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The Ochoalcubo project, a pioneering experiment led by the entrepreneur and architecture lover Eduardo Godoy that seeks to unite leading Chilean and Japanese architecture practices with ground-breaking architecture, has started a new phase. Made up of 8 phases which involve 8 different architects, the first stage of this architecture laboratory took place in Marbella and included work from Christian de Groote, Mathias Klotz, Cristián Valdés, José Cruz, Teodoro Fernández, Cecilia Puga, Smiljan Radic and Sebastián Irarrázabal. Toyo Ito was the first international figure to participate in the project with the construction of the White O House in 2009.

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ARCHMARATHON has announced the winners of their 2017 Awards Program as the event, which took place at Faena Forum in Miami from October 12-14, comes to a close. Now in its 4th edition, the Awards focus on architecture studios that have been actively practicing in USA, Canada, Central America and Latin America.

Winners were chosen by a jury consisting of Luca Molinari, Francisco Pardo, Sebastian Salvat, Alejandro Paredes Fontanals and ArchDaily’s David Basulto and David Assael in in 8 themed categories: MOVING, LIVING, DREAMING, WORKING, CHILLING OUT, CARING, VISIONING and RE-THINKING. This year’s overall winner was awarded to Rozana Montiel | Estudio de Arquitectura + Alin V. Wallach for their community space, Common Unit.

See all the winners below:

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Last year saw the Alvar Aalto Foundation experience a record-breaking number of visitors at each of its four sites – a total of 42,755 as opposed to the 36,744 people that toured the sites in 2015.

Of those numbers, The Alvar Aalto Museum and the Muuratsalo Experimental House in Jyväskylä received a total of 20,005 visitors combined, half of which had arrived from outside of Finland to explore the Museum, while also continuing the recent trend of an increasing number of visits over the past five years.

As editors on the Projects Team at ArchDaily, we wanted to reflect on the projects published in 2016—and, based on those submissions, to consider what we hope to see from the submissions we will publish in 2017.

During 2016, the projects we published had a high level of visual impact. Axonometric views were part of the vast majority of our publications, democratizing understanding by creating easily accessible views which closely resemble reality. Secondly, the development of immersive video technology has allowed us to publish full 360-degree tours through the interiors of works of different sizes, generating images which are increasingly representative of the physical reality of the work in question.

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Each year, Faith & Form magazine and the Interfaith Forum on Religion, Art and Architecture (IFRAA) reward the best religious architecture, design and art for religious spaces. In their 2016 awards, the jury recognized 28 projects across 10 categories, with almost half of the winners designed for sites outside of North America. Aside from this diversity of location, another trend in the awards was a tendency toward material honesty and simplicity. "Several jurors were impressed with how designers used an economy of means with simple, elegant materials to meet the needs of congregations," said Michael J Crosbie, editor-in-chief of Faith & Form, adding that "a reverence for natural materials was seen in many submissions, and in winning projects." Read on to see all 28 winners.

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The Lisbon Triennale Millennium bcp Début Award was created to celebrate the achievements, and promote the careers of, young architects and practices under the age of 35.

More than 140 applications were received, representing five continents and including 39 countries including Portugal, Germany, Brazil, and Mexico, as well as Iran, Jordan, Sudan, and Palestine. The jury have praised the very high level of the proposals across the board.