This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

During the last week of August, the New York City government announced a new project for the MADE Bush Terminal in Sunset Park, Brooklyn. It involves the transformation of the old industrial building into a center for the recovery, storage, sorting, and redistribution of construction materials during a one-year pilot program. The initiative echoes a wave of similar circular construction hubs recently launched or announced across Europe: a converted warehouse in Brussels, an industrial site adaptation in East London's Royal Docks, and a cross-border network supported by CirCoFin spanning Munich, Copenhagen, Lisbon, and Scotland, each repurposing industrial buildings and infrastructure to support the reuse of construction materials.

+ 1

Since the 2008 crash, a scatter of small practices (none more than fifteen years old and none large enough to need a manifesto in the traditional sense) have arrived, independently of one another, at some version of the same refusal: to sound too certain, too soon, in a discipline that had spent the previous decade selling confidence as a finish. They would probably resist being filed under one heading, but the coincidence itself is that something about practising architecture after 2008 made innocence look like the only posture worth trying.

At least from 2019 onwards, Fala has circulated a two-word description of itself, repeated verbatim across dozens of architecture outlets: a "naïve architecture practice." No footnote, no irony, just an office, founded in 2013, that built a decade of houses, birdhouses and institutional commissions on a term architecture had spent a century trying to outgrow. The question the phrase raises is not whether the buildings are any good (as they generally are) but what it means for a practice to choose innocence as a public position. Where does post-irony end and marketing begin?

+ 15

+ 21

+ 34

+ 40

+ 7

+ 17

+ 23

+ 27

+ 23

+ 23

+ 53

The United Nations General Assembly has voted to promote the use of world map projections that more accurately represent the relative size of continents. The resolution was presented during a session at the UN headquarters in New York on September 4 and received 164 votes in favor, with one country voting against and six abstaining. Sponsored by Togo, the resolution encourages governments, educational institutions, international organizations, and technology companies to use equal-area projections when geographic scale is relevant. The resolution does not formally replace or prohibit the use of the Mercator projection, which has been widely used since the 16th century. Instead, it calls for greater use of projections that preserve the relative area of landmasses and encourages education about the limitations of representing the Earth's curved surface on a two-dimensional map. The 2018 Equal Earth projection is identified as one example of a map that more accurately represents continental scale.

+ 3

+ 28

The German Federal Ministry for Housing, Urban Development and Building has appointed Kawahara Krause Architects, Andres Lepik, and Olga Cobuscean as curators for the German Pavilion at the 20th International Architecture Exhibition — La Biennale di Venezia 2027. The exhibition is titled "CONVIVERE — A Repertoire of Living Together" and turns visitors' attention to the in-between spaces of housing: the threshold, the stairwell, the courtyard, the space in front of the door. The curatorial argument starts from a diagnosis of today's growing social isolation, political polarization, and increasing pressure to build more and faster, and uses these spaces, where everyday coexistence begins, to ask how architecture can contribute to the foundations of democracy.

+ 3

A greenhouse is a building designed to create one climate inside another. By controlling sunlight, heat, and ventilation through its enclosure, it produces conditions that differ from those outside. Traditionally, that controlled environment was designed around plants. In housing, the same principle is increasingly being used to shape spaces for people.

Bringing greenhouse construction into a house offers more than additional enclosure. It can create sheltered spaces without conditioning them like conventional interior rooms, capture solar heat when it is useful, provide ventilation when temperatures rise, and extend the periods of the year when certain areas of the home remain comfortable to occupy.

+ 11

+ 30

+ 32