Manuel N. Zornoza grew up in Alicante, Spain and, following studies in Madrid (UAX) and London (the AA), relocated to China in 2010 to avoid the economic crisis stifling architectural work in his home country. Over the last eight years, the young architect’s small but thriving studio has built more than a dozen projects, from shops, to factory space conversions, to a traditional Chinese hutong - all in China. But that’s not to say Zornoza’s left his roots behind. He now also maintains a small practice in Madrid, which handles projects in both China and Spain.

This interview was conducted on a bullet train ride from Beijing to Tianjin, where we ventured in search of the recent architecture that has brought so much media attention to this emerging metropolis.

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It is rare for a father and son to share the same birthday. Even rarer is it for such a duo to work in the same profession; rarer still for them both to achieve international success in their respective careers. This, however, is the story of Eliel and Eero Saarinen, the Finnish-American architects whose combined portfolio tells of the development of modernist architectural thought in the United States. From Eliel’s Art Nouveau-inspired Finnish buildings and modernist urban planning to Eero’s International Style offices and neo-futurist structures, the father-son duo produced a matchless body of work culminating in two individual AIA Gold Medals.

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Drone photography has been one of the biggest advancements in aerial photography and cinematography. Drones began making a huge impact on filmmaking in the early 2000s, but vast advancements in aerial and camera technology have dramatically increased the use of and demand for aerial footage in nearly every industry focused on digital content.

The construction industry has begun implementing drones on construction sites as a way to get a birdseye view of a project, capture the finished building from a unique perspective and even be used in the actual construction of the building itself. But when it comes to architectural photography and cinematography, we are just beginning to scratch the surface.

Read on for ArchDaily's Guide to Drone Photography/Cinematography.

Where do people live around the world? It seems self-evident that most residential architecture is not as focused on aesthetics as the pristine, minimalist villas that cover the pages of design magazines (and, admittedly, websites like this one). As entertaining as it is to look at those kinds of houses, they’re not representative of what houses look like more generally. Most people live in structures built in the style of their region’s vernacular—that is, the normal, traditional style that has evolved in accordance with that area’s climate or culture. While strict definitions of residential vernacular architecture often exclude buildings built by professional architects, for many people the term has come to encompass any kind of house that is considered average, typical, or characteristic of a region or city. Check out our list below to broaden your lexicon of residential architecture.

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Cornell University has named J. Meejin Yoon as the next dean for the School for Art, Architecture and Planning. Yoon, co-founder of Boston-based practice Höweler + Yoon, is the first woman to be named dean in the school’s 122-year history. She moves to Cornell after serving as dean for the architecture School at MIT, where she has been on faculty since 2001.

This article was originally published by Common Edge as "Letter From Mexico City: An Insidious Memorial to a Still-Unfolding Tragedy."

You wouldn’t think it looking at Mexico City today—a densely populated metropolis, where empty space is hard to come by—but decades earlier, following a devastating earthquake on September 19, 1985, more than 400 buildings collapsed, leaving a collection of open wounds spread over the cityscape.

Exactly thirty-two years later, the anniversary of that disaster was ominously commemorated with an emergency evacuation drill. Then, in one of those odd occurrences in which reality proves to be stranger than fiction, a sudden jolt scarcely two hours after the drill led to what would be yet another of the deadliest earthquakes in the city’s history. Buildings once again collapsed, leaving a rising-by-the-hour death toll that eventually reached 361, as well as swarms of bewildered citizens wandering the streets, frantically attempting to reach their loved ones through the weakened cell phone reception. “We’d just evacuated for the drill,” people said, like a collective mantra. “How could this happen again?”

Indigenous co-design—a more specific form of the general concept of co-design in which an architect collaborates with a stakeholder community—is a collaborative design process between architects and the Indigenous community as the client. The Royal Architectural Institute of Canada (RAIC) recently released a unique resource aimed at designers, clients, funders and policymakers looking for a guide in Indigenous co-design.

Four Case Studies Exemplifying Best Practices in Architectural Co-design and Building with First Nations builds on the success of the RAIC International Indigenous Architecture and Design Symposium held in May 2017. The four case studies set out to explore best practices in Indigenous co-design in the context of three First Nations and one Inuit community in Canada, with one case study selected from each of the four asset classes: "schools, community and cultural centers, administration and business centers, and housing."

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About a month before he unveiled his eighth album Ye in June, Kanye West re-entered architectural conversation with the unexpected and mostly unexplained announcement that he intends to hire architects and industrial designers to staff an architecture practice connected to his Yeezy brand. An outspoken fan and admirer of contemporary architecture, Kanye’s fashion and design projects have been a major focus for him since shortly after the prodigious producer started making his own rap albums. Kanye’s architectural ambitions have been an interesting factor in the relationship between architecture and rap culture, which seems to be just coming into focus through programs like the Hip Hop Architecture Camps organized by Michael Ford’s Urban Arts Collective, and the research of Sekou Cooke. Architecture and rap music have influenced each other in ways we’re just starting to notice—with the connection between the two even revealed as consciously and conspicuously as rappers including references to notable architects in their lyrics.

Images of Los Angeles present an limitless city, whose roads sprawl far into the horizon and whose lights never seem to dim. But there is also intimacy to be found in the urban sprawl, not to mention a cutting-edge catalogue for design and architecture. In the new book, California Captured, authors Emily Bills, Sam Lubell, and Pierluigi Serraino show this side of Los Angeles through the lens of photographer Marvin Rand. Rand's spare and understated images of architecture helped define and spread the distinctive Californian mid-century modern style across the world - and introduced viewers to a Los Angeles beyond the lights. Read an excerpt from California Captured here after the break:

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Sometimes an architect’s best intentions get lost along the way. Sometimes they get value-engineered out; sometimes they were never really there to begin with. That's where Ugly Belgian Houses comes in. The blog, run by discerning Belgian Hannes Coudenys, documents some of his home country's architectural misadventures - all with a sense of humor, of course!

Today, to celebrate Belgium's National Day, we asked the man behind the blog to select some beautiful Belgian houses. His choices - with a few words from him and the architects - after the break.

The process of becoming an architect can be as confusing as it is extensive. In this article, we'll demystify a crucial component of the path to a career in architecture: what degree you should get. Specifically, we’ll lay out the difference between two common, somewhat comparable degrees: the B.Arch and the M.Arch.

When learning about architecture, there is no replacement for practical experience: seeing how materials can be joined together, how structural elements respond to the stresses placed upon them, or how construction techniques can alter the finished project. For this reason, it is a good idea to give students a chance for some hands-on experience building real structures—something that, due to budgetary constraints and the academic culture of many architecture schools, has sadly been uncommon in the past.

However, in recent years, this culture has started to shift, with increasing numbers of architecture schools finding ways for students to be involved in construction projects, from small, temporary interventions and pavilions, to larger permanent buildings. In order to show the excellent work that can be done in an educational context, for the fourth time ArchDaily is calling on students and professors to submit the design-build projects they have completed in the past year. As always, we're teaming up with all of ArchDaily en Español, ArchDaily Brasil, and ArchDaily China, in the hope that we can present the best work from students worldwide to a worldwide audience. Read on to find out how you can take part.

Earlier this month, a “Trailblazer Group” comprising 20 leading architecture firms led by Foster + Partners announced the creation of the UK’s first Architecture Apprenticeship Standards. Supported by the RIBA, ARB (Architects Registration Board) and over a dozen UK universities, the group has structured a program which tackles the financial feasibility of an architectural education through paid apprenticeships, and addresses the disparity experienced by students transitioning between education and practice.

While doing little to alter the notorious seven-year length of the UK's accreditation process, the apprenticeship is a welcome and proactive step in reforming an education system which, on the ground, breeds an atmosphere of financial insecurity, mental health issues, and a disenchantment among students with the value of their £45,000 investment in architecture degrees.

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This article was originally published by Metropolis Magazine as "The Post-Digital Will Be Even More Digital, Says Mario Carpo."

Book presentations, or book launches, are holdovers from ages long past. One could argue that the same applies to books in print themselves; but we still read and write books, never mind in which shape and form, while I do not see many reasons to keep presenting them in brick-and-mortar bookshops, or similar venues. Friends in the publishing industry tell me that a single tweet, or a successful hashtag on Instagram, can sell more copies than a book launch—and at a lesser cost, for sure. Besides, one of the most baffling aspects of book launches is that, traditionally—and I remember this was already the case when I was a student—a significant fraction of the public in attendance tends to be viscerally and vocally hostile to the topic of the book being presented. Why would readers who dislike a book as a plain matter of principle take the time to read it in full then vent their anger at its author, I cannot tell; but this is to say that having published a book last fall titled The Second Digital Turn: Design Beyond Intelligence, I had plenty of opportunities, in the course of the last few months, to glean a vast repertoire of technophobic commonplaces. Chiefly noted among them, due to its sheer outlandishness, was the objection that digital innovation would by now have fully run its course: having adapted to, and adopted, some new tools and technologies, architects would have moved on, free at last to get back to things that really matter to them (whatever they might be).

Before deciding on a career in architecture, plenty of questions can cross one’s mind: Which school should I choose? Should I study abroad or choose a local school? Would enrolling in top international universities cost me a fortune? How long will it take for me to finally be able to build my own structure? At the end of the day, the making of an architect is pretty simple: half a decade of architecture studies, and then some.

Whether you are considering studying abroad or staying home, you'll need to know how long it takes to become an architect in your country of choice. Take a look at how long it usually takes to earn that degree in different countries from all over the world, and what you'll need to do (aside from attending school) before becoming a certified architect.

Light is an important, if complex, tool in architecture. Not only does it lend atmosphere, texture, and vibrancy, but it is increasingly essential in an age where technology alienates us from nature. In this excerpt from Mary Guzowski's new book, The Art of Architectural Daylighting, she introduces the science and art of daylighting - and details six ways the masters approach the challenge.

In the ten years since our site was launched, ArchDaily has grown into the world’s most visited architecture website; it is now a project with greater reach and scale than the site’s founders could ever have anticipated. Thanks to our readers, contributors and leadership, the initial iteration of the site (based in Chile and known as Plataforma Arquitectura) has evolved into a global architecture media network that includes the English site you’re reading right now as well as region and language-specific sister sites in Brazil, China, Colombia, Mexico, and Peru.

The story of ArchDaily's growth is one of the many topics covered in a new 114-minute interview with ArchDaily’s co-founder David Basulto on this week’s episode of the Midnight Charette podcast. Hosted by David Lee and Marina Bourderonnet, the podcast features weekly discussions on design issues of the day and interviews with figures in the architecture community. In their talk with Basulto, the conversation wanders from the story of our company and some behind-the-scenes trivia about how our site works (did you know our custom content management system is named after the biblical Tower of Babel’s designer?) to insights on how architects will shape our future cities and the ways that data collection and analysis could shape the designs of tomorrow.

In Luis Barragán’s poetic imagination color plays as significant a role as dimension or space. Rough textures and water reflections heighten the impact of bright sunlight in his colorful buildings. But where does such vibrancy come from and how is it heightened by the architecture itself?

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