Architects have always adapted their designs for the key building indicators of their time. After decades of focus on energy efficiency, embodied carbon is quickly becoming the key indicator for our next generation of buildings. Yet most of us are only beginning to understand the work of life cycle analysis (LCA), which is central to assessing the environmental impacts of building products both before, during, and after construction.

Rebuild Foundation, run by Artist Theaster Gates, is converting the St. Laurence Elementary School into a new 40,000 sq foot arts hub on Chicago’s South Side. The formerly vacant elementary school in Chicago’s local St. Laurence neighborhood has been reimagined to redeem indoor and outdoor spaces, making it a cultural hub. Set to open in 2024, the building's adaptive reuse expanded the program and the landmark into a place of exploration, entrepreneurship, and creative education.

In the face of the environmental crisis and the need to mitigate climate change, adopting clean and renewable energy sources, such as solar energy, in architectural projects is becoming increasingly imperative. As a country with abundant sunlight incidence throughout the year, Brazil has enormous potential to take advantage of this energy source, which has become an increasingly attractive and viable option in the Brazilian scenario. There are numerous benefits solar energy can provide to both residents and the environment that make it a popular choice for residential use.

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Architects and designers are often looking for ways to make building facades and interior surfaces stand out from the crowd. But sometimes just the smallest change can have the biggest impact once you step back and see the whole picture. By employing an illusionary pattern such as dithering pixels or halftone dots, or by making subtle but intentional changes to the position or orientation of materials, flat surfaces can be transformed into curved, moving forms.

Halftone patterns work by reducing a solid surface of color into dots of decreasing size. As the dots gradually reduce to nothing, they leave nothing behind except a background color. The result is a flat surface with a gradient that mimics the shadows or highlights of a three-dimensional curve. Dithering, meanwhile, is the process of feathering multiple shades of the same color to blend them together. The effect allows designers to, on a large enough scale, create images with depth and curves, while using only a single color. Or even to create the illusion of an intermediary color.

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Architect, critic, and curator Jean-Louis Cohen passed away at the age of 74 yesterday, August 7. Recognized for his extensive research in the field of modern architecture and urban planning, he held the Sheldon H. Solow Chair of Architectural History at New York University since 1994.

Cohen served as a curator for various prestigious exhibitions, including some held at the Museum of Modern Art, the Canadian Centre for Architecture, the Centre Georges Pompidou, the Cité de l'Architecture et du Patrimoine, and the MAXXI. More recently, alongside Brazilian researcher Vanessa Grossman, he curated the exhibition "Geografias Construídas: Paulo Mendes da Rocha," which opened in May at the Casa da Arquitectura in Portugal.

From the changing seasons to the users' interactions, there is almost an infinite set of facets of the architectural project that can be represented through film, and many photographers have entered into this dimension in different formats: documentaries, fixed camera, scripted performances or time-lapses, among others that you can browse in our video section.

Since pandemic-imposed restrictions have been lifted, Europe has experienced a surge in tourism, with millions of people visiting some of its most attractive destinations, such as Venice, Barcelona or Paris. The large number of visitors has proved to be a challenge for the cities, creating overcrowding and affecting the local population, urban development, and even the natural ecosystems surrounding the urban areas. In a bid to limit this influx, some of Europe’s most popular cities are taking various measures to address the overcrowding and the subsequent social and infrastructural issues. The measures include fines, entrance fees, and time-slot systems to impose some restrictions.

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Drawing inspiration from the visual style of acclaimed director Wes Anderson, known for films like "Asteroid City" and “The Grand Budapest Hotel,” this new architectural film chronicles the homeland and landscape of Singapore. Directed by Kevin Siyuan, this is the second volume of “A Wes Anderson-ish Singapore” released. Moreover, the 20-minute documentary will be previewed on Singapore’s National Day and focuses on the urban planning, architecture, parks, and the people of Singapore.

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The Portuguese office MASSLAB won a competition promoted by the Housing and Urban Rehabilitation Institute (IHRU, IP) for 100 affordable housing units in Lisbon. The competition aimed to integrate the new buildings with heritage values and the city’s urban fabric next to the Estrela Basilica.

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In the past, glazed surfaces tended to be small and almost opaque; but this began to change throughout the years due to the growing trend of increasingly larger glass panes in construction. Accompanied by thinner frames, they dilute the boundaries between the inside and the outside, and have become ubiquitous in modern buildings. In fact, it is increasingly rare to find a contemporary work of architecture that does not include the remarkable presence of glass: this material is present in the most diverse architectural scales, and its transparency provides harmonious integration with the surroundings and generous natural light for buildings. Traditional systems with frames are still predominant, but frameless glass facades are gaining ground in specific architectural projects, as they create perfect connections between the glass and the structure of the building, resulting in a singular aesthetic with soft and harmonious transitions. By eliminating heavy frames, a project's aesthetics can be enhanced while also improving the quality of life inside.

AKIN has been announced as the winning team in the Barangaroo Harbour Park Design Competition, a project that will transform a central location along the waterfront of Sydney, Australia. The winning team is a First Nations-led and Sydney-based ground composed of Yerrabingin, Architectus, Flying Fish Blue, Jacob Nash Design, and Studio Chris Fox, with Arup as engineering consultants. Through its designers, the group integrates Indigenous knowledge systems along with landscape architecture, regenerative design, public art, and place-making.

Powerhouse Parramata, Sydney’s new largest museum, has been announced to open in early 2025. The museum group overseeing the project sits at the intersection of the arts, design, science, and technology industries. Designed by Moreau Kusunoki in collaboration with local practice Genton, the museum will be located on the south bank of the Parramatta River in Western Sydney, acting as the largest cultural infrastructure project in the Australian capital city since the Sydney Opera House.

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The Islamic Architecture style has a diverse history, spanning over a millennium, stretching from Western Africa to Europe to Eastern Asia. Beginning in early 7th century Arabia, this form of architecture emerged with the rise of the Islamic civilization. In fact, Al Masjid Al Nabawi, the first Mosque to ever be constructed was built in 622, in Medina, Saudi Arabia. Moreover, early Islamic architecture was influenced by the pre-existing styles around the region, such as Roman, Byzantine, and Persian qualities.

Today, Islamic architecture is known for its acute attention to detail, craftsmanship, and its spiritual symbolism. Furthermore, as color plays an essential role in architecture, influencing the emotional experience of the space, different colors have been utilized over the years in Islamic Architecture to evoke certain meanings. In Islamic Architecture, colors hold significant spiritual symbolism, reflecting the values and beliefs of the Islamic faith. Four core colors, Green, Blue, Gold, and White, are each used to convey various cultural, religious, and symbolic meanings.

Read on to discover the use of these colors in various Islamic architectural icons around the world.

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Far beyond its decorative features, landscaping brings with it biological and cultural issues that need to be addressed in projects. However, what can be seen in most public, residential, condominium, commercial and business gardens is a series of approaches that distance landscaping from all its attributes, reducing it to a decorative layer in the construction. Next, we have put together strategies to avoid the main problems of landscape design, joining aesthetics with its environmental and cultural possibilities.

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Tropical architecture, a term widely used in architectural discourse, lacks a consistent definition. The adjective ‘tropical’ relates to the zone between the Tropics of Cancer and Capricorn, which covers more than 40% of the earth’s surface. Heat is possibly the only shared characteristic of this belt. The tropical zone holds a range of climates from arid to wet, as well as a variety of geographic, social, and economic contexts. Unlike in temperate or arctic zones, a single umbrella term is used to describe the architecture of the tropics. 

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Materiality is a determining factor in shaping the character and experience of a building. Playing with the aesthetic and tactile qualities of materials, the design process encompasses their analysis, selection, and arrangement to create purposeful and sensory-rich spaces. Alongside textures and patterns, exploring materiality also involves the study of color possibilities. The versatile role of color in architectural materials extends beyond mere aesthetics, as it can broaden design opportunities and influence emotional responses, functionality, cultural relevance, and environmental performance. 

Even though each material has its distinctive inherent color, the addition of artificial or natural pigments can modify them in favor of the project’s identity. Delving into the debate on maintaining raw aesthetics or changing a material’s natural hues, we showcase various projects to study the differences between using natural versus artificial pigmentation of glass, concrete, brick, stone and wood.

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The Dallas Museum of Art (DMA) announced Madrid-based practice Nieto Sobejano Arquitectos as the winner of the international design competition Reimagining the Dallas Museum of Art. The project was selected out of 154 submissions from around the world, and a shortlist featuring internationally recognized names such as David Chipperfield Architects, Diller Scofidio + Renfro, Johnston Marklee, Michael Maltzan Architecture and Weiss/Manfredi. The winning proposal was conceived ‘as a reflection of the original building, transforming the relationship between art, landscape, and community into a balance of memory and innovation,’ according to the architects. The winner’s concept design is available to view in a free presentation on Mezzanine Level 2 at the DMA through this Fall and on the competition website.

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The National Gallery of Victoria 2023 Architecture Commission has chosen a colossal inflatable sphere, named (This is) Air, as its centerpiece. This unique creation is a collaboration between architect Nic Brunsdon and ENESS, aiming to bring the invisible into view by highlighting a fundamental aspect of life: breathing air.

Zaha Hadid Architects has revealed the design of the Daxia Tower, to be built in the High-Tech Economic and Technological Development Zone of Xi’an, one of China’s largest inland cities with a population nearing nine million people. The tower will mark the center of Xi’an’s business district and will include offices, retail, and ancillary facilities, all designed with data analytics and behavior modeling to ensure a balanced disposition of spaces.