Writing for Guardian Cities Alejandro Aravena, director of the 2016 Venice Architecture Biennale, discusses what he perceives as the social reality of contemporary architects, the power of design in mobilising people to act, and "how architecture can introduce a broader notion of gain" in the face of ever greedier and evermore powerful development companies the world over.
Any attempt to go beyond business as usual encounters huge resistance in the inertia of reality. Any effort to tackle relevant issues has to overcome the increasing complexity of the world. [...] It's time to rethink the entire role and language of architecture.
"More and more people in the planet are in search for a decent place to live and the conditions to achieve it are becoming tougher and tougher by the hour," explains his curatorial statement. "But unlike military wars where nobody wins and there is a prevailing sense of defeat, on the frontlines of the built environment, there is a sense of vitality because architecture is about looking at reality in a proposal key."
Aravena will have big shoes to fill. The previous Biennale, Rem Koolhaas' 2014 event, was extremely successful and highly praised by many critics. It was also widely regarded as the most anticipated event in the Biennale's history, after the Biennale had courted Koolhaas for years. But if Koolhaas' Biennale was the event that people looked forward to, I believe - or rather I hope - that Aravena's Biennale will be the one that people look back on in decades to come.
The Venice Biennale has announced the theme selected by 2016 Biennale director Alejandro Aravena. Titled "Reporting From the Front," next year's Biennale will be an investigation into the role of architects in the battle to improve the living conditions for people all over the world. The theme aims to focus on architecture which works within the constraints presented by a lack of resources, and those designs which subvert the status quo to produce architecture for the common good - no matter how small the success.
http://www.archdaily.com/772776/venice-biennale-announces-theme-for-2016-event-reporting-from-the-frontAD Editorial Team
Citing the increasing popularity and success of the previous Architecture Biennales, chairman Paolo Baratta confirmed, "after many years in which the Architecture Biennale has continued to grow, we may now consolidate the decision to make it last six months, given the steady increment in the attendance of architecture schools from all over the world who come to participate in the Biennale Sessions project, and have made the Architecture Biennale a pilgrimage destination for students and teachers from the universities of many countries, from the United States to China.”
http://www.archdaily.com/770446/alejandro-aravena-appointed-director-of-the-2016-venice-architecture-biennaleAD Editorial Team
Aravena also emphasized the importance of community participation in his projects, saying: “We won’t ever solve the problem unless we use people’s own capacity to build.” Watch Aravena’s full talk above and take a peek at some of his key projects below.
Santiago-based architect Alejandro Aravena of Elemental discusses the sustainable reconstruction of Constitución in Chile following a devastating earthquake in 2010. Given just 100 days to design a resilient masterplan, capable of protecting the city against future natural disasters, Elemental implemented a natural solution: planting a forest that would protect the city from future floods. The design has since receive international recognition, most recently being awarded first prize in the Zumtobel Group Award’s Urban Development & Initiatives category.
Chile is recognized internationally for the quality of its architecture, even though its most lauded projects are not often found in urban areas. At a time when the true potential of Chilean architecture seems absent from the South American country's cities, Alejandro Aravena | ELEMENTAL has designed a conceptually - and physically - dense project in Santiago.
http://www.archdaily.com/547935/exclusive-video-innovation-center-uc-anacleto-angelini-by-alejandro-aravena-elementalAD Editorial Team
Ochoalcubo (Eight-Cubed) is a pioneering project in Chile that seeks to unite leading Chilean and Japanese practices with ground-breaking architecture. The collaborative enterprise was started by Eduardo Godoy, a design impresario who began working in Chile in the 1980s and who has always been a strong advocate for innovative design and architecture in the country. For a nation that boasts more than forty individual schools of architecture, the ever growing number of professionals seems to have had a relatively small impact on Chilean cities. Faced with the seemingly infinite landscape of 'cookie-cutter housing' in the suburbs, Godoy implemented Ochoalcubo in order to provide opportunities for young professionals, alongside fostering a new kind of appreciation for the profession itself. With a large number of architects having taken part in the first stage, including Smiljan Radic (designer of the 2014 Serpentine Pavilion), the third and fourth stage of what is certainly one of the world's largest active architectural laboratories will be launched in the coming days.
The Holcim Foundation has announced the global jury for the 2015 Holcim Awards, its triennial prize which encourages architects, planners, engineers, project owners and students to share their projects and visions that "go beyond conventional notions of sustainable construction."
The 2015 prize is the Holcim Foundation's fourth cycle, and this year will feature a total prize fund of $2 million - a significant increase on their 2012 prize fund of $300,000. To oversee the awards, they have recruited independent experts of international stature, including the Deans of the Harvard Graduate School of Design and ETH Zurich, and Alejandro Aravena of Chilean practice Elemental.
Read on after the break for the full list of jurors and more on the prize
Shigeru Ban has expanded the field of architecture in unexpected ways. He has proved that the inspired artist and the skilled designer is not inevitably condemned to work for a privileged elite, but that innovation can take place while working for the majority, particularly those historically underserved, forgotten or neglected. In order to do that, he redefined the approach to deal with difficult, urgent and relevant challenges, replacing professional charity by professional quality. Ban has shown that no matter how tough the circumstances or scarce the means, good design far from being an extra cost carries the added value of sharp efficiency, power of synthesis and an uplifting feeling.
ArchDaily’s Architecture App Guide will introduce you to web and mobile apps that can help you as an architect: productivity, inspiration, drafting, and more.
3D computer modeling has become a ubiquitous tool in architecture and design, but - even now - there’s no real solution to the problem of easily displaying or sharing models. An exciting new tool, however, might just change this. It’s called Sketchfab, and it displays 3D models natively in the browser - no plugins necessary, and no need to download to your desktop. A resource like this allows any viewer or reader to glimpse into the future of publishing and communicating architecture online.
Users sign up for Sketchfab and upload models directly in 27 native 3D formats (including .3ds, .stl, .kmz, .dwf, .lwo and others); these models can then be embedded anywhere. Not only will this allow architects to showcase finalized projects, but designs can be followed as they evolve and change. It will be particularly valuable in the remote review process that occurs between the architect and 3D visualizers. And Sketchfab’s platform has an integrated comment and like system to foster discussion and critique.
This past weekend, we were invited to celebrate the 50th anniversary of the Panton chair and other Vitra creations at their showroom in the Meatpacking District in Manhattan. The showroom was buzzing with people socializing and viewing the different designs on the showroom’s staggered levels. We were especially excited to see Alejandro Aravena’snovel “Chairless“, a strap of fabric that is a way to eliminate the need for the traditional chair, and yet allows the person to become the integral part of the furniture. Inspired by the Ayoreo Indians who sit on the ground with a tight strap around their back, Aravena developed this concept to produce a seating device that relieves the spine and legs. “It is obvious that many things have evolved since the beginning of time and that progress has accumulated in our lives in the form of sophisticated needs and desires. But it is also true that there are many things and needs that haven’t changed much since our origins and they can still be satisfied in an extremely simple way: sitting comfortably on the ground is one of them,” explained Aravena.
Aravena has been in practice since 1994 and since 2006 has also served as Executive Director of ELEMENTAL S.A., a “Do Tank” for the design and implementation of urban projects of social interest and public impact. His work includes the Mathematics Faculty, the Medical Faculty, the computer facility “Siamese Tower,” and the Architecture School at the Universidad Católica, Santiago, Chile; House for a Sculptor; House in the Pirehueico Lake; new residence and dining halls for St. Edward’s University in Austin, Texas; children’s workshops and training facilities for Vitra in Weil am Rhein, Germany; a Villa in Ordos, Inner Mongolia; and social housing and urban projects for Elemental. In 2009, Aravena was appointed a member of the Pritzker Prize Jury.
He has received several awards, including Silver Lion at the XI Venice Biennale, 1st Prize in the XII and the XV Santiago Biennale, the Erich Schelling Architecture Medal 2006 (Germany), finalist in the Mies van der Rohe Award (2000), top 10 finalist in the Iakhov Chernikhov Prize 2008 (Moscow), and finalist in the Global Award for Sustainable Architecture 2008 (Paris).
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For more information, click here. All the lectures after the break.