Work seamlessly with CAD and Lumion 3D rendering software for immediate model visualizations

Ever since humans started building (about 10,000 years ago), settlers looking for sites to build new villages or homesteads have kept a simple list of criteria: access to water, proximity to arable land, and, ideally, as flat as possible. Modern development sites instead look for industry and transport links rather than water and farmland, but a level site is still the preferred option.

Whether you cut and fill into the landscape by digging in a retaining wall, or balance the structure above the hillside on stilt supports, building on sloping ground always adds time, cost, and difficulty to the project. With immense views and extra space both inside and out, however, the results can be worth the extra effort.

In her 1959 debut by Mattel, Barbie became a doll that transformed the toy industry and has been a popular culture icon ever since. 3 years later, the first accompanying Barbie Dollhouse was created, a home for Barbie representing her domestic, habitual, and day-to-day life. Over the past 60 years, Barbie Dreamhouses have changed and evolved, each iteration adopting the architectural and design fads of the eras in which they were produced. In fact, each dollhouse is an artifact of the unique blend of history, politics, popular culture, trends, and design styles that define architecture as we know it.

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Nowadays, homes are built in increasingly smaller spaces in densely populated cities. The kitchens, which today serve not only to prepare meals but also as meeting spaces where we receive guests, are the places that have undergone the most transformations in recent decades. Whether by integrating with other living areas or by the super functional design of a single counter, there is an increasing search for innovation in this fundamental part of a home.

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The idea of integration between art and architecture dates back to the very origin of the discipline, however, it took on a new meaning and social purpose during the Avant-Garde movement of the early twentieth century, becoming one of the most defining characteristics of Modernism. This close relationship is evident in the works of some of the greatest modern architects, such as Mies van der Rohe, Le Corbusier, and Oscar Niemeyer, to name a few.

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This article was originally published on Common Edge.

Recently I traveled to Ljubljana, Slovenia, in search of the religious architecture of the celebrated (but largely unknown in the U.S.) Slovenian architect Jože Plečnik (1872–1957). I write a lot about the architecture of spirituality, and I was curious about Plečnik’s churches and chapels—what the architect’s idiosyncratic form of classicism said about faith in a Modern age. What I didn’t expect to find was the universal nature of Plečnik’s work as an urbanist: a re-maker of the Slovenian capital that holds lessons for us today.

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The geological period we currently inhabit is known as the Anthropocene, defined by the substantial human impact on Earth's ecosystems and geology. In contrast, the Symbiocene, a term coined by Australian philosopher and environmentalist Glenn Albrecht, presents a vision of the future characterized by a positive and symbiotic relationship between humans and the natural world. In the Symbiocene era, humans actively collaborate with nature, acknowledging their interdependence with Earth's ecosystems and striving to regenerate and restore the natural environment, thus creating a more harmonious and sustainable world.

In midtown Manhattan, the street crossings surrounding the entrance to the Lincoln Tunnel were once some of the most challenging in the city. A mess of highway ramps, missing sidewalks, and concrete barriers made the corner of Dyer Avenue and 30th Street an area to avoid.

Now with a new $50 million elevated connector, pedestrians can safely move 30 feet above the intersections using a 600-foot-long L-shaped bridge from the High Line to Moynihan Train Hall.

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Rock salt is a chemical sedimentary rock that forms through the evaporation of water, as minerals dissolve and settle down. When excavated directly from the earth, it maintains a cube-shaped crystalline form. With its diverse textures, compositions and structures, this natural element has captivated human interest for centuries. Depending on the region and environmental conditions, salt rock has been found in diverse applications in architecture, such as a construction material that uses blocks of salt to build structures, bricks, or tiles. Often translucent, these bricks allow diffused light to enter interior spaces, creating a unique atmosphere and aesthetic appeal.

Giving this ancient material a modern twist, Casalgrande Padana uses rock salt as the inspiration for its new Supreme porcelain stoneware tile collection. By replicating the colors, texture and brightness of natural sedimentary rock, this collection can be seen as a fascinating journey to discover the unique features of the center of the Earth.

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Designing a bathroom requires careful attention to detail to remain beautiful and organized. The amount of hygiene and health products typically stored in this environment requires functional cabinets and other strategies. Increasingly, we see the solution of using niches to create a recess in the wall. This allows optimizing the available space and, as a bonus, makes the environment more aesthetically pleasing. That's why we bring you some examples of bathroom niches and tips for their installation. In addition, we bring you other examples beyond traditional soap dishes.

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Architects and builders often opt for metal panels due to their exceptional qualities: durability, affordability, and versatility. These attributes hold immense value for construction professionals, who constantly seek cost-effective solutions. Moreover, when a product seamlessly merges desired aesthetics with optimal performance, it becomes a highly sought-after choice for a diverse range of projects.

Biophilia, or love for life and nature, inspires architects around the world to create spaces that deeply connect with natural elements. These architectural projects seek to reintroduce nature into built environments, resulting in spaces that promote well-being, health, inspiration, and even productivity. In Brazil, the possibilities are even broader, given the country's exuberant climate and the vegetation found in various biomes. In this article, we will explore seven projects from different programs that embrace this concept and allow for a symbiosis between architecture, humans, and nature.

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At first, adding a mezzanine floor to a layout either seems like a complete waste of good floorspace or a clumsy attempt to squeeze two stories into one – like wearing skinny jeans after Christmas – both spaces end up feeling constricted and uncomfortable.

But whether the intermediate-level floor is achieved by addition – erecting an extra level in a high-ceilinged room, or by subtraction – removing part of the floor to connect with the one below, mezzanines are a relatively simple way to dramatically change and improve how we use and interact with our existing environments.

There is often an intricate relationship between architecture and the environment. Each part of the world has defined its own architectural techniques based on its unique climatic conditions. However, environmental concerns in the 21st century provoked new techniques, implementing solutions to preserve natural resources and provide thermal comfort. While some opted for a futuristic approach with mechanical and technologically-advanced solutions, others decided to go back in time and explore how civilizations protected their people, architecture, and environment when they had nothing else to resort to but the environment itself. In this article, we look at how Musharrabiyas found their way back into modern-day architecture as significant vernacular features.

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Ornament and Its Discontents

Disguise, makeup. Expression of the subjectivity of a group, language, or sign. Historical document, emblem of fleeting fashions. A crime. Ornaments have been interpreted in different ways and are considered one of the most degenerate sins of architecture. Resisting the temptation of decoration has become a virtue, a legitimate sign of authenticity and a possible future.

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