Opening in February 2020, the Solomon R. Guggenheim Museum is showcasing an exhibition by Rem Koolhaas and AMO, the think tank of the Office for Metropolitan Architecture (OMA). Entitled Countryside, The Future the exhibition seeks to investigate urgent environmental, political, and socioeconomic transformations in the nonurban areas.
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AMO / Rem Koolhaas and the Guggenheim to Conduct Research Project Exploring "Radical Changes in the Countryside"
The Solomon R. Guggenheim Museum has announced a new research project exploring the “radical changes in the countryside, the vast nonurban areas of Earth” that will culminate in an exhibition at the museum’s Frank Lloyd Wright-designed New York home in Fall 2019.
Collaborating with Rem Koolhaas and his firm AMO, the think tank wing of OMA, the project will continue research already conducted by the Dutch architect and students from the Harvard Graduate School of Design.
In celebration of the 20th Anniversary of the Frank Gehry-designed Guggenheim Museum Bilbao, creative production studio 59 Productions has put on a 4-day projection mapping light show, transforming the museum’s iconic shimmering surfaces into a canvas for a dazzling light display.
From October 11-14th, the 20-minute-long multisensory production Reflections combined music, light and projection, creating a show on the building’s north-facing titanium facades that told the story of the museum’s genesis and design.
On October 15th four languages, three countries, and three astounding architectural projects will be brought together through a series of events and workshops to celebrate the 20th anniversary of the Guggenheim Museum Bilbao. The Solomon R. Guggenheim Foundation seeks to commemorate the event with a full day program of activities entitled Drawing the Guggenheim. Visitors can explore and sketch the museums during a variety of public drawing exercises, architectural tours, films and family events at each of the Guggenheim locations.
With celebrations of Frank Lloyd Wright’s 150th Birthday in full swing in architectural institutions throughout the country, a new book is giving Wright fanatics the chance to recreate some of the architect’s most notable works through a series of cut-and-fold paper models.
Created by paper engineer and artist Marc Hagan-Guirey, the book contains templates for creating 14 Wright-designed structures using the Japanese art of kirigami. The book leads you through the assembly of each model, which providing photographs, drawings and information for each building, including favorites like Fallingwater and the Solomon R. Guggenheim Museum in New York.
The 744-piece set features a new rendition of the building made from the classic plastic blocks, following a 208-piece interpretation released in 2009. The new set provides a much more realistic portrayal of the Wright's original building as well as the 10-story limestone tower added by Gwathmey Siegel & Associates Architects in 1992 (based on Wright's original sketches).
What is the place of the museum in the modern city? What role does architecture play? How can these buildings be effectively interpreted?
Frank Lloyd Wright’s design for the Guggenheim Museum in Manhattan broke with all existing conventions, setting a new standard for the postwar art museum and, together with the Museum of Modern Art, firmly establishing the city of New York as the cultural capital of the 20th century.
“We are disappointed that the Helsinki City Council has decided not to allocate funds for the proposed Guggenheim Helsinki museum, in effect bringing this project to a close,” Richard Armstrong, the director of the Solomon R. Guggenheim Foundation, told the Helsinki Times.
Two months after the Finnish government vetoed funding for the Guggenheim Helsinki project, following an international competition won by Paris-based practice Moreau Kusunoki, it has been reported that supporters of the scheme have presented an updated proposal for the construction of the museum. According to The New York Times, "of its expected $144 million building costs, the City of Helsinki’s investment would cover a maximum of $89 million."
Exhibition design is never straightforward, but that is especially true within the highly unconventional architecture of Frank Lloyd Wright’s Guggenheim Museum. Hanging a painting in a traditional “box” gallery can be literally straightforward, whereas every exhibition at the Guggenheim is the reinvention of one of the world’s most distinctive and iconic buildings. The building mandates site-specific exhibition design—partition walls, pedestals, vitrines, and benches are custom-fabricated for every show. At the same time, these qualities of the building present an opportunity for truly memorable, unique installations. Design happens simultaneously on a micro and macro scale—creating display solutions for individual works of art while producing an overall context and flow that engages the curatorial vision for the exhibition. This is why the museum’s stellar in-house exhibition designers all have an architecture background. They have developed intimate relationships with every angle and curve of the quarter-mile ramp and sloping walls.
For a few months spanning from 2014 to last year, the Guggenheim Helsinki museum competition was the hottest topic in architectural media. Even as Moreau Kusunoki's more contextually-driven design was selected as the competition winner, debate raged on over whether the search by yet another city for an iconic building to call their own was ultimately good or bad for architecture as a whole. But now, funding for the project has been rejected by the Finnish government, putting the museum in danger of not being built at all.
The Solomon R. Guggenheim Museum, which opened in 1959, was controversial for being “less a museum than it is a monument to Frank Lloyd Wright.” Although Wright intended to display paintings on the curved interior walls of the central open space, the concave walls made it unworkable. Instead, the central atrium became a place for procession and the uncovering of space through movement. The continuous ramp overlooking the atrium allows people to interact from different levels.
Photographer Laurian Ghinitoiu places people at the core of his photography which perhaps explains how, in this photoset of the Guggenheim Museum to mark Wright's 149th birthday, he captured the essence and vitality of the Guggenheim Museum. While some images depict the museum’s atrium as a place for passing-by, wandering or socializing, others grasp the growing influence of photography and self-representation on visitors’ experience. Some shots also show the building in its urban context with people involved in daily life activities.
The Google Cultural Institute have teamed up with New York City's iconic Solomon R. Guggenheim Museum, designed by Frank Lloyd Wright and completed in 1959, to open its doors through Street View. Additionally, the Solomon R. Guggenheim Foundation has made over 120 artworks from its collection available for online viewing. "Using Street View technology, it will now be possible to tour the museum’s distinctive spiral ramps from anywhere online," the Foundation said.
In conjunction with Archtober and New York Archives Week, the Guggenheim will host its third Wikipedia edit-a-thon—or, #guggathon—to enhance articles related to women in architecture on Wikipedia, the world’s largest source of free knowledge.
Moreau Kusunoki, based in Paris, have been announced as the winners of the Guggenheim Helsinki competition following a year of shortlisting, refining and deliberation. Their proposal—entitled Art in the City—"sums up the qualities the jury admired in the design" noted Mark Wigley, chair of the jury. He continued: "the waterfront, park, and nearby urban area all have a dialogue with the loose cluster of pavilions, with people and activities flowing between them. The design is imbued with a sense of community and animation that matches the ambitions of the brief to honor both the people of Finland and the creation of a more responsive museum of the future."
The announcement was made this morning in Helsinki by Richard Armstrong, Director of the Solomon R. Guggenheim Museum and Foundation. Also present was Professor Mark Wigley, chair of the jury and Dean Emeritus of Columbia GSAPP, Jussi Pajunen, Mayor of Helsinki, Ari Lahti, chairman of the Guggenheim Helsinki Supporting Foundation, and the architect team.
Now for the first time, Guggenheim has unveiled the six fully developed designs competing to become Guggenheim Helsinki. Selected from 1,715 entries in world's the most popular architectural competition, the remaining finalists have spent the past five months refining their designs after being shortlisted by an independent 11-member jury, of which includes Studio Gang's Jeanne Gang and former Columbia University dean Mark Wigley.
The release foreshadows the April 25 opening of Guggenheim Helsinki Now: Six Finalist Designs Unveiled, a free exhibition that will open the projects up to public critique. A winner will be announced on June 23.
All 6 detailed proposals, after the break.
The organisers behind The Next Helsinki, a competition masterminded by architect and critic Michael Sorkin, have announced that they have received over 200 international entries. Launched as an alternative to the controversial Guggenheim Helsinki project, the competition called upon architects, urbanists, artists, and environmentalists to imagine how Helsinki and the South Harbour site allotted to the proposed museum could be transformed for the maximum benefit of the city’s residents and visitors.