Over two decades in the making, Frank Gehry's design for the Dwight D. Eisenhower Memorial in Washington, D.C. will finally open to the public this Friday. A tribute to the 34th President of the United States, the memorial was commissioned by Congress in 1999 to honor the legacy of the World War II Supreme Allied Commander. Eisenhower is well known for leading the invasion of Normandy, a turning point in the war, and for serving two terms as President of United States.
With a complex debate underway about monuments and the way we engage history, we should start thinking about a COVID-19 Memorial. Yes, I know we are in the middle (or is it still the start?) of this pandemic, but the intensity of the moment might actually help us envision what such a memorial could be. Instead of waiting for a time when we have more distance from our current catastrophe, we should capture the passions coursing through society right now.
Rojkind Arquitectos has revealed a "mourning claim" memorial proposal for coronavirus victims. The design project led by Michel Rojkind, Arturo Ortíz Struck, and Diego Díaz Lezama has initially envisioned the memorial both in New York City's Times Square and Mexico City's Zocalo.
"We are claiming the act of mourning. We can at least take care of that, of building symbols where we can place the testimony of our life and the lives of others," stated the authors.
Architecture is often associated with the idea of sheltering, ever since primitive constructions. However, memorials are among the few types of architecture that are not primarily intended to shelter, but to remember. A space that respectfully aims to keep alive the memory of those who have fallen in heroic acts or have been unfortunate victims of cruel historical events, which can, therefore, be perceived as a monument or a building with the purpose of materializing intangible emotions, creating collective memories that can be remembered through time.
Architecture firm Gómez Platero has designed a new memorial to honor those affected by COVID-19. Sited in Uruguay, the monument is made to be an expression of hope in an uncertain time. As the first large-scale monument to the worldwide victims of the COVID-19 pandemic, the project is called the "World Memorial to the Pandemic." It aims to be a space for mourning and reflection that's environmentally conscious and emotionally impactful.
This article was originally published on Common Edge.
Monuments, as Alois Riegl pointed out a century ago, are aids to memory. “In memoriam,” the carvings cry out. Though they are almost always tainted with political ideologies and social values, they can stand on their own as works of art, absorbing meanings over millennia. Many that we continue to treasure were once associated with events and practices antithetical to modern mores and taboos: Greek temples were founded on the altars of animal—and, earlier, human—sacrifice; the pyramids were made by slaves; market crosses may have served as flogging posts. There really are no innocent human artifacts dedicated to remembering human acts, as fact or fiction.
Ensuring a platform for everyone, ArchDaily is rounding up, every once in a while, a curated selection from our readers’ submissions. With proposals coming from all over the world, our aim is to feature the best Unbuilt Architecture out there.
In this article, we are highlighting proposals that were awarded the first prize in international competitions. Each one of these projects showcases a unique conceptual approach and responds to a different program. With a mixed-use project in France, a market in Helsinki, an aquarium in New York and a civic building in Norway, to name a few, the variety of these unbuilt interventions underlines the vast scope of the architectural field.
After 20 years in the planning, the International African American Museum is now under construction in Charleston, United States. Designed by Pei Cobb Freed & Partners, IAAM aims to honor the site where enslaved Africans passed away, by sharing narratives, previously overlooked by historians.
Graveyards full of names that have long been forgotten, plaques etched with portraits that you ignore on your morning jog, monuments with friezes that depict the triumphs of war—all these are examples of memorial architecture, which once held intense emotional meaning for certain individuals or groups of people, but have now gradually become tourist attractions or anachronistic sites within a changed landscape.
Since the horrors of World War II memorial architecture has changed drastically, from monuments focusing on names, heroes, and patriotism to abstract symbols of mourning and loss. How will this shift in the design of memorials change the way we experience them in the present and, more importantly, in the future? When generations pass away and the memorialized event becomes almost forgotten, how will we experience and remember?
The AWM or the Australian War Memorial will undergo a series of development and refurbishments works, in order to renovate its galleries and its buildings. COX architecture will design the new Anzac Hall with its connection to the main structure, while Scott Carver will be in charge of the southern entrance.
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OnePULSE Foundation has selected Coldefy & Associés with RDAI, Orlando-based HHCP Architects, Xavier Veilhan, dUCKS scéno, Agence TER, and Prof. Laila Farah, to design the National Pulse Memorial & Museum.
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The six shortlisted concepts for the National Pulse Memorial & Museum will be on display at the Orange County Regional History Center where people can view and comment on the schemes, helping the jury choose the winning proposal, to be announced on October 30.
The proposal of the Austrian architecture bureau, Querkraft Architekten, with the landscape architect Kieran Fraser Landscape Design, was selected unanimously as the winning project for the future Babyn Yar Holocaust Memorial Center in Kyiv, Ukraine. Planned to be built on a site that has witnessed massive massacres, the center will be the first Holocaust Memorial in Eastern Europe.
XTU architects have published their competition entry for the Founder’s Memorial in Singapore’s Bay East Garden. Inspired by the mangroves and banyans of Singapore which stand tall along the coastal regions of tropical areas, the memorial dives its routes into the ground, before shooting skywards.
Daniel Libeskind has collaborated with photographer Caryl Englander and curator Henri Lustiger Thaler from the Amud Aish Memorial Museum to present a temporary exhibition at the Auschwitz-Birkenau State Museum. “Through the Lens of Faith” opens on July 1st, 2019, marking the 75th anniversary of the concentration camp’s liberation in 1945.
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On June 12, 2016, the largest and deadliest act of violence affecting LGBTQ+ people, and one of the deadliest terrorist attacks by a single gunman in modern American history occurred at the Pulse nightclub in Orlando, Florida. A total of 49 people’s lives were taken that night, 68 others were injured, and hundreds were left permanently affected by the trauma.
In the aftermath, the Orlando community and the world came together to prove that love will overcome fear and hatred. Under this banner, the onePULSE Foundation, an educational nonprofit, was created to memorialize this tragedy and ensure that Pulse’s legacy of love, acceptance, and hope will never be lost.
The UK's new Holocaust Memorial by Adjaye Associates and Ron Arad Architects is facing criticism for the location of the project from local residents and the Royal Parks. An application for the memorial and learning center is being considered by Westminster City Council, and a petition calling for the protection of the green space is already signed by more than 11,000 members of the public. Planned for Victoria Tower Gardens alongside the River Thames close to the Houses of Parliament, the project is made to be dedicated to the 6 million Jewish men, women and children and other victims murdered by the Nazis.
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