In Accra, the capital of Ghana, Owusu, his wife, and their four children share a house with five other tenants and their families in the Tantra Hills neighborhood. The house has one bathroom and electricity, but the costs of both are excessively high. Because it is not connected to the municipal water grid, Owusu must buy water from vendors who charge high prices. The electricity bill, around $50 per month, is higher than his rent of $33. With a monthly income of $175, Owusu lives in constant fear of eviction if rent, water, or electricity prices rise.

In addition, Owusu's neighborhood lacks easy access to public transit. The nearest bus stop is about a kilometer away, and he typically waits up to 30 minutes for a bus. His commute to work at a gas station takes around two hours, even without traffic. From Monday to Saturday, he leaves home at 4:30 AM to beat the rush hour.

Imagine housing strangers in your backyard. Some time ago, the idea might have sounded absurd, but the boom in the tourism market (before the pandemic) made alternative lodging options, such as CouchSurfing and Airbnb, highly sought-after. In Seattle, Washington's largest city, a project is seeking volunteers willing to open up their backyards to install tiny shelters. Unlike programs aimed at young travelers, this initiative has a social purpose: the goal is for people to actually live in these spaces. 

The *Block Project* was conceived by architect Rex Hohlbein after he opened up his own property to house a homeless artist. For Hohlbein, the community must get involved if it wants to solve the housing crisis affecting major cities. Seattle ranks among the 100 most expensive cities in the world to live and work, according to Mercer's 2021 global survey. 

In this episode of Arquicast, the conversation revolves around a film that, despite being set in the only project by Le Corbusier actually built in Latin America, centers its plot on an architectural element that is, shall we say, almost secondary from the work's compositional standpoint: the back boundary wall. We are talking about the award-winning Argentine film The Man Next Door (El hombre de al lado). Neighborly relations and architecture itself serve as the starting point for the directors to address thorny issues such as property rights, social inequality, culture, and intolerance. 

The Tomie Ohtake Institute and AkzoNobel present the 13 projects selected for the eighth edition of the Tomie Ohtake Institute AkzoNobel Architecture Prize. The selection was made by a jury comprising architects Ariadne Moraes, Carlos Alberto Maciel, Cintia Lins, Diego Mauro, and Tainá de Paula.

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Cora Coletivo, a transdisciplinary Brazilian group, developed a project in the city of Dongguan, China, for the Urban Greenhouse Challenge II (UGC2) competition. The proposal for an iconic timber-structured vertical farm houses culture, leisure, and the entire food production and distribution chain. In addition, the site features landscape design in its open spaces and an Agroforestry System (SAF) for food production.

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Architecture students from Mackenzie Presbyterian University in São Paulo have won the 14th ALACERO Steel Design Competition for Architecture Students 2021, surpassing competitors from countries such as Argentina, Chile, Mexico, Ecuador, and the Dominican Republic. The competition aimed to promote architectural concepts that utilize steel as their primary material.  

In this episode of the Caos Planejado podcast, architect, professor, and researcher Ester Carro shares her experience leading the Fazendinhando movement, a social urbanism project focused on territorial, cultural, and social transformation in the Jardim Colombo neighborhood, in São Paulo's West Zone.

An estimated one billion urban residents live in informal settlements. These settlements have grown in response to rapid population growth and a lack of affordable, higher-quality alternatives. They are "informal" because they do not comply with government regulations. Historically, the official response was typically intimidation or, if they were not highly visible, neglect.

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