of contemporary cities in the southern country by addressing the question: who cares for Chilean cities?
This project aims to raise questions and skip external, often patronizing understandings of Chilean practices. To do so, “Assess: Chile at Columbia” invites Chilean scholars who— closely in touch with both national practices and international debates in the fields of architecture, public space, and urban projects—are uniquely positioned to initiate a critical conversation.
Distinguished Chilean scholars Luis Eduardo Bresciani, Romy Hecht, and Rodrigo Pérez de Arce selected three projects to represent each of the aforementioned categories in the exhibition Answers form Architecture, Public Space and Urban Projects, to be held on the 100 Level of Avery Hall. This show will inform the Conference “Who cares for Chilean cities?,” at which renowned US-based scholars Saskia Sassen, Stan Allen, and Iñaki Ábalos will assess the topics and works presented by their Chilean peers, opening up a further discussion moderated by GSAPP faculty Clara Irazábal, Galia Solomonoff, and Enrique Walker.
How do we talk about architecture? Housing? Cities? Culture? Politics? And, equally important, how don’t we talk about them? Comments on Foreclosed, a forthcoming book and online archive of public reactions to Foreclosed: Rehousing the American Dream, a 2012 exhibition at the Museum of Modern Art in New York that was co-curated by the Buell Center, has been produced to document just this kind of public discussion and the various platforms that shape it.
On February 18th, The Buell Center will mark the completion of the book and website, www.commentsonforeclosed.com, with a public event, “Comments on Comments”. A performance of excerpts from the archive will open a multimedia panel discussion and Q&A. In so doing, certain gaps in the public conversation on American housing and urbanism will be identified, and systemic deficiencies called out.
The Museum of Modern Art, Columbia University and The Frank Lloyd Wright Foundation have announced that the vast archives of American architect Frank Lloyd Wright (1867-1959) have been jointly acquired by the University and the Museum and will become part of their permanent collections. The archive, which includes some 23,000 architectural drawings, 44,000 historical photographs, large-scale models, manuscripts, extensive correspondence and other documents, has remained in storage at Wright’s former headquarters – Taliesin (Spring Green, WI) and Taliesin West (Scottsdale, AZ) – since his death. Moving the archives to New York will maximize the visibility and research value of the collection for generations of scholars, students and the public.
“The Frank Lloyd Wright Foundation takes seriously its responsibility to serve the public good by ensuring the best possible conservation, accessibility, and impact of one of the most important and meaningful archives in the world,” said Sean Malone, CEO of the Frank Lloyd Wright Foundation. “Given the individual strengths, resources and abilities of the Foundation, MoMA and Columbia, it became clear that this collaborative stewardship is far and away the best way to guarantee the deepest impact, the highest level of conservation and the best public access.”
Continue after the break for more images and an informative video.
Columbia University has been at the forefront of medical education for more than two centuries, as it was the first medical school in the United States to award the M.D. degree in 1770. Now, the Columbia University Medical Center (CUMC) has announced plans for a new, state-of-the-art medical and graduate education building that reflects how they believe medicine is and should be taught, learned and practiced in the 21st century.
Located on the CUMC campus in the Washington Heights community of Northern Manhattan, the 14-story facility will aim to achieve LEED Gold certification and incorporate technologically advanced classrooms, collaboration spaces, and a modern simulation center. The design is led by Diller Scofidio + Renfro, in collaboration with Gensler as executive architect.
Continue after the break for more details!
Addicted to checking your favorite site, like ArchDaily, for constant updates, or checking in with Facebook or Foursquare? Don’t worry – you’re not alone, and Columbia’s Spatial Information Design Lab can prove it. In addition to sharing your whereabouts with friends, your geographic mark provides valuable insight in examining the psycho-geography and economic terrain of the city.
More about the study after the break.
The Graduate School of Architecture, Planning, and Preservation (GSAPP) at Columbia University will be holding the Interpretations: Promiscuous Encounters Syposium taking place Friday, March 23rd from 12:00pm – 8:30pm. Promiscuous Encounters, which is free and open to the public, has two main ambitions: first, to examine the fascinating blurriness and productive interplay between the critical, curatorial and conceptual capacities of architecture, including how and where they intersect and overlap and, second, to expand the definitions of what these terms mean in relation to theory and practice by reexamining the sites of criticality and their modes of operation. More information on the event after the break.