The Architectural Association Visiting School in Athens, as part of the AI research agenda, has continued its investigations to challenge the static built environment with its 2014 installation entitled Kinetic Haze. The project investigates the possibilities of architectural modeling via scripting, digital fabrication, and large scale installations.
This year’s investigation follows the theme of the previous year’s work entitled Cipher City: Recharged, in which the creation of complex form-making systems resulted in the discovery of interactive design patterns. Following their discoveries in 2013, students in this year’s program further investigated kinetic and interactive architecture in their new study entitled Revolutions. After a series of design ideas were developed by smaller groups of students, the teams collaborated to create the final prototype Kinetic Haze in less than five days. Read on after the break to learn more about the project.
Learning doesn’t necessarily need to be formal – or expensive for that matter. Thanks to the Internet and some generous benefactors, you can further your education for free from the comfort of your own home. Top schools such as MIT and Harvard University are affiliated with free online learning resources, allowing people from all over the globe to connect and audit courses at their own pace. In some cases, these services even provide self-educators with proof for having completed courses. Keep reading after the break to check out our round-up of four free online learning resources.
In a posthumous 1990 essay “A Black Box: The Secret Profession of Architecture”, Reyner Banham warned of architecture’s corrosive trend toward insulating itself from discussions outside of the discipline. Decades later, architecture finds itself in an even more dire state of affairs. Despite a transformed global context, the same paternalistic model of studio culture that has existed since the Beaux Arts remains in place. “Studio culture”, as currently practiced, promotes an outdated and parochial understanding of how design knowledge is produced, valuing expertise over synthesis and image over process and practice.
It also affects the health and wellness of students. Over ten years ago, the AIAS (American Institute of Architecture Students) and NAAB (National Architectural Accrediting Board) created a new requirement for accreditation, requiring all schools to address these precise concerns through a written policy on studio and learning culture. However, many schools of architecture across the country still do not educate students about this policy nor seem to follow it.
While there are certainly creative strengths and a generalized camaraderie fostered by traditional studio models, they do not adequately prepare students for navigating the global present. We believe there is an urgent need to reconfigure the institution of studio in order to address the pressing academic and professional issues of our time. We are putting forth what we feel are the guiding principles which must inform a progressive studio culture: agency, balance, flexibility, diversity, interactivity, interdisciplinarity, and sustainability. It is our hope these principles spur debate and much needed action for fundamentally transforming studio culture.
As part of their ongoing ACSA Atlas Project, the Association of Collegiate Schools of Architecture (ACSA) has just released a new set of infographics, showcasing a range of statistics relevant to both architecture students and professionals alike. The 10 images cover a range of issues, including: demographic concerns such as race and gender, economic concerns such as salaries and employment futures, and the number of architects and students in each state. Read on after the break for the full set.
A few months ago, fourteen 5th-year architecture students at the University of Southern California (USC) were given an unusual challenge: select two materials, and two only, to design and construct… a Mao jacket.
The results, exhibited at the university on March 7th, were fourteen fascinating experimentations with unusual materials – including everything from rubber erasers to acrylic paint to 5,500 metal Mao pins (shipped direct from China).
As Lee Olvera, the studio lead, told USC News, “It’s an exploration of program and function. In architecture, we’re called upon to design the skins of buildings all the time. This project infuses our intuitive skills of artistry and aesthetics with the rigor of analytical and performance-based material experimentation to create innovative working solutions.”
Check out more images from this unusual studio project, after the break.
On February 19th, 2014, Odile Decq, the world-renowned French architect, announced the launch of a new private university - the Confluence Institute for Innovation and Creative Strategies in Architecture – to be built in Lyon this year. Decq has promised that the school will break from France’s “strict institutional system of education ill-adapted to change” and thus offer an architecture education fit for the 21st century.
In France, however, public opinion on the new school has been far from unanimous. The Union of Architecture (Le Syndicat de l’Architecture) even went so far as to respond with an open letter to the Minister of Culture and Communication, expressing concern over the project’s “openly mercantile and elitist purpose.”
France possesses a free and public educational model that sets it apart from the rest of the world. Out of twenty-two schools of architecture, only one is private: l’Ecole Spéciale d’Architecture in Paris (where Decq was once Director). And, while certainly not perfect, the quality of architecture education is, across the board, of a particularly high standard — the Agency of the Evaluation of Research & Higher Education (AERES) has given a rating of ‘A’ to twenty of the schools and ‘B’ to the other two. This means that regardless of a student’s economic background, he or she has the opportunity to receive an excellent architectural education.
So, no matter how radical or forward-thinking Confluence may be, is it really a good idea for France to start emulating the model of expensive, private architecture schools we see across the rest of the world?
Odile Decq has announced that she is launching a new kind of architecture school based upon the idea of “Confluence,” an educational framework that “erases the predefined limits of the traditional academic structures for the benefit of the collaboration of talents, thoughts and disciplines.”
The Confluence Institute for Innovation and Creative Strategies in Architecture, which will be located in in Lyon, France, will bring together “Architects, critics, artists, thinkers, philosophers, film-makers, scientists, engineers and manufacturers” in order to develop an architecture that develops ideas unconstrained by “stylistic prejudice or ideology.” More on this new initiative, after the break.
The United States has an architecture school in almost every major university in each of its 50 states. And while it’s true that the choices seem endless, it is also true that there are certain values and approaches that dominate. Ecological architecture, for example, is often not passive, but is technology-laden, which means a large production footprint for materials like PV panels, special types of glass, or other cladding solutions. This is just one example of how industry and pedagogy shape one another and in turn influence the perception of “legitimate” architecture. Teaching architectural history offers another example in which what comprises “relevant” history is all-too-often limited to Euro-American examples. Everything in Asia beyond twenty years ago, whether it is Southeast, South, or East, is usually ignored because – although the names of historical architects may well be known in their own countries, they are not easily translatable for the average English-language author of architecture survey books.
The truth is that even in architecture schools in European nations, approaches and emphases on pedagogical content and styles vary widely. For example, schools in northern Europe have very different views on what is important and how to teach it than schools in western Europe. One school with a very defined point of view is the Brussels Faculty of Engineering, or Bruface, created by Vrije Universiteit Brussel in cooperation with the Universite Libre de Bruxelles. There, students can receive a Master of Science in Architectural Engineering; they are trained not just in design, but in engineering, emphasizing a more structural, practical approach.
Picking a university to study at can be an incredible challenge, especially with architecture courses which can last up to 7 years at some institutions – and knowing what to expect can take hours of research. That’s why the Italian magazine Domus has helpfully made its 2014 supplement of Europe’s top 50 schools in both architecture and design available for free online. It’s sure to be an invaluable resource for anyone considering their options for architecture or design courses in Europe.
Read on for more about the resource
“Architectural education is very abstract.” Virginia Tech professors and Rural Studio alumni Keith and Marie Zawistowski sat down to talk about the importance of a hands-on experience, suggesting a fundamental restructuring of curriculums. With projects such as the Masonic Ampitheater, they — together with their students — set out to prove that somethings are simply solved by building. Read the full article here, “What Architecture Schools Get Wrong”.
With the news earlier this year that The Cooper Union in New York will, for the first time in 155 years, begin charging tuition fees to students in 2014, the existing students at its Irwin S. Chanin School of Architecture are taking steps to ensure that it stays true to the meritocratic principles on which it was founded. To achieve this, they have launched the One Year Fund, an attempt to crowdsource $600,000 in order to cover the tuition fees of the incoming students in 2014.
Read more about the One Year Fund, and how it fits into the students’ larger aims, after the break.
In Design Intelligence‘s annual rankings of US Architecture Schools, released earlier this month, there is certainly a lot to talk about. Of course, plenty will be said about what is shown immediately by the statistics, and rightly so – but just as interesting is what is revealed between the lines of this report, about the schools themselves and the culture they exist within. By taking the opinions of professional architects, teachers and students, the Design Intelligence report exposes a complex network which, when examined closely enough, reveals what some might see as a worrying trend within architectural education.
Each year when Design Intelligence publishes “America’s Best Architecture & Design Schools,” we try to look beyond the rankings. At the end of the day, the report is a snapshot of the state of architecture today and, as such, is a minefield of useful information, particularly for current (or soon-to-be) architecture students. Check out the short infographic after the break to see how the profession’s outlook has grown far more optimistic for architecture grads; what firms look for in recent grads (it may surprise you); and the unequal relationship of high-ranking sustainability programs vs. the prevalence of LEED certification.
Graduating architecture students are welcomed to the professional world with few job opportunities, lots of competition, and, for many, shockingly high student debt. Barring winning the lottery, there’s nothing for it but to work the decades it takes to pay them off. But what if there was another way? Shervan Sebastian, of AIArchitect, explores a new possibility for student debt relief designed specifically for architects in “Proposal Combines Student Debt Relief with Community Design Support,” reprinted here. Read on to see how you could one day pay off your student debt and help your community at the same time.
Public service loan assistance programs have for decades been a driving force in attracting talent to some of America’s neediest and underserved regions and sectors of the economy. Programs as varied as AmeriCorps, the Peace Corps as well as the medical, legal, and dental professions have all employed these incentives to provide communities with talented, civically engaged professionals, while offering one of the most coveted forms of support for financially burdened graduates: student loan assistance.
What might a national design service corps look like for the architecture profession? The AIA is proposing legislation that offers architecture school graduates loan re-payment assistance opportunities similar to those offered to graduates of other professions who contribute their services to their communities. The National Design Services Act (NDSA) provides student loan assistance for architects who work at community design centers by securing grants from the Department of Housing and Urban Development (HUD) to reduce loan balances of participating students.
With its current total population over 1.2 billion people, India is the second most populous nation in the world. What’s more, current demographics show that, rather than being concentrated, India’s population is spread throughout its states. In demographic and statistical terms, then, India is ideally situated to provide architecture students with new insights into Ekistics, or the science of human settlements.
Founded in 2001 in response to the ongoing shifts in the urban landscape, the Faculty of Architecture and Ekistics at Jamia Millia Islamia, a Central University, grounds students in the ways that nature interacts with human needs/ethics in order to produce professionals instrumental in advancing a better built environment.
In the 1970s roughly 20 percent of all US college courses were taught by adjuncts. In recent years, especially since the global financial meltdown, the number of adjunct professors has exploded to the point where they might be considered a floating population of migrant laborers. According to a report from the National Education Association (NEA), currently more than half of all US college courses are taught by adjuncts, or what Sarah Kendzior calls “Academia’s Indentured Servants.”
The 2013 American Association of University Professors annual report paints an even bleaker picture, finding that 76 percent of the academic workforce is made up of adjunct, part-time faculty, teaching graduate students, and non-tenure track, full-time professors.
We have entered an era in higher education where many alarming forces are converging.