The XVI Spanish Biennial of Architecture and Urbanism (BEAU) has presented the 50 finalist proposals from its ‘Works’ call. Organized by the MITMA through the Directorate-General for Urban Agenda and Architecture, in collaboration with CSCAE and Fundación Arquia, the upcoming event seeks to reflect on how architecture can transform the future under the theme ‘Me–dio Pla–zo’ (Medium Term).
Building above water means doing away with a part of construction that is quite literally the basis of most of our built environment: the foundation. In a world dominated by water, currents, and shifting levels are variables that simply cannot be ignored, which is why the most emblematic feature these projects share is their adaptability.
Instead of robust, deep bases – such as piles or caissons – designed to anchor architecture into the earth, floating structures frequently employ solutions like concrete pontoons or plastic drums to prevent the building from sinking. These are typically paired with anchoring systems to "fix" the structures, even if only temporarily, to a specific location.
Scandinavia is shaped by environmental conditions that test both human endurance and architectural ingenuity, with long winters defined by limited daylight, low sun angles, deep snowfall, and cold winds that transform everyday movement, gathering, and habitation into deliberate acts. In this context, architecture is never neutral, and hospitality is never incidental. Buildings that welcome visitors across cities, forests, and coastlines must respond directly to darkness and cold, not by denying them, but by creating interior worlds that offer orientation, warmth, and psychological relief. The act of welcoming in Scandinavia is therefore inseparable from the climate, grounded in the understanding that shelter, light, and human presence are fundamental resources in Arctic environments.
Adaptive reuse is shifting from simple preservation to active revitalization, a process of structurally rescuing and reprogramming architectural typologies whose original functions are no longer relevant. The obsolescence of architectural spaces occurs for varied reasons: sociological shifts, leaving spaces uninhabited; technological advances, phasing out specific machinery; and economic changes, making centralized functions necessary. The strategy of repurposing focuses on achieving spatial and functional longevity through minimal interventions, allowing the original structure to serve as the memory anchor of the project.
This wave of adaptive reuse treats the historic shell as a limited resource, prioritizing structural permanence over surface aesthetics. Designers are engaging in a sort of archaeological process by exposing the original structural essence: the heavy timber, raw concrete, or monumental masonry. Interventions are confined to meeting new programmatic needs, often appearing as an independent insertion within the ancient envelope. This contrast redefines the building's lifespan not as a singular narrative but as a layered story of continuous events.
In the autumn of 2024, the Kistefos Museum Foundation invited 28 architectural firms to participate in a prequalification process to design a new site-specific standalone gallery. Scheduled to open in 2031, the new museum building will house the art collection of the museum's founder, Christen Sveaas. The gallery will join Kistefos' sculpture park, which features 55 works by international artists such as Yayoi Kusama, Olafur Eliasson, Fernando Botero, and Anish Kapoor, as well as an industrial museum and BIG's award-winning art gallery, The Twist. Additionally, a new visitor center, designed by the Oslo-based architectural firm Lund Hagem, is set to open in 2026.
The European Commission and the Fundació Mies van der Rohe have announced the 40 shortlisted works for the 2024 European Union Prize for Contemporary Architecture – Mies van der Rohe Awards. Selected by the jury comprising 7 members: Frédéric Druot, Martin Braathen, Pippo Ciorra, Tinatin Gurgenidze, Adriana Krnáčová, Sala Makumbundu, and Hrvoje Njiric, from a list of 362 nominees, the projects “are spread out in 38 European Cities in 33 Regions and 20 Countries”, showcasing 14 different programs.
The ICONIC AWARDS 2023: Innovative Architecture –awarded by the German Design Council– honors the best achievements in architecture, pioneering interior and product design, outstanding brand communication and a particularly innovative use of materials in the architecture sector. The winners are examples of design excellence and inspiring solutions for current challenges. The international jury of experts emphasizes the importance of visionary design that is not only aesthetically inspiring but also ecologically and socially influential.
From 620 submissions from over 30 countries, the jury selected 62 pioneering projects for the “Best of Best” award. In addition, the special prizes “Architects of the Year”, “Interior Designer of the Year” as well as the honorary prize “Architects’ Client of the Year” were awarded. The award winners were honored at the BMW World in Munich on 4 October, 2023.
Under the motto "Me-dio Pla-zo," the XVI Spanish Biennial of Architecture and Urbanism (BEAU) inaugurated its exhibition at the Royal Artillery Factory in Seville, highlighting the future vision of architecture and urban planning. At the same time, all the awarded projects in the different categories of this edition involving Architectural Works, Research and Dissemination Works, and End of Career Projects were announced. Until November 20, 2023, the exhibition inspired by the concept of "boxes of time" will be available for visiting, aiming to explore the present as well as the medium-term ambitions of each work.
