The Royal Institute of British Architects (RIBA) has awarded unconditional RIBA Part 1 accreditation to the undergraduate program at Xi’an Jiaotong-Liverpool University (XJTLU) in Suzhou, making it the first Chinese architecture program to be certified by the UK architecture body. The accreditation marks another first for XJTLU’s partner university at Liverpool, which pioneered the RIBA accreditation system by becoming the first certified course in the world in 1906, and officially marks the program at XJTLU as on a par with other architecture schools around the world.
Now, after 130 private screenings in 26 countries, you can watch the official world premiere of Archiculture here on ArchDaily. The 25-minute documentary captures a rare glimpse into studio-based design education, trailing five architecture students throughout their final thesis semester at Brooklyn’s Pratt Institute.
Directed and produced by architect-turned-filmmakers Ian Harris and David Krantz of Arbuckle Industries, the film features exclusive interviews with leading professionals, historians and educators, such as Ken Frampton, Shigeru Ban and Thom Mayne. Since Archiculture completion, a number of schools, institutes and film festivals have hosted screenings of the film in an effort to shed light on the critical issues facing architectural education today.
We invite you to watch the film above, read our exclusive interview with film director Ian Harris, and share your thoughts in the comment section below. You can also join an ongoing online conversation regarding Archiculture on the #Archichat here.
Following the highly anticipated world premiere of Archiculture (watch here!), Arbuckle Industries has now shared with us the first of over 30 never-before-seen full length interviews with some of the industry’s leading practitioners, all discussing the profession and how we are or should be training the next generation of designers.
In this first interview, the directors sit down with architect, critic, author, and historian Kenneth Frampton at Columbia University to discuss whether or not architecture is a luxury and how the profession has been influenced by computerization.
Brian MacKay-Lyons is the founding partner of MacKay-Lyons Sweetapple Architects, a professor at Dalhousie University and the founder of Ghost Lab - the now legendary 2-week summer design/build program that took place on his family farm in Nova Scotia from 1994 to 2011. While relentlessly local, Brian’s work has been recognized internationally with more than 100 awards, 300 publications and 100 exhibitions. In 2012, the American Institute of Architects recognized the collective work and influence of Ghost with an Institute Honor Award for Architecture.
On August 22nd, 2014 Brian hopped off his tractor and wiped the diesel fuel off his hands to discuss architectural education with Keith and Marie Zawistowski, co-founders of the design/buildLAB at Virginia Tech and partners of OnSite Architecture. Here is an excerpt from their conversation, which was originally published on Inform:
Keith Zawistowski: Your contributions to the discipline of architecture have been both in practice and in education. In 1994, you founded Ghost, an international laboratory that influenced all generations of architects with its simplicity and this affirmation of timeless architectural values of place and craft. It was a pretty bold move and it seems for us like it was a direct reaction to your discontentment with academia and the way architects were being educated. Do you still feel that strongly about the state of architecture education and the profession?
Using information collected from the US Census Bureau’s American Community Survey, the Hamilton Project at The Brookings Institution has created a set of interactive infographics comparing the lifetime earning potential of graduates of 80 majors. With so much debate over the earning potential of architects, the tool provides us with an invaluable insight into the long-range outlook for members of our profession, charting the both the total lifetime earnings of architects and their average earnings per year over a 42-year career.
Read on after the break for analysis of what the infographics tell us
Having taught architecture for almost fifty years, Sir Peter Cook has seen generations of architects go from student to high-profile practitioner. In almost half a century, though, architecture education has not particularly moved on: “I don’t see the general situation as being any more progressive than it was when I was a student,” he says.
Cook tells ArchDaily that instead of focusing on curriculum, structure and countless other preoccupations of many schools, “my experience is that doesn’t matter, it depends who’s teaching and how enthusiastic they are and whether they understand people,” adding that “a really good architecture school is like a village,” with tutors who simply don’t go home because they are enjoying it so much (or perhaps for other, less innocent reasons).
In addition, Cook also explains that there is potential for a radical shift in the understanding of architecture education, so that we think of it not only as a route into an architectural career, but rather as a route into a whole host of other jobs. ”I know people who have science degrees but they actually organize railways,” he says. “There’s a role for a wing of architectural education at a certain point to take off and say, ‘that person is never going to design buildings, but a certain form of architectural education can enable them to look at the world in more depth.’”
The Architectural Association Visiting School in Athens, as part of the AI research agenda, has continued its investigations to challenge the static built environment with its 2014 installation entitled Kinetic Haze. The project investigates the possibilities of architectural modeling via scripting, digital fabrication, and large scale installations.
This year’s investigation follows the theme of the previous year’s work entitled Cipher City: Recharged, in which the creation of complex form-making systems resulted in the discovery of interactive design patterns. Following their discoveries in 2013, students in this year’s program further investigated kinetic and interactive architecture in their new study entitled Revolutions. After a series of design ideas were developed by smaller groups of students, the teams collaborated to create the final prototype Kinetic Haze in less than five days. Read on after the break to learn more about the project.
Learning doesn’t necessarily need to be formal – or expensive for that matter. Thanks to the Internet and some generous benefactors, you can further your education for free from the comfort of your own home. Top schools such as MIT and Harvard University are affiliated with free online learning resources, allowing people from all over the globe to connect and audit courses at their own pace. In some cases, these services even provide self-educators with proof for having completed courses. Keep reading after the break to check out our round-up of four free online learning resources.
In a posthumous 1990 essay “A Black Box: The Secret Profession of Architecture”, Reyner Banham warned of architecture’s corrosive trend toward insulating itself from discussions outside of the discipline. Decades later, architecture finds itself in an even more dire state of affairs. Despite a transformed global context, the same paternalistic model of studio culture that has existed since the Beaux Arts remains in place. “Studio culture”, as currently practiced, promotes an outdated and parochial understanding of how design knowledge is produced, valuing expertise over synthesis and image over process and practice.
It also affects the health and wellness of students. Over ten years ago, the AIAS (American Institute of Architecture Students) and NAAB (National Architectural Accrediting Board) created a new requirement for accreditation, requiring all schools to address these precise concerns through a written policy on studio and learning culture. However, many schools of architecture across the country still do not educate students about this policy nor seem to follow it.
While there are certainly creative strengths and a generalized camaraderie fostered by traditional studio models, they do not adequately prepare students for navigating the global present. We believe there is an urgent need to reconfigure the institution of studio in order to address the pressing academic and professional issues of our time. We are putting forth what we feel are the guiding principles which must inform a progressive studio culture: agency, balance, flexibility, diversity, interactivity, interdisciplinarity, and sustainability. It is our hope these principles spur debate and much needed action for fundamentally transforming studio culture.
As part of their ongoing ACSA Atlas Project, the Association of Collegiate Schools of Architecture (ACSA) has just released a new set of infographics, showcasing a range of statistics relevant to both architecture students and professionals alike. The 10 images cover a range of issues, including: demographic concerns such as race and gender, economic concerns such as salaries and employment futures, and the number of architects and students in each state. Read on after the break for the full set.
A few months ago, fourteen 5th-year architecture students at the University of Southern California (USC) were given an unusual challenge: select two materials, and two only, to design and construct… a Mao jacket.
The results, exhibited at the university on March 7th, were fourteen fascinating experimentations with unusual materials – including everything from rubber erasers to acrylic paint to 5,500 metal Mao pins (shipped direct from China).
As Lee Olvera, the studio lead, told USC News, “It’s an exploration of program and function. In architecture, we’re called upon to design the skins of buildings all the time. This project infuses our intuitive skills of artistry and aesthetics with the rigor of analytical and performance-based material experimentation to create innovative working solutions.”
Check out more images from this unusual studio project, after the break.
On February 19th, 2014, Odile Decq, the world-renowned French architect, announced the launch of a new private university - the Confluence Institute for Innovation and Creative Strategies in Architecture – to be built in Lyon this year. Decq has promised that the school will break from France’s “strict institutional system of education ill-adapted to change” and thus offer an architecture education fit for the 21st century.
In France, however, public opinion on the new school has been far from unanimous. The Union of Architecture (Le Syndicat de l’Architecture) even went so far as to respond with an open letter to the Minister of Culture and Communication, expressing concern over the project’s “openly mercantile and elitist purpose.”
France possesses a free and public educational model that sets it apart from the rest of the world. Out of twenty-two schools of architecture, only one is private: l’Ecole Spéciale d’Architecture in Paris (where Decq was once Director). And, while certainly not perfect, the quality of architecture education is, across the board, of a particularly high standard — the Agency of the Evaluation of Research & Higher Education (AERES) has given a rating of ‘A’ to twenty of the schools and ‘B’ to the other two. This means that regardless of a student’s economic background, he or she has the opportunity to receive an excellent architectural education.
So, no matter how radical or forward-thinking Confluence may be, is it really a good idea for France to start emulating the model of expensive, private architecture schools we see across the rest of the world?
Odile Decq has announced that she is launching a new kind of architecture school based upon the idea of “Confluence,” an educational framework that “erases the predefined limits of the traditional academic structures for the benefit of the collaboration of talents, thoughts and disciplines.”
The Confluence Institute for Innovation and Creative Strategies in Architecture, which will be located in in Lyon, France, will bring together “Architects, critics, artists, thinkers, philosophers, film-makers, scientists, engineers and manufacturers” in order to develop an architecture that develops ideas unconstrained by “stylistic prejudice or ideology.” More on this new initiative, after the break.
The United States has an architecture school in almost every major university in each of its 50 states. And while it’s true that the choices seem endless, it is also true that there are certain values and approaches that dominate. Ecological architecture, for example, is often not passive, but is technology-laden, which means a large production footprint for materials like PV panels, special types of glass, or other cladding solutions. This is just one example of how industry and pedagogy shape one another and in turn influence the perception of “legitimate” architecture. Teaching architectural history offers another example in which what comprises “relevant” history is all-too-often limited to Euro-American examples. Everything in Asia beyond twenty years ago, whether it is Southeast, South, or East, is usually ignored because – although the names of historical architects may well be known in their own countries, they are not easily translatable for the average English-language author of architecture survey books.
The truth is that even in architecture schools in European nations, approaches and emphases on pedagogical content and styles vary widely. For example, schools in northern Europe have very different views on what is important and how to teach it than schools in western Europe. One school with a very defined point of view is the Brussels Faculty of Engineering, or Bruface, created by Vrije Universiteit Brussel in cooperation with the Universite Libre de Bruxelles. There, students can receive a Master of Science in Architectural Engineering; they are trained not just in design, but in engineering, emphasizing a more structural, practical approach.
Picking a university to study at can be an incredible challenge, especially with architecture courses which can last up to 7 years at some institutions – and knowing what to expect can take hours of research. That’s why the Italian magazine Domus has helpfully made its 2014 supplement of Europe’s top 50 schools in both architecture and design available for free online. It’s sure to be an invaluable resource for anyone considering their options for architecture or design courses in Europe.
Read on for more about the resource
“Architectural education is very abstract.” Virginia Tech professors and Rural Studio alumni Keith and Marie Zawistowski sat down to talk about the importance of a hands-on experience, suggesting a fundamental restructuring of curriculums. With projects such as the Masonic Ampitheater, they — together with their students — set out to prove that somethings are simply solved by building. Read the full article here, “What Architecture Schools Get Wrong”.
With the news earlier this year that The Cooper Union in New York will, for the first time in 155 years, begin charging tuition fees to students in 2014, the existing students at its Irwin S. Chanin School of Architecture are taking steps to ensure that it stays true to the meritocratic principles on which it was founded. To achieve this, they have launched the One Year Fund, an attempt to crowdsource $600,000 in order to cover the tuition fees of the incoming students in 2014.
Read more about the One Year Fund, and how it fits into the students’ larger aims, after the break.