Shenzhen, as the modern metropolis in southeastern China that links Hong Kong to China’s mainland, has undergone rapid real estate development and intensive construction bidding in recent years.
“Shenzhen Ten Cultural Facilities of New Era” serves as a significant international design competition that has attracted much attention and investment from many high-level active architects worldwide.
The Board of Directors of the 2021 Venice Biennale has appointed Kazuyo Sejima as president of the international jury, in charge of awarding mainly the Golden Lion for Best National Participation, the Golden Lion for the Best participant, and the Silver Lion for a promising young participant. In addition, they have also selected four other jury members from Peru, Lebanon, Ghana-Scotland, and Italy. The Awards Ceremony will take place in Venice on Monday, August 30th, 2021.
After surpassing many hurdles, SANAA's renovation of La Samaritaine Department Store is set to open its doors to the public. The redesign of the Parisian retail institution reinstates its historical value while bringing a contemporary contribution to its architecture.
Miralles Tagliabue EMBT, directed by Benedetta Tagliabue, has won the international competition to design the Shenzhen Conservatory of Music, one of the city's 10 new era cultural buildings. Characterized by the dialogue generated with its surroundings, the complex integrates music and art in nature with a proposal of organic and sustainable architecture.
The proposal designed by SANAA, “The Cloud on the Ocean” was just selected as the winning entry of the International Architecture Design Competition for the Shenzhen Maritime Museum. Led by Kazuyo Sejima and Ryue Nishizawa, SANAA imagined an intervention emerging between mountains and sea, combining the local cultures, site features, and maritime elements.
This year, architecture’s highest honor, the Pritzker Prize, has been granted to Grafton Architects, a Dublin-based architectural firm mainly ran by female partners Yvonne Farrell and Shelley McNamara. For the first time ever in its 42-year history, due to the constraints set by Covid-19 global pandemic, the organizers of the Pritzker Prize decided to use Livestream the award ceremony. Having reached the end of 2020, ArchDaily has summed up what current and previous Pritzker Prize winners have accomplished during this turbulent year.
Tokyo-based SANAA has designed a new addition to the Art Gallery of New South Wales (AGNSW) in Sydney. As the firm's first building in Australia, the project will transform the flagship art museum and connect through an outdoor public art garden overlooking Sydney Harbor. The new building is designed to contrast the Gallery’s 19th-century neo-classical building as a light, transparent and open addition.
Questioning “how rooted architecture practice is and how much the built and cultural environment feeds and shapes our imagination”, Beka & Lemoine’s latest film follows one of the most celebrated Japanese architects of our times, Ryue Nishizawa in his vintage Alfa Romeo (Giulia) as he wanders in the streets of Tokyo. After winning the prestigious DocAviv 2020, the black and white documentary Tokyo Ride will soon première in many major architecture film festivals both in Europe and in North America.
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SANAA’s recently completed social housing complex in Paris was captured by the Architecture and Photography studio of Vincent Hecht. Part of Paris habitat, France’s largest public utility social housing company, the project comprises four buildings accommodating more than 100 social housing units in total.
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Founded in 1995 by architects Kazuyo Sejima (born 29 October 1956) and Ryue Nishizawa (born 7 February 1966), SANAA is world-renowned for its white, light buildings grounded in the architects’ Japanese cultural origins. Despite the white exteriors, their architecture is far from modernist; the constant incorporation of ambiguity and doubt in SANAA’s buildings is refreshing and playful, taking the reflective properties of glass and brightness of white to a new level.
The New Museum in New York City has unveiled the design for a second building, designed by OMA / Shohei Shigematsu in collaboration with Cooper Robertson. The appointment represents OMA’s first public building in New York City. The structure will complement the integrity of the adjoining SANAA-designed flagship building, while also asserting its own identity.
SANAA's new campus for the Bezalel Academy of Arts and Design in Jerusalem is now set for a 2022 opening. Initially proposed in 2013, the new project for Israel’s national school of art broke ground back in 2015. The campus is being built in the Russian Compound in Jerusalem’s City Center. The design will bring together 2,500 students and 500 faculty members as the school moves from the current Mount Scopus Campus. The new campus aims to revitalize the city center and connect to the urban fabric of Jerusalem.
Italian artist Federico Babina has published the latest in his impressive portfolio of architectural illustrations. “Archivoid” seeks to “sculpt invisible masses of space” through the reading of negatives – using the architectural language of famous designers past and present, from Frank Lloyd Wright to Bjarke Ingels.
Babina’s images create an inverse point of view, a reversal of perception for an alternative reading of space, and reality itself. Making negative space his protagonist, Babina traces the “Architectural footprints” of famous architects, coupling mysterious geometries with a vibrant color scheme.
Our world revolves. Not just literally, as it does around the sun, but in nature’s every aspect. Seasons cycle into each other (though more erratically each year), waves trace and retrace the beaches with the shifting tide, flowers open, close, and turn to follow the path of the sun. Even we are governed by these circular natural systems. Maintenance of our circadian rhythms, a human connection to light, is so essential to our health that it is a required element in many contemporary building codes.
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If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
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This article was originally published on July 22, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
The New Museum is the product of a daring vision to establish a radical, politicized center for contemporary art in New York City. With the aim of distinguishing itself from the city’s existing art institutions through a focus on emerging artists, the museum’s name embodies its pioneering spirit. Over the two decades following its foundation in 1977, it gained a strong reputation for its bold artistic program, and eventually outgrew its inconspicuous home in a SoHo loft. Keen to establish a visual presence and to reach a wider audience, in 2003 the Japanese architectural firm SANAA was commissioned to design a dedicated home for the museum. The resulting structure, a stack of rectilinear boxes which tower over the Bowery, would be the first and, thus far, the only purpose-built contemporary art museum in New York City.[1]
Kazuyo Sejima, co-founder of the architecture firm SANAA, shared details of their upcoming project the New National Gallery – Ludwig Museum in Budapest at the Hay Festival Segovia in Spain. The 2010 Pritzker Prize winner linked the underlying premise of this project to three iconic museums: the 21st Century Museum of Contemporary Art in Kanazawa (2004), the New Art Museum in New York (2007), and the Louvre Lens in France (2012).
In this conversation, Laszló Baán, General Director of the National Gallery, Budapest and Ministerial Commissioner of the Liget Budapest Project, explained the details of the 100-hectare (247-acre) masterplan at the heart of Hungary's capital city. The Liget Budapest Project will feature ten museums, including Sou Fujimoto's House of Hungarian Music, the expansion of the Budapest Zoo, and SANAA's New National Gallery for Budapest — a museum that will host 19th, 20th century, and contemporary artworks.
"Moriyama-San" - a film by Bêka & Lemoine - has been awarded the 2018 Best Prize at the Arquiteturas Film Festival in Lisbon. Centered around the famous Moriyama House by Pritzker Prize Laureate Ryue Nishizawa, it becomes part of a developing series called “Living Architectures,” in which the filmmakers aim to “put into question the fascination with the picture, which covers up the buildings with preconceived ideas of perfection, virtuosity, and infallibility.” In its unique approach, the film “masterfully combines image, sound, and narrative in a compelling story about a unique character and its relation to his house and music.”
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