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Architects: Guido Otero Arquitetura
- Year: 2024


ArchDaily is proud to announce the winners of the 2026 Next Practices Awards, recognizing 20 emerging and forward-thinking practices expanding the possibilities of architecture today.
Now in its sixth edition, Next Practices continues to look beyond conventional definitions of the profession to identify the people, ideas, and methodologies driving the discipline. The 2026 edition is our strongest and most globally representative to date, bringing together different approaches, scales, and contexts that broaden our understanding of how and by whom architecture is being practiced.
From extreme climates to rural communities, informal cities, and territories affected by displacement and environmental vulnerability, this year's selection engages with a wide range of realities. Drawing from engineering, ecology, digital fabrication, material research, vernacular and Indigenous knowledge, advocacy, and critical research, these practices reflect what is "next": the capacity to respond to specific conditions and actively shape the world around them.

Argentina's vast territory reveals multiple ways of building shaped by its geographic, climatic, and cultural diversity. When designing single-family homes in Córdoba, Mendoza, Santa Fe, and Buenos Aires, numerous young Argentine architecture firms respond to distinct material, landscape, and cultural conditions by working with the resources, construction systems, and crafts available in each area. The house becomes a means of interpreting its context, engaging with local traditions, and incorporating new approaches to architectural production.
As the setting for everyday life, the house is part of an ongoing experience, acting as a complex and subtle organism that responds not only to its inhabitants' way of life but also to the landscapes in which it is situated. After presenting different perspectives and definitions by figures such as Le Corbusier, Ernesto Rogers, and Lewis Mumford, Argentine architect Eduardo Sacriste emphasizes in his book Qué es la casa its role as a reflection of the past, sharing the present and illuminating the future.

As cities around the world brace for extreme temperatures and waves of unrelenting heat, urban greening is one of the best solutions for leaders to combat this reality. The benefits of planting trees for physical health, mental well-being, and thermal relief are well documented, and a mature canopy can transform a space by several degrees on a hot day. Trees cool the air through evapotranspiration, filter pollutants and absorb stormwater, and enhance biodiversity in urban spaces.



In Latin America, the ground is rarely just a surface to build on. It can be a river edge, a steep slope, a humid forest floor, a floodable landscape, or a territory under ecological pressure, and in many cases, it carries a history of communities that already knew how to respond to it, building on stilts, on platforms, over water, long before contemporary architecture asked the same questions.
These projects continue that conversation. They engage with conditions that move, absorb, erode, and grow, rather than treating the ground as something to level or control. Elevation allows architecture to adapt without fully taking over: water can pass below, vegetation can remain, and slopes can keep their original condition. In each case, the decision to rise is tied to something specific: water, humidity, topography, vegetation, or ecological recovery, and the knowledge of how to build within it and not against it.





Across South America, architecture endures through the materials it uses, those that persist over time. Bamboo, brick, wood, and concrete appear across regions, connecting climate, labor, and culture in ways that ensure their persistence through generations. Their continuity does not depend solely on preservation or heritage. It depends on use.
In this context, cultural memory does not reside primarily in monuments or images, but in practice. It survives in repeated gestures: laying bricks, tying guadua joints, assembling wood frames, casting slabs that anticipate another floor. These actions are transmitted less through manuals than through participation. Over time, they form systems of knowledge embedded in habit and necessity. Materials endure not because they symbolize the past, but because they continue to work.
