LOHA (Lorcan O’Herlihy Architects) has recently released Amplified Urbanism, a book about its design methodology, which is “rooted in creating fluid interaction between public and private spaces, emphasizing social and civic connections, and harnessing existing ecological and infrastructural patterns.”
Through this publication, LOHA aims to present projects it has developed based on these principles, as well as to provoke discussion about issues in Los Angeles and the wider architectural field.
In order to highlight the book “as a creative process that begins in the studio, and when implemented in the built environment, catalyzes positive connections,” LOHA has collaborated with filmmakers Spirit of Space on a short film.
For decades, students at Columbia University’s Graduate School of Architecture, Planning, & Preservation signed up for Kenneth Frampton’s legendary class, Studies in Tectonic Culture. The course tasked students with creating realistic representations of buildings “as a pedagogical exploration of the history of architectural tectonics”—and the models long spilled into the hallways of the architecture school before being hidden away in the archives.
Now, the Arthur Ross Architecture Gallery has decided to pull some of these models out from obscurity and display them in a whole new light for the show Stagecraft: Models and Photos, which opened February 9th. Produced during the 1990s and early 2000s, the models are of significant 20th-century buildings around the world, from Frank Lloyd Wright’s Samuel Freeman House to Peter Zumthor’s St. Benedict Chapel.
Aedas has unveiled its plans for Nansha Kingboard Free Trade Zone Mixed-Use Project, a new building sited at the starting point of the ancient Maritime Silk Road in Guangzhou, China.
Located on an irregularly shaped plot with views of the Jiaoman River and Phoenix Lake, the 80,762-square-meter building will be composed of a series of stacked geometric blocks in order to create varied silhouettes and capitalize on surrounding views.
WXY architecture + urban design has unveiled its design for The Peninsula, a five-acre mixed use development for New York City that aims to “create [an] instant [community] with jobs, training, education, and hundreds of affordable apartments.”
Created in conjunction with Body Lawson Associates (BLA) for the New York City Economic Development Corporation (NYCEDC) and the Department of Housing and Preservation Development (HPD), the project will feature retail, light industrial, recreational, and residential space—all of which will be affordable—in the Hunts Point neighborhood of the Bronx.
Conceived as an inner sanctuary within downtown Manhattan, the building highlights acoustics as a key consideration, with a façade system and exterior glass enabling a high OITC rating to “ensure a tranquil home environment in the center of this vibrant neighborhood.”
ArchDaily is continuing our partnership with The Architectural Review, bringing you short introductions to the themes of the magazine’s monthly editions. In this introduction to the February 2017 issue, Editor Christine Murray discusses craft. Seeking to find parallels between the processes of creating their own magazine and of designing a building, she argues that "there are easier ways to make a magazine, but along paths we choose not to take."
The magazine you hold in your hand is the product of many: 16 writers, 48 photographers, plus illustrators, jellymakers, 3D printers, 10 editors and an art director; and at the press, 15 people for its printing and binding.
You may imagine that the contemporary magazine-making process has lost its need for expertise through automation – push a button and the printer spits it out. But as AR Head of Production, Paul Moran says, "Machines may have taken on some of the front-end work, but every element of the printing process is a skill."
HHF Architects, in collaboration with landscape architects from Westpol, have won a competition with their design for Jardin Métropole, a 30-meter-tall apartment tower and neighboring green space. Located in Biel, Switzerland, the project is expected to become the symbol of the city and contribute to the area’s general enhancement through its angled cube massing and public element.
Based on the theme of a “city garden,” the building will constitute the beginning of a new, park-like passage to Rue du Moulin, and will feature access to gardens with private planting beds, a shared roof terrace, and landscaped loggains.