Architects: The Latest Architecture and News
The 2013 Jury of Fellows from the American Institute of Architects (AIA) elevated 122 AIA members to its prestigious College of Fellows, an honor awarded to members who have made significant contributions to the profession. The 2013 Fellows will be honored at an investiture ceremony at the 2013 National AIA Convention and Design Exposition in Denver.
Our friends at NOWNESS have shared with us this mesmeric film by Johnnie Shand Kydd that captures the illustrious modernist Richard Meier and multi-disciplinary creator Massimo Vignelli as they reflect on their respective crafts, city life, and enduring friendship. Filmed inside the minimalist offices of Richard Meier & Partners on 10th Avenue and West 36th Street in New York City, the two powerhouses discuss their collaboration on the firm’s forthcoming monograph, Richard Meier, Architect Volume 6, chronicling the stark, white, rationalist buildings that define the firm’s aesthetic. Enjoy!
Continue after the break to browse through iconic works by Richard Meier & Partners.
Architect, designer and theoretician Gae Aulenti (1927-2012) died late Wednesday night in her Milan home at the age of 84. The Palazzolo della Stella native will always be remembered as being one of the few well recognized women that worked in Italian postwar design. Throughout her career, Aulenti’s multi-faceted talent contributed greatly to the evolution of art, architecture and design.
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What’s scarier, Ando as a mime or Zaha as a witch? With their Costume Critique | Morbid Models post, Building Satire transformed Tadao Ando, Bjarke Ingels, Zaha Hadid, Rem Koolhaas and Jean Nouvel into creepy trick-or-treaters. Review them all after the break!
Born in Finland, Eero Saarinen (1910 – 1961) is recognized today as one of America’s most influential architects of the 20th Century. The exhibition Eero Saarinen: A Reputation for Innovation, opening tomorrow at the A+D Architecture and Design Museum in Los Angeles, will highlight his short but brilliant career bookended with two iconic buildings: the unbuilt Smithsonian Gallery of Art which was to be Washington, DC’s first museum of modern art and Dulles International Airport which was designed as the nation’s first jet airport.
Today, the Royal Institute of British Architects (RIBA) honored Swiss architect Peter Zumthor for his significant influence on the advancement of architecture by naming him the recipient of the 2013 Royal Gold Medal.
It all started in Switzerland, in 1979, when Zumthor founded his “small yet powerful and uncompromising practice”. Since, he has built a prestigious, international reputation for creating “highly atmospheric spaces through the mastery of light and choice of materials”. From his small rural chapels to the Thermal Baths at Vals, the Zumthor experience ignites the senses, with “every detail reinforcing the essence of the building and its surroundings.”
RIBA President Angela Brady, stated: “Peter Zumthor’s work renews the link with a tradition of modern architecture that emphasizes place, community and material practice. His writings dwell upon the experience of designing, building and inhabitation while his buildings are engaged in a rich dialogue with architectural history. I will be delighted to present him with the Royal Gold Medal.”
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This year, the American Institute of Architects conferred its highest honor – the AIA Gold Medal – upon Steven Holl. I had the opportunity to talk with Steven about his sources of inspiration, a mid-career enlightenment, and his recent recognition as one of the most celebrated “American” architects.
Andrew Caruso: Balancing your practice with teaching and art is clearly a part of the designer we know you to be. How do these explorations shape your design point of view?
Steven Holl: Every project is unique: a site and a circumstance, a culture, a climate, a program. All of these forces are unique and you need a concept to hold the manifold pieces together, an idea that makes the project significant in its place and for its purpose. That is always the way I begin projects.
Illinois Institute of Technology (IIT) Provost Alan Cramb announced today the appointment of Wiel Arets as the new dean of the IIT College of Architecture. Born in the Netherlands, Arets, an internationally acclaimed architect, educator, industrial designer, theorist, and urbanist, is known for his academic progressive research and hybrid design solutions. He is currently the professor of building planning and design at the Berlin University of the Arts. His architecture and design practice, Wiel Arets Architects, has multiple studios throughout Europe and its work has been nominated for the European Union’s celebrated ‘Mies van der Rohe Award’ on numerous occasions.
Arets, who was dean of the Berlage Institute in Rotterdam from 1995-2002, will join IIT this fall and will lead an academic program originally shaped by the vision and work of Ludwig Mies van der Rohe. Considered by many to be one of the founders of modern architecture and design, Mies chaired the IIT architecture program from 1938-1958 and designed the IIT Main Campus, home to many of his iconic structures including S.R. Crown Hall.
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Raimund Abraham (1933-2010), who would have turned 79 today, was far from your typical architect. A striking figure – usually sporting a black fedora, thick moustache, and cigar – Abraham was a radical thinker who believed passionately in the sacred importance of architecture.
For Abraham, architecture existed just as legitimately in the mind as on the ground; as he put it: “I don’t need a building to validate my ideas.” In fact, many of his visionary drawings were exhibited as art, including in the MOMA. Although most of his designs were never actually built, those that were gained critical acclaim.
He was best known for the Austrian Cultural Forum in New York City, a 24-story, “guillotine-like” building curiously squeezed onto a plot only 25 feet wide. Architectural historian Kenneth Frampton called it “the most significant modern piece of architecture to be realized in Manhattan since the Seagram Building and the Guggenheim Musuem of 1959.”
To celebrate this great mind, we present you his final work, Musikerhaus (House for Music or Musician’s House), as photographed by Thomas Mayer. The House, a former NATO missile base turned artists’ residence/exhibition gallery (you can see the latest exhibition “The Reality of the Unbuilt” in the photos below), will be completed next year.
More photos & quotes, after the break…
Born in Guadalajara, Mexico, Luis Barragán was a formally trained engineer and self-trained architect. He is known for his emphasis on color, light, shadow, form and texture. In 1980 he received the profession’s highest honor – the Pritzker Prize. This video gives a brief overview of the prominent Mexican architect and his work.
In April, Black Spectacles filmed a discussion with Stanley Tigerman and the AIA Chicago Education Knowledge Committee revealing an intimate look at Tigerman’s 60+ years in the profession in his own words. The discussion is guided by a series of questions from the audience that send Tigerman into stories from his experiences, his attitude towards the profession today, technology and ethics.
Read on for key points from the interview after the break.
The AIA sat down with famed architect Frank Gehry - recipient of the 2012 Twenty-five Year Award - to discuss his eccentric Santa Monica home that has enormously influenced both theory and practice over the last 25 to 35 years. In the late 1970s, Frank Gehry transformed an existing Dutch colonial home in a quiet Southern California neighborhood into a controversial symbol of deconstructivism by surrounding it with an unconventional new addition. As the AIA describes, “The exposed structure, chaotic fusion of disparate materials, and aggressive juxtaposition of old and new communicate a sense of real-time formal evolution and conflict, as if the building were dynamically, violently creating itself with found objects.”
Our friends at Dwell have shared with us their short film featuring the legendary Michael Graves inside his beautiful Princeton home in which he created out of a disused warehouse. In the film, Graves shares the discoveries he made when renovating his house and thoughts about his career, his practice and universal design.
The film was directed and edited by Gary Nadeau. Continue after the break for the complete list of credits.
Marcel Breuer, born in Hungary in 1902, was educated under the Bauhaus manifesto of “total construction”; this is likely why Breuer is well known for both his furniture designs as well as his numerous works of architecture, which ranged from small residences to monumental architecture and governmental buildings. His career flourished during the Modernist period in conjunction with architects and designers such as founder of Bauhaus Walter Gropius, Le Corbusier and Mies van der Rohe.
In 2009, Syracuse University’s Special Collection Research Center recieved a National Endowment for the Humanities grant with which it began creating the Marcel Breuer Digital Archive. The digital archive, available online, is a collaborative effort headed by the library and includes institutions such as the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau, the Eidgenössische Technische Hochschule Zürich, Harvard University, the Archives of American Art at the Smithsonian Institution, the University of East Anglia, and the Vitra Design Museum. It is in the first phase, which includes Breuer work up until 1955, of digitzing over 30,000 drawings, photographs, letters and other related material of his work.
More about Marcel Breuer’s career and the archive after the break.
As we have shared with you earlier, CNN’s The Next List has profiled the young, Danish architect Bjarke Ingels. Originally aspired to be a cartoonist or graphic novelist, Ingels quickly became fascinated with architecture when a Fall storm rolled through his hometown in North Copenhagen, knocking over trees and leaving him a surplus of lumber. It was then that he was inspired to design his first project, the ultimate childhood “fantasy fort” with a moat, drawbridge and all. In Ingels first experience with value engineering, he quickly learned that “unless you really begin with the perimeters of reality you’ll end up sort of amputating your ambitions quite quickly.” Enjoy the video and be sure to check out CNN’s recent video focusing on the bold ideas behind BIG.