Ningbo History Museum, by Wang Shu. Photo: Santo Chino, via VisualHunt.com
Urban mining seeks to explore and recover valuable resources found within the waste discarded in cities. While traditional mining extracts raw materials directly from the earth, this concept focuses on those hidden within products discarded by the population, such as plastic, glass, and ferrous and non-ferrous metals (iron, gold, silver, aluminum, copper, etc.) that can be reused by industry.
Simply put, while traditional mining focuses on virgin minerals, urban mining recycles and recirculates these materials from items returned by consumers after use. When disposed of improperly (in regular trash or the environment), they can end up in open landfills or dumps, harming flora, fauna, and human health.
Rabab Raes Kazem, Envisioning the future of Kuwait, 2023. Collage, Print on Mylar, 42cmx29.7cm. Image Courtesy of NCCAL
The Kuwait Pavilion, titled 'Rethinking Rethinking Kuwait,' at the 18th International Architecture Exhibition — La Biennale di Venezia, delves into innovative architectural and urban design methods arising from space and time. The project is an ongoing exploration addressing the consequences of modernist urban planning, which erased much of Kuwait's historic built environment.
Old and compartmentalized plants, small openings, and lower floors receive scarce natural light. Improving natural lighting in an apartment can be challenging. However, some strategies can help maximize light entry into interiors and bring benefits such as comfort, spaciousness, well-being, and energy savings.
In the center of Cairo, The Nile River, one of the world's most iconic waterways, has shaped the course of civilization for thousands of years. Serving as a vibrant lifeline, connecting neighborhoods, and providing a bustling hub for transportation, the Nile River is an essential natural resource for arid Cairo. Throughout the country’s history, it has often been regarded as the source of life in fertility in its annual flooding, bringing richness to the surrounding lands. Interestingly, this year's edition of La Biennale di Venezia, the Pavilion of Egypt "NiLab" focused on exploring this layered water source and unfolding its effects on the built environment.
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Pelourinho in Salvador. Photo by Kunze, via Visualhunt
Pelourinho, located in the Historic Center of Salvador, Bahia, is one of the most well-known, publicized, and visited landmarks of the Bahian capital. With an urban and architectural colonial heritage of great cultural significance, it was designated a World Heritage Site by UNESCO in 1985. Spanning over four centuries of history, the district has hosted a wide range of activities, functions, and dynamics, its trajectory deeply intertwined with that of the city itself. Today, it is one of Salvador's primary tourist attractions, hosting a variety of tourism facilities such as hotels, restaurants, and museums in addition to its colonial architecture.
Buildings consume natural resources. Whether in their construction or during their operation, architecture can have a significant impact on the environment. Promoting sustainable practices to minimize energy, water, and material consumption is essential to reduce carbon emissions and help mitigate the climate crisis. With the ongoing debate surrounding sustainability, environmental consciousness has not only become vital, but it has also started to add value to properties built with this focus. Therefore, moving beyond mere greenwashing, we must look for solutions that make a real difference.
On January 24th, the fifth edition of the 'International Education Day' was celebrated under the slogan "Invest in people, prioritize education". Proclaimed by the United Nations General Assembly, it promotes a strong political mobilization seeking to chart the way and accelerate progress towards the 4th Sustainable Development Goal: Quality Education.
Mexican architect Carlos Lazo's Cuevas Civilizadas project in Mexico City. Image Courtesy of The Isamu Noguchi Foundation and Garden Museum
Contemporary architecture's approach to space is fairly linear: enveloping a specified volume within some form of material construct. But if we take a look at humanity's first intentional dwellings, it becomes clear that they were much less premeditated.
Rather than manmade areas to be furnished with pride, our earliest homes were naturally occurring cave lairs that offered hunter-gatherers temporary protection from the elements and potential predators. It wasn't until the appearance of agriculture that our ancestors took permanent, built residences. To this day, troglodytism — or cave living — continues to be connected to ideas of societal disassociation and a hermetic desire to exist outside of orthodox architectural norms. And yet, from Northern China to Western France and Central Turkey, hundreds of millions of people still choose to spend their lives at least partially underground.
Researchers from the Graduate School of Oceanography at the University of Rhode Island have published a study showing that New York City is sinking under the weight of its countless, massive buildings. The skyscraper density of the Big Apple is increasing the risk of flooding in the city.
In addition to flooding and sea level rise driven by climate change, the risk for New Yorkers is growing because the city is sinking by an average of 1 to 2 millimeters per year, with some areas sinking at twice that rate.
The greenhouse is a commonplace architectural typology, a frequent fixture in a host of cities, built to shield plants from the elements — from excess heat or cold or to prolong the growing season of crops. Evidence of the presence of greenhouses in some form stretches as far back as the 1450s during the Korean Joseon dynasty, but it is in the 1700s that the greenhouse was born as a specific architectural form. Glassmaking improved, and thus the largely transparent, wide-span structures we know today were born. Nestled under the intricate iron metalwork of greenhouses are also wider stories — of control and undeserved wealth, and resistance.
The circular economy concept became more defined in 1990 when it appeared in the article Economics of Natural Resources and the Environment, by British economists and environmentalists David W. Pearce and R. Kerry Turner. At the time, the main purpose of the research was to demonstrate that the traditional economy did not incorporate recycling. In this way, the environment assumed a secondary role, just like a simple waste reservoir. Therefore, the circular economy would gain strength as an opposition to the linear (or traditional) economy, in which the production chain motto is “extract, produce and discard”. A model deeply rooted in our economy that has become unsustainable for several reasons, like the depletion of natural resources and the contamination of the environment resulting from production and disposal.
No País dos Arquitectosis a podcast created by Sara Nunes, who also runs the architectural film production company Building Pictures. The project aims to profile the professionals, projects, and stories behind landmark contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a highly compelling country in this professional field, with an architectural production that far exceeds what its population or territorial scale would suggest.
In this episode of the fifth season, Sara talks with architects Helena Vieira and Pedro Ferreira from the office Plano Humano Arquitectos about the design of the Chapel of Our Lady of Fátima. Listen to the conversation and read an excerpt of the interview below.
We present a challenge: building with less water. The construction process consumes a massive amount of water resources, and it is time to rethink how we can reduce this environmental impact.
As you make your way through the symphony of wooden colonnades, leafy screen walls, and unfurled roofing, towards the converging veins of flooring and ceiling ribs leading to the light, it feels like a space that was always meant to be there. Part of the park, the pavilion complements the nature around it, reflecting its patterns, and illuminates a main interior feature: a concentric set of tables and stools that inspire people to sit at the moment, hold conversations, and connect with each other. This narrative tells the tale of this year's Serpentine Pavilion, designed by French-Lebanese architect Lina Ghotmeh.
Titled, À table, It draws inspiration from the designer’s connection with nature growing up and is reminiscent of the French call to sit together at a table, share a meal and enter a dialogue. It foregrounds the table as a laboratory of ideas, concerns, joys, connections, and essentially brings people together. It further reflects on the architectural ideals that can provoke and welcome moments of collective conversations.
Which are the criteria for the regeneration of a former industrial site? Restore to Impact, the international Call for Ideas powered by the Chiesi biopharmaceutical Group, aims to identify innovative, evolutionary and transversal concepts as guidelines for the future regeneration project of its historic industrial site in via Palermo in Parma. In this context, it has defined its guiding principles to evaluate the concepts submitted by April 30th.
Flexibility, adaptability over time, and porosity are understood as the ability to dialogue with the physical and social context. In addition, the quality of the landscape and public spaces are also related to connectivity and sustainability in technological, environmental, economic, business and innovative terms.
Henning Larsen has been selected as the winner of an international competition for the design of Kurfürstendamm 231, a new mixed-use urban development in western Berlin, Germany. Other finalists in the competition included Cobe, David Chipperfield, and Mäckler Architekten. The winning concept centers the neighborhood around an urban courtyard which acts as a large-scale meeting place for the local community. Nine buildings define the courtyard, including the existing Agrippina House, which is set to be rehabilitated through the project.
The firms Effect Arquitetura, from Brazil, and Ben-Avid, from Argentina, have partnered to design a multi-sport and events arena with a capacity of approximately 3,000 spectators. The building was designed to serve as the main venue for the 2021 Central American Games in Santa Tecla, El Salvador.
Located on a plot of land approximately 260 meters long by 60 meters wide, the building is bordered by a creek, a main avenue connecting it to the rest of the city, and a small local street. The topography features three stepped levels, sloping down toward the rear of the site along the avenue.
West Bund Orbit. Image Courtesy of Heatherwick Studio
Heatherwick Studio has unveiled the design of an exhibition hall situated on Shanghai's emerging West Bund waterfront, in China. Known as the 'West Bund Orbit,' this building will be the focal point of the new Financial Hub in the Xuhui District. Set to become a prominent landmark along the Huangpu riverside, the project is a pivotal public space for passersby, welcoming visitors to its cultural design program.
Trans-scale is an interesting word. It can mean the passage from one scale to another, a shift in magnitudes. It can also mean the negation of the scale itself, the refusal to accept its physical limits. It is also the term used by Pedro Varella to describe the practice of gru.a (a group of architects), a Rio de Janeiro-based office of which he is a partner along with Caio Calafate. Supported by a tripod of design, education and research, gru.a has carried out a relevant set of works that have earned it recognition within and outside Brazil in just over ten years of work.
Nominated for the Mies Crown Hall Americas Prize (MCHAP) 2022 and the DÉBUT of the Lisbon Triennial 2019, gru.a also has two first-place trophies in the Tomie Ohtake AkzoNobel Architecture Prize (2015 and 2019), as well as awards in design competitions. More recently, in 2022, it was included in ArchDaily's list of best New Practices for a work based on resource economy that challenges the conventional limits of architecture and claims the possibility of being read as art.
The simplest definition of a vaulted ceiling is a self-supporting arched structure to cover a space. This technique was used extensively during the Roman Empire and the Middle Ages but fell into disuse with the advance of other building solutions that became more practical. However, many contemporary projects still build these elements or highlight the original structures in renovations because of their powerful impact on the building design.
Enhancing the energy performance of existing buildings through refurbishment processes provides the opportunity to create more comfortable and sustainable environments, while also improving their functionality, aesthetics, and safety. Architectural approaches to these renovations encompass various aspects of a building, including interior spaces, structure, internal systems, and facades.
When it comes to rethinking a building's envelope, STACBOND’s composite panel solutions delve into the development of ventilated facades. These facade systems serve as an architectural strategy for energy-efficient building renovations. Minimizing energy consumption for heating and cooling, the rehabilitation strategy incorporates thermal insulation, moisture management, and thermal mass optimization.
OmniRoom is a new room-in-room system developed by Mute. The product uses patented technological innovations and the benefits of modular architecture to offer a quick and easy solution for building comfortable and reshapable workspaces suitable for new, hybrid work environments. The product has already been recognized with the Mixology'23 Product of the Year award nomination.
Tour Triangle . Image Courtesy of Herzog & de Meuron
The city of Paris has officially reinstated a rule that limits the height of new buildings in the French capital to 37 meters, or 12 storeys. Among the factors for the decision was the controversy surrounding the construction of the 180-meter-tall Tour Triangle, designed by Herzog & de Meuron, which began in 2021 after more than a decade of legal battles and backlash. The new urban planning regulation is introduced as part of Mayor Anne Hidalgo's Local Bioclimatic Urban Plan, which aims to reduce Paris' carbon emissions.
Collaborative construction of Circo-lô at the IDE Association in Botucatu | SP. Photo: Tomaz Lotufo
According to data released by the CAU/DF in 2022, more than 82% of the Brazilian urban territory grows informally and through self-construction—a vibrant phenomenon manifested across the country. By "self-construction," we refer to a popular architecture, vividly expressed by people freely building their own homes.
While this scenario showcases a rich building culture, with creative solutions, technologies, and adaptations to local resources and contexts that involve valuable knowledge, it also reveals a high level of housing precariousness. Unsanitary environments and a lack of basic infrastructure expose residents to numerous hazards.
