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Japanese and Chilean Architects Collaborate to Design Houses for the Ochoalcubo Project

Ochoalcubo (Eight-Cubed) is a pioneering project in Chile that seeks to unite leading Chilean and Japanese practices with ground-breaking architecture. The collaborative enterprise was started by Eduardo Godoy, a design impresario who began working in Chile in the 1980s and who has always been a strong advocate for innovative design and architecture in the country. For a nation that boasts more than forty individual schools of architecture, the ever growing number of professionals seems to have had a relatively small impact on Chilean cities. Faced with the seemingly infinite landscape of 'cookie-cutter housing' in the suburbs, Godoy implemented Ochoalcubo in order to provide opportunities for young professionals, alongside fostering a new kind of appreciation for the profession itself. With a large number of architects having taken part in the first stage, including Smiljan Radic (designer of the 2014 Serpentine Pavilion), the third and fourth stage of what is certainly one of the world's largest active architectural laboratories will be launched in the coming days.

See images from all sixteen proposals from third and fourth stages of the Ochoalcubo project, including those by SANAASou FujimotoKengo KumaAlejandro Aravena and Atelier Bow Wow, after the break.

Hans Ulrich Obrist, Herzog & de Meuron, & Atelier Bow-Wow's "Stroll Through a Fun Palace" - Switzerland's Pavilion for the Venice Biennale 2014

"We often invent the future with elements from the past."

From the Curators. Within the Biennale’s context of re-examining the fundamentals of architecture over the past century, the Swiss Pavilion focuses on the English architect Cedric Price (1925–2003) and the Swiss sociologist Lucius Burckhardt (1934–2003), two great visionaries whose work resonates with and continues to inspire the new generations of the 21st century.

Both were serial inventors. The trans-disciplinary cultural centre designed by Price, Fun Palace, for example, which was never realized, is emblematic of our own era. It lends itself more to the choreography of 21st century time-based exhibitions than to the object-based displays of the 20th century; it fosters a more communal experience, largely free to operate outside its material limits, and ventures into other realms of human experience. In Price’s own words, “a 21st century museum will utilize calculated uncertainty and conscious incompleteness to produce a catalyst for invigorating change whilst always producing the harvest of the quiet eye”.1

© Nico Saieh © Nico Saieh © Nico Saieh © Nico Saieh

Venice Biennale 2014: Hans Ulrich Obrist and Herzog & de Meuron Collaborate on Swiss Pavilion

Hans Ulrich Obrist, co-director of London’s Serpentine Gallery, has been chosen as curator for the Swiss pavilion at the 2014 Venice Architecture Biennale. Inspired by director Rem Koolhaas’ theme, “Fundamentals,” Obrist recalled the first architects he ever met, Jacques Herzog and Pierre de Meuron, and invited them to collaborate on the exhibition. 

“When I was invited to do the pavilion, I thought working with [Herzog and de Meuron] fit in with the whole idea of the biennale this year – looking to the past, and using the past as a toolbox to create the future,” Obrist told ARTINFO UK.  

Serpentine Pavilion / Sou Fujimoto

This Thursday, the official opening of the Serpentine Pavilion, by Sou Fujimoto, took place in Hyde Park, London. It was the first time the public could interact with the structure.

The pavilion, which has already gotten its "cloud" nickname because of its shape and lightness, is generated through a three-dimensional steel grid of about 40 centimetre modules which morphs on each side. The structure is broken to allow people access as well as to generate different uses around, below and upon it. 

More pictures and the architect's statement after the break.

© Daniel Portilla © Daniel Portilla © Daniel Portilla © Daniel Portilla

Ochoalcubo: Japan + Chile

In Chile, a very special project is being developed.

Eduardo Godoy, a design impresario who started his business in Chile in the 80's, has always been an advocate for design and architecture in the country. In Chile, more than 40 schools of architecture have flooded the market, but the ever growing number of professionals has had a relatively small impact on Chilean cities. Seeing the almost infinite landscape of cookie cutter housing in the suburbs, Godoy asked himself: why not break this model into smaller pieces, each designed by a particular architect, each an opportunity for a young professional? With this in mind, and to foster the appreciation for architects, Eduardo and his team at Interdesign started a project called "Ochoalcubo" (Eight-Cubed). His original idea was to make 8 projects, with 8 buildings designed each by 8 architects, to create developments where the singularity of each piece was key, in order to demonstrate how the individuality of the architect could result in good architecture.

Video: Izu Book Cafe / Atelier Bow-Wow

Two Izu retirees hired architects Yoshiharu Tsukamoto and Momoyo Kaijima to design them a home equipped with a neighborhood bookshop and cafe. The Japanese practice stepped up to the challenge and constructed an elegant, curved structure whose white walls and wooden ceiling hug the hundred degree undulating street on which its located and embraces the wooded forest it backs to. The home - which features two bedrooms, a kitchen, cafe, bookshop and atelier - is accessed beneath a bridged part of the structure and organized as a sequence. Take a tour through this interesting space with this short video made by JA+U Magazine

BMW Guggenheim Lab invites you to a talk with architect Yoshiharu Tsukamoto

BMW Guggenheim Lab design architect Yoshiharu Tsukamoto, Co-Principal of Atelier Bow-Wow, discusses the importance of behaviorology and the crucial role that architecture can play in giving back a sense of autonomy of spacial practice to citizens.

ORDOS 100 #20: Atelier Bow Wow

This villa is located in plot ORDOS project.

Architects: Atelier Bow-Wow / Yoshiharu Tsukamoto, Momoyo kaijima, Shun Takagi Location: Ordos, Inner Mongolia, China Design year: 2008 Construction year: 2009 Curator: Ai Weiwei, Beijing, China Client: Jiang Yuan Water Engineering Ltd, Inner Mongolia, China Constructed Area: 1,000 sqm aprox