Gender inequality in the practice of architecture is the result of a multifaceted process, within which the role of narratives woven daily by journalism remains understudied. Here, we present how two female architects were portrayed by Rio de Janeiro's daily press in the 1950s, aiming to examine how their professional image was constructed in a way that was inseparable from their personal lives.
For centuries and centuries we’ve built – and the diversity in our global built environment is a testament to that. The many different cultures around the globe have had different ways of building throughout history, adapting locally found materials to construct their structures. Today, in our globalized present, building materials are transported across the globe far from their origins, a situation that means two buildings on completely opposites sides of the world can be more or less identical.
Tragedy, protest, insurrection, and political turmoil have led to a renewed awareness of racial injustice and democratic instability. These issues create new challenges for users and designers of public spaces in America. Cultural spasms have resulted in contested public spaces — sites of killings, protests in streets and parks, and forgotten burial grounds. These spaces need a new form of environmental justice.
Comfortable outdoor spaces are more desirable than ever. Over the past couple of years, people have been spending more time at home, connecting with nature from the relative comfort of covered balconies, patios, and pergolas. But even with pleasant views, cooling breezes, and the warmth of the sun, covered outdoor spaces can be uncomfortable. Temperature variations, glare, rain, and wind quickly create an unpleasant experience. In warmer climates, insects can be an additional a nightmare.
Publishing architecture is necessary for the discipline itself to be understood as such. Without it, architecture becomes an endeavor devoid of public inquiry, confined to private practices. Yet its presence opens up a field that translates a material language into a written one, reformulating the discourses emerging from this arena. Among the “smallest” of these publications are fanzines—mediums that arise from a desire for self-management and low-cost, small-run production, capable of adapting to diverse content, whether in the form of a booklet or simply folded paper.
The playful potential of the fanzine has sparked growing popularity in Chile, culminating in its inclusion in the XXI Chilean Biennial of Architecture and Urbanism in 2019. Although awareness of this medium predated this event, there is still a gap in understanding its characteristics. This necessitates asking simple, almost naive questions about the specific conditions of its production—discussions that ultimately reveal an invisible network woven among individuals who, without knowing it, were already connected.
Clay walls have a high thermal inertia. This means that they act as a climate buffer that creates a thermal delay in the flow of heat from the outside to the inside, absorbing it during the day and releasing it overnight. The material is especially suitable for hot and dry climates, such as that of Gando, where Francis Kéré built his first school. After years of studying abroad, Kéré returned to his home community with the intention of building this school with the same materials historically used by locals, which many originally viewed as strange, as he said in this lecture. Despite the initial prejudice, it was the combination of local materials and techniques with Kéré’s acquired knowledge that ultimately gave strength to the project.
Under the latest round of NYC's Department of Design and Construction (DDC) Project Excellence Program, Commissioner Thomas Foley has announced that the agency has selected 20 firms to provide architectural design services for New York City’s future public buildings project. 10 of the selected firms are certified Minority- and Women-Owned Business Enterprises (M/WBEs), meeting the city’s ambitious goals of supporting M/WBEs and increasing its ability to generate culturally competent designs.
On February 24th, 2022, Russia launched the invasion of Ukraine, triggering the largest and most rapidly unfolding refugee crisis in modern-day Europe. According to the United Nations Office for the Coordination of Humanitarian Affairs (UNOCHA), nearly 6.5 million people were displaced within Ukraine, and 3.4 million fled across international borders into neighboring countries since the onset of the war. The humanitarian crisis united the world in protest against the military violence targeting civilians and triggered an unprecedented global response in support of the aid efforts. The architecture community has also rallied in support of Ukraine, condemning the war, halting work in Russia, and supporting Ukrainian creative professionals by hiring their services.
Martin Benavidez founded Ben-Avid in 2018, an architectural practice he runs from Córdoba, Argentina, where he develops national and international architectural projects of various scales and complexities.
His projects are commercial spaces, galleries and exhibition pavilions, urban and metropolitan transport infrastructure, among others. They are collaborative and tell stories. It is architecture that has a narrative. His Pavilion for Expo 2020 Dubai together with MMBB Arquitetos and JPG.ARQ is one of his most recent projects. Its protagonists are the waters of Brazil: its rivers and mangroves, a natural heritage that underlies the whole discourse on the sustainability of the planet.
Selected by ArchDaily as one of the Best New Practices of 2021, we conducted the following interview with Martin to tell us more in detail about all his inspirations, motivations, work processes and upcoming projects.
Paris has been making headlines for years with its aggressive steps to anti-car, pro-pedestrian urban improvements. Faced with increasing issues around air pollution and an attempt to reclaim streets for alternate modes of transit, as outlined in their proposed plan for a 15-minute city, the French capital is seen as a leader in future-forward urbanist strategies. Recently, their department of transportation set a deadline for their lofty goals of eliminating traffic from its roads. In just two years from now, in time for the French capital to host the Olympics, Paris plans to ban non-essential traffic from its city center, effectively eliminating around 50% of vehicular mobility. What does this plan look like? And how might other cities use this strategy to eliminate their own urban issues?
With a history that dates all the way back to 1834, manufacturer of luxury cases and safes WOLF knows all about the importance of protecting not only treasured possessions, but legacy, too.
Last Tuesday, March 15, Francis Kéré became the first African architect to win the Pritzker Prize, the most important award in the architecture discipline.
The election of Kéré is not only symbolic in a time of identity demands, where the institutions that make up the mainstream are required to more faithfully represent the social, cultural, and sexual realities that make up our societies, but it also confirms the recent approach of the Pritzker Prize jury.
In recent years, there has been an increased focus on indoor lighting, especially in the context of the growing numbers of open-plan offices. In large parts of the world—and especially in Nordic countries—people can spend up to 80-90% of their time indoors. The light we are surrounded by affects both our circadian rhythm and hormones, making our indoor environment and its light an important factor of our well-being. Opinions on the optimal indoor lighting solution—and if one exists at all—are numerous and divided. To gain some more insight into this, the Danish lighting manufacturer Louis Poulsen set out to test the effects of various artificial lighting conditions in their own head office in Copenhagen.
The 60th edition of Salone del Mobile.Milano 2022, which will take place from the 7th till the 12th of June 2022 at the Fiera Milano Rho, is reflecting on the ongoing ecological transition of the design world, with a mission to "demonstrate that it is both possible and crucial to start embedding sustainability and environmental awareness into furniture production". More than 2,000 exhibitors, including over 600 young designers under the age of 35, will express their own identities and creative freedom, using the exhibition space as both an architectural and communication element with sustainability and ecology as main criteria.
Aedes Architecture Forum recently inaugurated the "Jinyun Quarries – The Quarry as Stage" exhibition, which showcases the transformation of abandoned stone quarries in the Zhejiang Province, China, into a platform for cultural and social activities. Beijing architect Xu Tiantian and the team of DnA_Design and Architecture were tasked with developing a new public infrastructure inside nine of the mines in Jinyun County, thus opening up new economic perspectives for the local people. Running until May 5th, the exhibition highlights the extraordinary spatiality of the stone quarries while communicating the complexity of the structures through a series of models, plans and photographs of the interventions.
Based in São Paulo, Atelier Marko Brajovic was founded in 2006 by architect Marko Brajovic. With a multidisciplinary practice, the idea of the hybrid manifests itself as the conceptual north of the office that operates on several fronts: architecture, scenography, expography, creative direction, interior and product design. With a vast language that explores different areas, formats and aesthetics, its projects are, above all, recognized for breaking with the modern canon and seeking solutions in nature.
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Balconies provide residents with great views while literally and figuratively looking down on the neighbors, but they also offer numerous other advantages.
When we think of healthcare, we think of doctors, nurses, surgeons, radiologists, and anesthesiologists – the people who treat illnesses and save lives.
Yet we often overlook a large group of people who make saving lives possible – medical coding specialists, healthcare service managers, hospital architects and engineers, and others working behind the scenes to deliver positive health outcomes.
São Paulo's downtown area clearly displays the contradictions of our cities. On one hand, vacant properties sit idle in areas well-served by urban infrastructure; on the other, the number of people experiencing homelessness is growing, sheltered in tents and precarious, makeshift structures.
With the magnitude and urgency of the immediate Covid-19 crisis worldwide, efforts have been concentrated on saving lives, rather than focusing on concerns related to the road to Net-zero carbon. Net Zero carbon in regards to construction is defined as when the amount of carbon emissions associated with the construction of a building and its completion is zero. A zero-energy building will have an overall zero net energy consumption; the total amount of energy used by the building annually is equal to the amount of renewable energy generated on-site.
As the climate emergency presents itself as a severe and existential threat, it is crucial that the road to net-zero carbon is resumed large-scale in both an architectural and commercial sense. Around the globe, efforts have been renewed in an attempt to tackle the almost inconceivable. According to the 2019 global status report for buildings and construction, the buildings and construction sector accounted for 36% of final energy use and process-related carbon emissions in 2018. Although carbon emissions were temporarily reduced during the peak of the pandemic, they are set to swiftly return to previous figures.
On Thursday (10), the São Paulo state government announced the project for Brazil's first long-distance highway bicycle path, the Ciclovia dos Bandeirantes, along the Bandeirantes Highway.
Located between São Paulo and Itupeva, the new bicycle path will connect the state capital to the newly launched Serra Azul Tourist District in Itupeva, spanning approximately 57 kilometers.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina discuss mental health and burnout in architecture, covering how the issue is perceived by different generations, why looking to other colleagues and professions can be helpful but also not helpful, passion as a solution and problem, the inherent complexity of architecture, architects being undervalued, whether or not architecture school should change, the instability of a project-based practice, and the main reasons for poor mental health and burnout exist in architecture and how they can be addressed.
How can we analyze the environmental impact of buildings? What strategies could be developed to improve people's quality of life and achieve a harmonious relationship with the environment? Year after year, more questions are added to the design decision-making process of thousands of architects around the world. They seek to take action and implement policies that improve the environmental performance of their buildings, reducing energy and resource consumption while also lowering greenhouse gas emissions and waste production.
Once seen as a strictly utilitarian service area, the kitchen has increasingly integrated into daily family life, establishing itself as one of the most used spaces in a home. To seamlessly connect it with the rest of the residence, especially in small apartments, open-plan kitchens have become a favorite choice among clients.
.jpg?1647823485 "Gando Primary School Extension / Kéré Architecture. Image © Erik Jan Ouwerkerk")
.jpg?1647822667 "Serpentine Pavilion / Kéré Architecture. Image")
.jpg?1647822697 "Startup Lions Campus / Kéré Architecture. Image")
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