In 1999, Birgit Lohmann and Massimo Mini co-founded designboom, self-proclaimed as the "first online architecture and design magazine." Seven years later, Facebook transitioned from Ivy League universities to massive audiences, while the first tweet was posted on formerly-known Twitter. Sixteen years have passed since these milestones.

While 16 years may be a short period in architecture, digital media and social networks are far from being considered emergent in the history of the internet. In fact, they form the core of the current Web 2.0 model, characterized by a dual interaction between content producers and consumers: sharing, liking, remixing, and reposting.

Indeed, the speed and magnitude of the transformations that digital media have undergone, and in turn, driven, provide the opportunity to begin documenting the history of the digital era and its impact on architecture.

Italian architect and architecture historian Paolo Portoghesi, the first director of the Venice Architecture Biennale, passed away at the age of 92 in Calcata, Italy, as reported by the organization today, Tuesday, May 30.

The Graham Foundation has announced the award of 64 new grants to individuals exploring innovative and interdisciplinary ideas that contribute critical perspectives on architecture and design in 2023.

The Chilean Ministry of Cultures, Arts, and Heritage selected architect Gonzalo Carrasco and Beals Lyon Arquitectos as curators of the Chilean pavilion at the Venice Biennale 2023 with their proposal themed "Moving Ecologies" ("Ecologías en Movimiento").

"Moving Ecologies" will address how "architecture and science made it possible to imagine the future of a country that was entering modernity" in the XIX century in such a project as the Quinta Normal park, according to the organizers. Moreover, the proposal parallels the current challenges around ecological repair and restoration with the study of soil recovery processes with endemic seeds.

On May 20th, 2023, the entire architecture world will turn its attention to Venice for the opening of the 18th edition of the Venice Architecture Biennale. Ever since the appointment of Lesley Lokko as curator of the international exhibition, ArchDaily has covered all the details of the Biennale, but some frequently asked questions about the event remain unanswered.

Below, we answer the 10 most common questions.

Since 1998, the Venice Architecture Biennale has been divided into three pillars: the national pavilions (each country chooses its own curators and projects), the international exhibition (curated by the Biennale's curator), and the collateral events (approved by the Biennale's curator).

In the 2023 edition of the event, the international architecture exhibition curated by Lesley Lokko is structured in six parts, including 89 participants. Over half of them are from Africa or the African Diaspora, with a 50/50 gender balance, and an average of 43 ages for participants.

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As part of our yearly tradition, we have asked our readers who should win the 2023 Pritzker Prize, the most important award in the field of architecture.

For those who don't know, the Pritzker Prize is funded by Jay Pritzker through the Hyatt Foundation in the United States and has been awarded to living architects, regardless of their nationality, whose built work "has produced consistent and significant contributions to humanity through the art of architecture."

Videos

A24 and Atomic Monster have recently confirmed a movie adaptation of The Backrooms, a Youtube short horror film (expanded to a series) created by 17-year-old director and VFX artist Kane Parsons.

Based on the namesake creepypasta, The Backrooms is set in a seemingly infinite labyrinth of yellow-tinted, carpeted office spaces, bathed in fluorescent indoor lighting, like an abandoned building, in 1996. Its kitsch corporate aesthetic is reinforced by the imitation of the VHS tape recording style that allows Parsons to hide imperfections (or avoid an uncanny valley effect) of a simple 3D scenario created in Blender and edited in Adobe After Effects during the post-production stage.